Archive for Robin

Batman #689

Posted in Batman, Comics, DC with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 14th August, 2009 by Adam Redsell
Winick's new Batman is a joy to read.

Winick's new Batman is a joy to read.

“Long Shadows Part Two: New Day, New Knight”
Author: Judd Winick
Artist: Mark Bagley
Inker: Rob Hunter
Colorist: Ian Rannin
Letterer: Jared K. Fletcher
Assistant Editor: Janelle Siegel
Editor: Mike Marts

I’ll be the first to admit that I absolutely hated Judd Winick’s run on Batman prior to Grant Morrison’s “Batman and Son” arc, but I have to hand it to him this time – I love what he’s done with the place since Bruce has gone.

As the title suggests, “New Day, New Knight” takes on a much lighter tone than we’re used to in a post-Miller Batman story, thanks in no small part to Dick Grayson’s circus sensibilities and Mark Bagley’s joyous artwork.  There are plenty of moments that brought a smile to my face, and they should do yours as well.  Batman #689 opens with a smile, as the new Batman busts up a gambling racket.  Granted, this particular incarnation of Batman is a little too talkative for my liking, but it’s good to see Dick finally revel in his mentor’s shoes.

Behind the curtain, Two-Face and Penguin posture themselves for control of Gotham’s underworld.  Two-Face’s camp has been filtering out Penguin’s plans to Batman through the appropriate channels, while Penguin forges dark alliances with some very dangerous people.  His days as a “legitimate businessman” could well be numbered as their cold war is brought to the boil.  I’ll be following this development with keen interest.

Despite this issue’s lighter tone, there’s plenty of room for an emotionally poignant exchange between Dick and Alfred.  I think we all miss Bruce, so I never get sick of these scenes.  Judd – through Dick – really cuts to the core of Batman’s butler, bringing out the human element in him and the rest of the cast, from Dick to Damian, even to Bruce  posthumously.  Winick emotionally grounds the story with a very simple and clever device.

The closing scene is reminiscent of Watchmen, as Batman races to extinguish a burning high-rise in his hovering Batmobile, no less.  He puts on such a splendid show, I half expected him to make coffee for the rescued residents a la Owlman.  It’s not all fun and games, though, as a classic rogue returns to ruin all of that.

Winick’s new Batman is a welcome departure from his old Batman.  It may be light-hearted, but it’s certainly not light on heart.

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Batman and Robin #1

Posted in Batman, Batman and Robin, Comics, DC with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 5th June, 2009 by Adam Redsell
Together again for the first time.

Together again for the first time.

“Batman Reborn – Part One: Domino Effect”
Author: Grant Morrison
Artist: Frank Quitely
Colorist: Alex Sinclair
Letterer: Patrick Brosseau
Assistant Editor: Janelle Siegel
Editor: Mike Marts
Cover Artists: Frank Quitely and J.G. Jones

For all intents and purposes, Batman and Robin #1 is the real All-Star Batman and the Boy Wonder. Anyone who’s read Grant Morrison and Frank Quitely’s All-Star Superman (and Frank Miller’s woeful All-Star Batman) will know what I mean. This Dynamic Duo returns for this new limited series Batman and Robin, with an all-new Batman and Robin.

It’s at this point that I should issue a general spoiler warning for those who haven’t read and intend to read Battle for the Cowl. It’ll be impossible for me discuss future issues, or indeed any future Batman titles, without first disclosing the outcome of that battle. Henceforth, I will no longer tread around the identities of the new Batman and Robin.

Here it is: Dick Grayson is the new Batman, and Damian Wayne (al Ghul) is the new Robin. Tim Drake’s new role has not yet been addressed, but I assume he will be headlining the new Red Robin series. Now, onto the story!

Grant Morrison’s back with his trademark verve and kineticism. The style of this series is very much a throwback to the Adam West TV series and that good ol’ Silver Age magic, albeit with a mature, modern twist (as Morrison is in the habit of doing). The book opens with Batman and Robin bearing down on Mr. Toad and his band of miscreants in a flying Batmobile. No, your eyes aren’t playing tricks on you, that just happened. Now, the difference between what you’re probably imagining, and what ended up on the printed page, is that Morrison actually makes it work (as Morrison is in the habit of doing).

Frank Quitely’s flying Batmobile is beautifully retro, as are Alex Sinclair’s colours. Quitely’s pencilwork is crisp and clean, though his ruddy inks belie a fondness of wrinkles, for better or worse. I think it makes for expressive character work, though others may beg to differ. If you’ve seen his work before, you’ll know what to expect, and he certainly doesn’t disappoint in my view. His incorporation of the onomaetopoeia into the actual artwork (water splashing forms the letters ‘SPLSH’, for instance) is quite clever, and not something that I’ve seen before. The sparseness of Morrison’s script has really allowed Quitely’s art to breathe, and it’s clear the team are comfortable in each other’s company here.

Bat-Shark Repellent is well-known for its Morrison worship, and for the sake of journalistic integrity, I make a point of highlighting this fact on every occasion. But allow me to highlight this as well: there’s a reason for it. One being that he always gives the most satisfying pseudo-scientific explanations! He gives one for the flying Batmobile, and it fits perfectly within comic book sensibilities and the Batman mythos.

The other reason, in this case, is just how well he makes all the elements mesh together. The new Batman and Robin suit the colourful tone of this book in a way that Bruce Wayne never could – there was always a heaviness and a seriousness to the post-80s Bruce that doesn’t lend itself to these kind of stories. Dick Grayson is Batman, but he was also the first Robin, and it’s clear here that that personality hasn’t been swallowed whole by the Bat-symbol. He still pays his dues to his Father and Teacher, and he wears the cape and cowl with a certain pride and trepidation, but he doesn’t take himself too seriously either. Which is a good thing when you have a handful like Damian al Ghul for a sidekick! Robin’s witty retorts and sense of entitlement are a hilarious counterpoint to a more patient and casual Batman – and why not? This Batman’s been Robin before; he just shoots back an even wittier reply and smiles knowingly.

Morrison is quick to establish this character dynamic, and also to distinguish this duo from previous incarnations. Then again, when was the last time you saw Batman and Robin really work together? I thought so. Watching them interrogate Mr. Toad is particularly entertaining.

This issue sees a villain known as Pyg and his Circus of Strange announce themselves as disturbing additions to Batman’s rogues gallery. Pyg is as deliciously creepy as any of Arkham’s inmates, while his henchmen are ‘themed’ villains in the vein of Batman’s more obsessive foes. His torture methods are the frightening antithesis of the Dynamic Duo’s interrogation. I mean it, he’ll give you the chills. The Circus of Strange is another well-meshed concept given Dick Grayson’s circus background.

If none of this makes sense to you, fear not! This is by far the most accessible Batman story I have read in a long time, possibly ever. The storytelling is simple, the dialogue is sparse, and yet it’s packed with plenty of brilliant concepts and comic action. I can think of no better time or place to jump in than here and now.

Batman: Battle for the Cowl #3 (of 3)

Posted in Batman, Comics, DC with tags , , , , , , , , , , , , , , , , , , , , , , , , , on 4th June, 2009 by Adam Redsell
Surprisingly smarter than your average bimbo.

Surprisingly smarter than your average bimbo.

Author & Artist: Tony Daniel

I’d be lying if I said that I wasn’t anticipating the outcome of this series from the moment Bruce Wayne went AWOL (AWOL, not dead – nobody believes in character deaths anymore, you should know that by now), I’d be lying. Who will be Batman in his absence? Ponder the question for a few seconds and run with it, because that’s probably what happens here. Still, if I said it wasn’t entertaining to watch it all unfold on the colour-printed page, I’d also be lying.

Tony Daniel is a surprisingly decent writer given his outstanding artistic abilities. It’s probably a misnomer, but comic book artists are generally regarded as the bimbos of the comic world – they’re hot, but they’re not very good at talking. So maybe Daniel gives us the “World Peace” answer we’re all expecting, but he does so in a very satisfying and entertaining way, like a good, solid magic trick with plenty of cleavage involved.

Can you tell I’m trying not to spoil the ending for you? If you read enough websites, it’s probably too late for you anyway – I don’t care, as long as I’m not the one who spoils it for you. What I will tell you is this: the final battle feels emotionally weighty, perhaps even epic, and finally someone has the guts to make a definitive statement on Jason Todd (the long-thought-dead-until-four-years-ago second Robin, for those not in the know). It’s about bloody time.

What was disappointing perhaps was the length of this mini-series. It is a mini-series, though, and I think Tony Daniel knew just how many issues it would take to explore what was essentially a one-note premise. Having said that, the teaser posters did promise more fan service than what was ultimately delivered. Who here didn’t want to see Two-Face dressed in a half-and-half Bat costume? Broken promises notwithstanding, restraint should probably be applauded in this case.

Daniel-as-writer had a pretty good handle on most of the characters, especially Damian Wayne – he’s one of the few Bat-writers who’s dared to even touch him aside from Grant Morrison – and you can tell that his time drawing him with Morrison has lent him a rare intimacy with the bratty trickster. Nightwing, on the other hand, was a little confusing to read at times, and his full-circle monologues will require some small degree of blind faith. It was good to see him assume a leadership role in this issue, though – Bruce would be proud.

And it would be remiss of me to conclude without highlighting Tony Daniel’s art, which is great as always. He began on Batman as a relative unknown, but those who’ve followed him on Morrison’s run have no doubt come to appreciate his penchant for fluid, detailed action scenes. This issue, along with the rest of Battle for the Cowl, is no exception to that rule.

I have to admit, I didn’t think Tony Daniel could pull this off on his own, but what he has delivered is not only eye candy, but a solid read as well. What could have been nothing more than a contrived superhero brawl actually turned out to be an entertaining intermission between Morrisons.

Secret Six #9

Posted in Batman, Comics, DC, Secret Six with tags , , , , , , , , , , , , , , , , , , , , , , , , on 23rd May, 2009 by Adam Redsell
The funniest funeral I've ever been to.

The funniest funeral I've ever been to.

“A Debt of Significant Blood”
Author: Gail Simone
Artist: Nicola Scott
Inker: Doug Hazelwood
Colorist: Jason Wright
Letterer: Travis Lanham
Editor: Sean Ryan

It’s official.  Gail Simone’s Secret Six is now my favourite comic book.  Secret Six #9 is the best issue of the series thus far.

I’ve heard someone say that they would happily read these characters eating sandwiches and having a chat, and I’d have to say, I agree!  And that’s because – despite their grimeyness; despite their moral greyness – they’re so damn vibrant.  And so they should be – Simone herself nursed them to maturity.  Nobody writes these characters like Simone (and nobody draws them like Nicola Scott); even Bane – the man who broke the Batman’s back – has been enriched under her tenure.  The next part will come as a strange coincidence, then: Secret Six #9 is a Battle for the Cowl tie-in featuring only three of the Secret Six – Catman, Ragdoll, and Bane – returning to Gotham to pay their respects to Batman!  Talk about your strange situations.

And it pays off in spades, too.  This is easily the most hilarious single issue I’ve read this year, and definitely my favourite Secret Six story so far (and I’ve read them all).  Our three anti-heroes go from mansion to mansion to save the children of wealthy families from terrorists who seek to take them hostage.  This was a smart setup that very much parallels the Bruce Wayne’s own origins.  Bane in particular shines through, which is only appropriate for one of Batman’s greatest adversaries.  Of particular amusement was a scene in which Catman leaves Bane to take care of a little girl.  I’ll give you a taste:

CATMAN: Hang on, I count one missing.  Here.  Take this thing.

*Hands the toddler to Bane*.

BANE: What?  No.  I can’t.

I don’t…I don’t know how.

Blake.  BLAKE!

Hummm…

*Sings* Hush, little baby, don’t say a–

LITTLE GIRL: WAAAHH!!

BANE: Blake!  I MAY HAVE BROKEN IT!

To have such an imposing figure cradling a tiny child with a genuine look of terror on his face is priceless.

Ragdoll pays tribute to the Bat in his own twisted way, dressing as the Boy Wonder.  You can imagine this pleases Nightwing to no end when he arrives on the scene.  Ragdoll also realises his uncanny knack for making any word sound perverted.  Cheese-stuffed manicotti!

Most hilarious of all is Catman and Bane’s continuing debate over who is the biggest Batman wannabe – neither party wishes to admit it – both present strong cases; both raise many a chortle.  (Just quietly, I believe Catman loses that debate – read it and find out why!)

They may kill scores of terrorists in gruesome ways, but the Secret Six’s send-off to the Dark Knight achieves a level of poignancy comparable to Neil Gaiman’s “Whatever Happened to the Caped Crusader?”  When you step back and look at all the elements in play here, it’s easy to see just how much sense this Batman tie-in made.  Hand in a glove springs to mind.  So does “velvety throw pillows!”  Well done, Gail and team.

The Dark Knight Cram School: The Greatest Batbooks of All Time.

Posted in Batman, Comics, DC, Detective Comics, film, JLA, The Dark Knight with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 14th May, 2009 by Adam Redsell

To celebrate the birth of Bat-Shark Repellent, I thought I’d lend my expertise to you all by recommending the Greatest Batbooks of All Time. I’ve made no secret of the fact that my comic book collection threatens to swallow my entire bedroom, so rest assured – I’ve read a lot of Batman. So if you’re looking for a good jumping-on point for the Caped Crusader, you’ve come to the right place. Here goes…


16. Batman: Venom

This story marks the second time Batman is broken, this time by addiction to a performance enhancing drug known as Venom. Venom has an almost surreal quality, but the story takes a very Bond-like turn when the Batman hunts down his tormentors. And yes, Bat-shark-repellent is involved!

15. Superman: Red Son

While not a Batbook per sé, Red Son features the coolest iteration of the Batman that you’ll ever see. It’s also one of the greatest Superman stories you’ll ever read. It’s an Elseworlds tale [i.e. outside of continuity] that poses the question: what if Kal-El landed in Russia instead of America? It further poses the question, how would a Russian Batman react to a superhuman Communist dictator?

14. Batman: The Man Who Laughs

A menacing Joker tale by veteran Ed Brubaker. I wouldn’t be at all surprised if his interpretation of the villain informed Heath Ledger’s performance.

13. Batman & the Monster Men

A young and naive Batman faces off against the abominations of Dr Hugo Strange. Written and drawn by the legendary Grendel creator Matt Wagner.

12. Batman & the Mad Monk

Matt Wagner returns for a supernatural romp through Batman’s past. It’s pulp and spectacle with a modern touch.

11. Son of the Demon

Batman marries the daughter of his greatest foe, Ra’s Al Ghul. The Bat and the Demon must work together to stop a terrorist threat, for Talia’s sake and the world’s. A controversial tale that has recently come into play in a big way.

10. Batman: Black & White Volumes 1 & 2

A series of Batman vignettes by comic book greats and mainstays, all in black and white. It’s amazing how much story they can cram within a few pages. A great laugh and a great deconstruction of the character. Pick up Volume 3 if you’re keen, it’s just not quite as good as the first two volumes.

9. Batman: Blind Justice

A surprising amount of material has been mined from Blind Justice to bring you Batman Begins, and this is chiefly because it is the authority on Bruce Wayne. It’s funny considering the author is none other than Batman screenwriter Sam Hamm. Never has Batman’s alter-ego [or past] been shaped so definitively. Believe it or not, Henri Ducard and Ra’s Al Ghul are two separate people. It’s a pity about the kooky mind-control, though.

8. Batman: Gothic

It’s surprising just how well Batman goes with the supernatural. Trust Grant Morrison to pull it off [and he continues to do so now!]. Everything about this tale is gothic, especially the art of Klaus Janson.

7. Batman: Year 100

Year 100 takes place in a dystopian future Gotham, which is eerily similar to the old Gotham: a dark place full of crooked cops. Batman is once again a wanted outlaw, though the authorities prefer to deny his existence altogether. Paul Pope’s gritty and brutal future is believable, and reminiscent of Alfonso Cuarón’s Children of Men. A great read with no strings attached.

6. Batman: The Cult

One of the greatest bat-villains was a one-and-done character, Deacon Blackfire. Criminals are being brutally murdered, while the homeless disappear from the streets of Gotham. He defeats the Batman in the worst possible way: by breaking his spirit. Another supernatural Bat-story written to great effect by comics stalwart Jim Starlin. Jason Todd (the second Robin) has never been so likable than in this book, which is surprising.

5. Arkham Asylum

Once again Grant Morrison gives supernatural depth to the Batman mythos, this time to his rogues’ accidental lair: Arkham Asylum. Batman’s greatest foes have taken the house hostage, challenging him to a game of wits. The Batman accepts, but he soon finds that the building has a life of its own. Drenched in symbology, each page is hand-painted by the legendary Dave McKean.

4. The Killing Joke

The Greatest Joker Story Ever Told. If there was ever a book to read before seeing Dark Knight, this is it. Comics legend Alan Moore proposes a possible origin for Batman’s arch-nemesis. Short and sweet.

3. The Long Halloween/Dark Victory

Jeph Loeb and Tim Sale team up for one of the greatest Bat-mysteries ever told. Batman must sift through his rogues gallery to solve the mystery of the Holiday killer. The fall of the Falcone crime family; the definitive Two-Face origin story; the origin of Robin – it’s all here and it’s all told beautifully in a true marriage of word and picture.

2. Batman: Year One

Frank Miller redefines the Batman for a new era. Make no mistake, the Batman of Year One is the Batman we know and love today. The definitive Batman origin story, Bruce Wayne returns to Gotham to wage his personal war on crime. Gritty, dark, and grounded, Batfilm enthusiasts have this book to thank for its rich source material.

1. The Dark Knight Returns

Before Miller wrote his beginning, he wrote [and drew] the Batman’s end. A retired Bruce Wayne must don the cape and cowl once more to reclaim the streets of Gotham from Violence and Unreason. Without a doubt the Greatest Batman Story Ever Told, and one of the greatest graphic novels ever written.

Honourable Mentions
This is a list of other Batbooks that are still worth a read for Batfans, but have not been included in ‘The List’ for reasons I will state below:

Batman: Knightfall Part One – Broken Bat
Knightfall is like the Rocky movies: a great overall story arc, but the execution leaves a little to be desired. The chapters written by Chuck Dixon are pretty good (especially the moving finale), but most of the fill-in stories are abhorrent. Nonetheless, an important chapter of Batman’s life, though it suffers from the trappings of 90s event books and B-list villains. Bane puts the Batman through his paces, letting his entire rogues gallery loose upon Gotham. He breaks his spirit and then his back.

Batman: Nine Lives
A cinema-style noir murder mystery and a damn fine Elseworlds tale. It just feels a little dry, and the Batman takes a while to surface.

Batman: Thrillkiller
Again, this is a great Elseworlds tale, starring Batgirl and Robin, this time in the early 60s. Each panel is painted beautifully, but Batman’s glaring absence is once again noted for most of this tale.

JLA: Tower of Babel
A pretty good Justice League story with one tiny problem: Mark Waid’s Batman is a prick. This was the era of the know-it-all Batman – the House M.D. of comics, if you will – never explaining the methods behind his madness until the very end. Ra’s Al Ghul [you’ll hear his name a lot] procures Batman’s secret files to use them against his allies.

Tales of the Demon
If you can get past the West-ian campiness you’ll enjoy some of the greatest Ra’s Al Ghul stories ever written.

Strange Apparitions
Such an apt title for such a strange book. Following the death of Dr Hugo Strange, this story proves once again that the Bat mixes well with the supernatural. But if you can’t handle a little West-ness, you might want to steer clear.

A Death in the Family
An extremely imporant chapter in Batman’s life, but pretty poorly executed. The fact that the ending was voted for only cheapens the emotional impact.

Gotham by Gaslight
Another Elseworlds tale that suffers from not enough Batman. Batman must hunt down Jack the Ripper before it’s too late, but when Bruce Wayne is suspected, things go arye. The identity of the infamous serial killer is a little disappointing, especially when you compare the mystery as a whole to Alan Moore’s From Hell.

Hush
Hush amounts to nothing more than a gorgeous fangasm, really. Still a good read, up until the ‘big reveal’ at least. It’s still a pretty fun ride through Batman’s gallery of rogues and allies.

Batman & Dracula: Red Rain
The Batman must become a bat-man to protect Gotham from its bloodthirsty tormentor. It’s a pretty decent Elseworlds tale with a great idea behind it, Moench just doesn’t get as much mileage out of it as I had hoped.

Batman: Child Of Dreams
A Japanese take on the Batman, author Kia Asamiya actually deconstructs Japanese culture better than the character himself. This is essentially Batman for a new audience (the Japanese), so it’s understandable that many of the ideas presented are well-worn. It’s still well-executed and an intriguing read, nonetheless.

Death and the Maidens
Greg Rucka cooks up a storm within the Al Ghul family, building up a new heir and Bat-villain in Nyssa Al Ghul. But to kill a man who has resurrected himself time and again with such apparent finality – it’s a little hard to swallow – and with Ra’s’ recent resurrection last year, it all feels a little ineffectual. It is Greg Rucka and Klaus Janson, though, and you can’t blame them for trying.

So that does it for me – if want to dive headfirst into the Batman mythos, check out the books I’ve recommended above. If you want to go further, give the others a try – I’ve been a little harsh on them – they’re not the greatest, but they’re still enjoyable reads. I also highly recommend Grant Morrison’s current run on Batman, but be warned – it’s extremely zany, and requires a lot of background knowledge to follow.

What about you? Do you fancy yourself a fellow Bat-fan? Have I left out your favourite Batbook? If so, gimme some hell!

Lego Batman II.

Posted in Batman, Comics, DC, Lego Batman, Lego Batman II, videogames with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 5th May, 2009 by Adam Redsell

As you know, I love Batman, but I also love Lego, and Lego Star Wars was my surprise favourite of 2005. So naturally it follows that I would love Lego Batman.  Having now played Lego Batman, though, I was disappointed to find that the stories weren’t based on any of the films or comics. That’s just a wasted opportunity, if you ask me. There’s so much Lego ridiculousness lying dormant in the Bat mythos, waiting to be excavated. Anyway, I figured that somewhere down the line there’d be a sequel, and as part of my pitch for Producer or Head Writer on Lego Batman II, I thought I’d stupidly give away my ideas for free. Here are some Batman stories that would make great Lego adaptations:

Batman: The Movie

“Diabolical!”

No, not Tim Burton’s classic Bat-film – I’m talking West, pure West – the very first Batman film is just screaming for a Lego retelling. The ridiculousness of it all; it’s like a hand in a glove: Penguin, Joker, Riddler and Catwoman get together on a Penguin Submarine (it literally looks like a penguin) and turn the United Nations into powder! Add a rather amusing riddle about apples and applesauce and you have the recipe for a hilarious Lego videogame.

Tales of the Demon

While this isn’t one story per sé, it works well as one. Introducing one of Batman’s greatest enemies Ra’s Al Ghul – The Demon’s Head – and greatest foils, the disarmingly beautiful Talia al Ghul. Tales of the Demon feels like a Bond film, spanning several exotic locales and pitting Batman against the strangest of enemies, including, but not restricted to ninjas, a leopard, a raging bull, the Bronze Tiger, and Ra’s Al Ghul’s faithful brute of a servant, Ubu. Batman even has a forced marriage to contend with – do I hear Lego hijinks? And what Batman/Ra’s tale would be complete without a shirtless swordfight? Check.

Dark Moon Rising: Batman and the Monster Men/Batman and the Mad Monk

This is just cool.

Old meets new in Matt Wagner’s surprisingly recent jaunt into the world of zombies and bat-men. It maintains all the trappings of goofy Golden Age horror pulp with the modernity of well, good writing I suppose! Barely one year into his crime-fighting career, the Batman must brave the perils of Mad Science and Ancient Evil to save Gotham City. Lego zombies and vampires? Yes please!

Knightfall

Look at the size of those hands!

The [in]famous 90s event comic Knightfall has a few things going for it. Firstly, then-new villain Bane masterminds a jailbreak down at Gotham Penitentiary, loosing all of Batman’s foes upon the city once more. Secondly, Batman is run ragged rounding up the most obscure of adversaries – Mad Hatter, Cavalier, Firefly, Zsasz, Killer Croc, and the Ventriloquist to name a few – while regulars Joker, Scarecrow and Poison Ivy plan something a little more sinister. Thirdly, Bane breaks Batman’s back, which would be hilarious in Lego. All of it would be hilarious in Lego, especially that maniac Firefly. It would be a great intermission to break up the gameplay, giving players an opportunity to use other characters like Azrael, Huntress and Nightwing in Batman’s absence.

No Man’s Land

Another 90s event comic that was terrible to read, but great for Lego business, is No Man’s Land. Gotham has been hit with an earthquake of biblical proportions, separating the city from civilisation. Of course, this sends its denizens into complete and utter madness, and the Bat-family have their work cut out for them trying to placate them. So while the earth is shaking, and Gothamites are running around like chickens with their cut off, Batman’s enemies work to carve out their piece of the pie. Mmmm…pie. Earthquakes and Lego blocks are a match made in heaven, especially for the destruction-loving boy that lives inside us all.

Batman & Robin: The Movie

At least Alicia Silverstone was hot, right?

You know why the first Lego Star Wars game was so hilarious? Because there was so much in the source material to make fun of. Next up on So Bad It’s Good: Batman & Robin. Easily the worst Batman film ever, what better way to bring Batman, Robin, Batgirl, Bane, Poison Ivy and Dr. Freeze together in a ridiculous camp-fest of Good vs. Evil? Can’t wait to see those Lego Bat-nipples!

The Dark Knight Returns

An aging Bruce Wayne is forced out of retirement once more to teach the youth a lesson [I’m surprised how fitting that summary is].
*Cue hilarious cutscenes about Batman being too old for this $#!+*
The opportunities for comedy here are legion. Batman even dresses as a homeless old drunk woman in what becomes a liquor store shootout. There’s some great showdowns here which would make for equally great boss battles. The explosive battle with Two-Face on a high-rise (a helicopter is also involved), the brawl with the Mutants gang leader in the city dump, and the final duel with the Joker in an abandoned theme park. I can’t believe I almost forgot the fight with SUPERMAN. Could anyone have any doubts as to how great this would work in Lego? The story lends itself to two-player gameplay as well, with Carrie Kelley taking up the mantle as the fourth [and first female] Robin.

Sorry, I just have to include this picture:

Now, THAT is cool.

Hush

Wow, they just summed up Hush in one picture.

Hush wasn’t much more than an excuse to pit Batman against his rogues gallery and introduce a new villain (or to give Jim Lee an opportunity to draw them all), but that’s just the type of story you need for an all-star videogame. Supporting players include Huntress, Robin, Nightwing and even Catwoman against the likes of Killer Croc, Poison Ivy, Harley Quinn, Joker, the Riddler, Ra’s Al Ghul, Lady Shiva, Scarecrow, Clayface [disguised as Jason Todd – back from the dead – no less!], and finally, Hush. Oh, and did I mention there’s another fight with Superman? Trust me, it never gets old.

There you go, eight thrilling chapters for a Lego Batman sequel right there. Does that not sound like the Greatest Batman Videogame of All Time in the making?