Archive for Steve Wands

Wednesday Comics #5

Posted in Comics, DC, Wednesday Comics with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 8th August, 2009 by Adam Redsell
Thank God it's Wednesday.

Thank God it's Wednesday.

Onto week five of Wednesday Comics, and there’s much to report.  I’ll go through it page by page as I did with the first issue:

Batman
Author: Brian Azzarello
Artist: Eduardo Risso (with Robins & Mulvihill)

There’s a moody, green atmosphere back in the Batcave as Bruce Wayne pieces together the evidence surrounding Carlton Glass’ murder.  Alfred, as always, makes a pointed observation on the Batman/Bruce Wayne dynamic.  I love the layout on this page; the smaller panels on the outside give the feeling of “putting the pieces together”, while the central spread of the Batcave suggests an “openness” and scope.  I love Eduardo Risso’s facial expressions and close-up shots; they help establish an intimacy with the characters.

Kamandi: The Last Boy on Earth!
Author: Dave Gibbons
Artist: Ryan Sook

Kamandi: The Last Boy on Earth! is explosive action as always.  The unlikely pair of Kamandi and Prince Tuftan the anthropomorphic tiger take on an entire army of apes in an attempt to save the first human girl they’ve ever seen.  Dave Gibbons has handed Ryan Sook the reins, quite happy to observe from afar. Without a doubt, though, it is Gibbons’ visual storytelling sensibilities coupled with Sook’s beautifully detailed action drawings that have made this story such a treat to behold.

Superman
Author: John Arcudi
Artist: Lee Bermejo
Colorist: Barbara Ciardo
Letterer: Ken Lopez

It didn’t take long for Arcudi’s Superman to go from intriguing sci-fi action to emo navel-gazing – one issue in fact – and it hasn’t been the same since.  I’d like to see it return to form, but clearly that was just the setup for this revisitation of Kal-El’s origins.  I suspect this was nothing more than an excuse to have Bermejo depict the destruction of Krypton in excruciatingly beautiful detail.  Maybe this would have been better as a straight re-telling rather than a flashback.  Superman’s banging on about “not belonging” even though he’s got the two greatest parents on Earth: Ma and Pa Kent.  What an ingrate.

Deadman
“The Dearly Departed Detective: Part V”
Authors: Dave Bullock & Vinton Heuck
Artist: Dave Bullock
Letterer: Jared Fletcher
Colorist: Dave Stewart

Deadman got a whole lot better when he stopped talking and started fighting.  Since the sharp drop in speech bubbles in issue 4, the panels have opened up to Boston Brand’s acrobatics and hard-boiled introspection.  Question, though, can Deadman really die?

Green Lantern
Author: Kurt Busiek
Artist: Joe Quiñones (with Pat Brosseau)

I know I bashed on Busiek last week (or yesterday) for flashing back, but this time it actually works.  Hal reminisces on his space college days as he races to save his mutating astronaut friend.  I suspect this is to emotionally ground the inevitable battle between the two.

Metamorpho
Author: Neil Gaiman
Artist: Michael Allred
Colorist: Laura Allred
Letterer: Nate Piekos

Gaiman really picks up his game this time, returning with the humour and aplomb he brought to the first issue.  Metamorpho’s billionaire boss Mr. Stagg decides to stop for lunch in a booby-trapped Antarctic temple and hilarity ensues!  Metamorpho finally gets to put his elemental powers to good use!

Teen Titans
Author: Eddie Berganza
Artist: Sean Galloway
Letterer: Nick J. Napolitano

Teen Titans is just so pale and boring.  The soft lines and washy colours don’t help matters much, but the paper-thin plot and ever-switching perspectives are the main culprit here.  I just don’t care about what’s happening here, and I feel as though I’m expected to.  In fact, I’m still not entirely sure just what is happening here…

Strange Adventures
Author & Artist: Paul Pope (and Jose Villarrubia)

Even the Rannian Wastes are beautifully exotic in the hands of master artist-writer Paul Pope.  This time Strange Adventures has a decidedly Arabian Nights-style feel to it.  With Adam Strange nowhere in sight, it strikes me that his wife Alanna may be this title’s protagonist.

Supergirl
Author: Jimmy Palmiotti
Artist: Amanda Conner
Colorist: Paul Mounts
Letterer: John J. Hill

Palmiotti’s Supergirl is cute and charming and all, but I can’t help but wish there was more to this story than rounding up some rowdy super-pets…

Metal Men
Author: Dan DiDio
Artists: José Luis García-López & Kevin Nowlan
Letterer: Kenny Lopez
Colorist: Trish Mulvihill

A standard bank robbery has evolved into a hostage situation.  A very personal hostage situation for Doc Magnus.  DiDio creates a tense atmosphere throughout, but isn’t afraid to break it up with some classic Metal Men humour.

Wonder Woman
Author & Artist: Ben Caldwell

Reading Caldwell’s Wonder Woman is an exercise in frustration.  The claustrophobic panels make it near-impossible to follow or even read.  I’ve at least managed to figure out the basic story: Diana is accumulating all of the necessary accoutrements to become Wonder Woman in her fitful sleep, under the guise of collecting the “seven stars”.    It seems that most of these legendary items are in Ancient China, though, which I don’t quite understand.

Sgt. Rock and Easy Co.
Author: Adam Kubert
Artist: Joe Kubert

I said before that it’d be interesting to see where the Kuberts go from here, and the answer is nowhere.  Nowhere in five weeks is a lot of nowhere.  More visceral images of Rock being tortured.

Flash Comics/Iris West
Authors: Karl Kerschl & Brenden Fletcher
Artist: Karl Kerschl
Letterer: Rob Leigh
Colorist: Dave McCaig

This is a great story!  Barry Allen keeps revisiting the same moments with Gorilla Grodd and Iris West, but each time his nemesis and his lover throw him yet another curveball.  It just goes to show that turning back time won’t solve everything — in fact, it’ll do quite the opposite!

The Demon and Catwoman
Author: Walter Simonson
Artist: Brian Stelfreeze (with Steve Wands)

Walter Simonson’s Demon may not rhyme, but he’s still a damn fine poet.  Catwoman’s not really worthy of her double-billing at this stage, though, so hopefully she’ll shine next week.

Hawkman
Author & Artist: Kyle Baker

It’s disappointing that the sci-fi element of this story was dispensed with so handily this week – I was under the impression that the alien threat was still there – but hopefully we’ll see it return.  Hawkman’s only stopping a plane crash this week, but the final caption promises that next week “it gets worse!”

I’d have to say that this has been by far the strongest installment of Wednesday Comics.  The greats are still great, and some under-performers really hit it out of the park this week.  Certainly worth a read.

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Blackest Night: Tales of the Corps #2

Posted in Blackest Night, Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 28th July, 2009 by Adam Redsell
"Unnecessary" has never been so entertaining.

"Unnecessary" has never been so entertaining.

Authors: Geoff Johns, Peter Tomasi & Ethan Van Sciver
Artists: Eddy Barrows, Gene Ha & Tom Mandrake
Inkers: Ruy José
Colorists: Nei Ruffino & Pete Pantazis
Cover Artists: Ed Benes, Rob Hunter & Nei Ruffino
Variant Cover Artist: Rodolfo Migliari
Letterers: Steve Wands & Sal Cipriano
Editor: Adam Schlagman

Once again, I have to disagree with this book’s detractors.  Tales of the Corps #2, like the first issue, is an entertaining read, and while its connection to Blackest Night proper may not be readily apparent, it fleshes out the players in this War of Light.  The emotional spectrum is an interesting concept in itself, and though the seeds were planted from the very beginning of Geoff Johns’ stellar Green Lantern run, it’s clear that not all avenues have been explored in the rush to get to Blackest Night.  Perhaps it was editorial pressure; perhaps it was fan demand; I don’t know – but if this book affords Johns and his cohort the opportunity to explore this War of Light in greater detail, then I’m all for it.  And if you’re a Green Lantern fan, you’ll be all for it too.

Like the first issue, the opening story is by far the strongest.  “Fly Away” tells the tale of angelic beauty, Princess Bleez, and how she comes to embrace the rage of the Red Lantern Corps.  I wasn’t being flowery when I used the word ‘angelic’ either, Bleez has wings – with feathers – and Johns uses these as a simple narrative device to tell a story of freedom yearned for and ultimately, lost.  Eddy Barrows’ pencils are breathtaking, especially in depicting Bleez and her home planet, Havania.  It just goes to show that when given a full story to work with, Barrows absolutely shines (not that that was ever in doubt in the first place).  It’s not just the beautiful vistas he excels in either; his penchant for gritty, horror-inspired visuals is also on display here.  Credit must also go to Nei Ruffino, whose colours went a long way toward evoking the beauty of Bleez and her planet homeland.  All of this beauty – Bleez’s soft, metallic skin and Havania’s crystalline waterfalls – lends the story a great deal of its power when the Sinestro Corps come to strip it all away.  It’s interesting that Bleez’s turn as a Red Lantern owes more to the Sinestro Corps than it does the Red Lanterns themselves.

The second story, also penned by Johns, centres on Carol Ferris, and how she came to be a Star Sapphire.  “Lost Love” is beautifully drawn by Top 10 artist and co-creator, Gene Ha.  As much as I love any opportunity to enjoy Ha’s artwork, I’m going to have to side with the naysayers here and say that, yes, this story is entirely unnecessary.  We have seen most of this before.  The entire story essentially takes place within the confines of Carol’s cockpit, as she converses with the violet ring.  On comes a series of violet-filtered flashbacks concerning Carol and Hal Jordan’s on-and-off love relationship.  Now that the Star Sapphires have refined their crystals into rings for recruitment purposes, acceptance of the ring is voluntary.  This doesn’t ring true to me – the situation and the conversation itself seem to be a contrivance on Johns’ part to separate this particular instance from the earlier ones – it attempts to rationalise something that isn’t at all rational, and that is Love.  The conversation between Carol and the violet ring is a thinly veiled internal monologue, and it comes off as being rather stilted in the end.

The third and final tale in this collection chronicles the journey of the all-conquering, alien floating head, known as Blume.  Peter Tomasi excels at these kinds of dark, quirky tales, and “Godhead” is no exception.  The malevolent head prowls the universe, hungry for anything of value.  Amidst these flagrant displays of greed and cruelty, Tomasi achieves rare moments of poignancy, as Blume learns the true subjectivity of value and sheer breadth of what is valuable to people.  Blume’s fate as an Orange Lantern construct is a foregone conclusion, but that doesn’t rob this story of its value.

The issue finishes with a two-page featurette from Green Lantern: Rebirth artist Ethan Van Sciver, titled “The Symbols of the Spectrum: How They Came to Be, and What They Represent”, which documents the genesis of the seven symbols we’ve seen in the War of Light.  This is great for Green Lantern fans who want an insight into the creative process that goes into the making of their favourite comic book.

You can’t have your cake and eat it too.  Blackest Night: Tales of the Corps is a great supplementary book to the core Green Lantern series and Blackest Night itself.  You don’t need to read it to understand the events of those two books, but it’s a great read nonetheless.  If it was ‘necessary’ or ‘important’, fans and critics alike would be complaining about how they have to follow yet another book to gain an appreciation of the overall story.  As it stands, though, Tales of the Corps represents the very best kind of tie-in to a comic book event – wholly unnecessary to the progression of the main story, and yet an interesting and entertaining read in its own right.