Archive for Philip Tan

Lasso of Truth – Weekly Comics Round-up: 7th October 2009

Posted in Batman, Batman and Robin, Comics, DC, Superman with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 7th October, 2009 by Adam Redsell

lasso_of_truth_8

Lasso of Truth is your weekly guide to what’s hot and what’s not in the DC Universe.  Each week, the Red Baron goes through his comics haul to tell you what’s worth buying and what’s best left alone.

Here’s the key:

Must havethere’s no question, you should buy this great book.
Buy ita high-quality read that won’t disappoint.
Check it outpick it up if you have some extra cash.  May be an acquired taste.
Avoida disappointing read.  Save your money and steer clear.


b&r_5

Batman & Robin #5
Written by Grant Morrison ǀ Art by Philip Tan
Jason Todd is back – or is he?  The Red Hood administers a lethal dose of retribution to Gotham’s underbelly, but they aren’t about to take it lying down; not when the Flamingo flies into town.  The new Dynamic Duo have their work cut out for them.  Philip Tan’s no Frank Quitely, but he’s bringing his A-game to this story arc.
Verdict: Buy it.


batman_unseen_1

Batman Unseen #1
Written by Doug Moench ǀ Art by Kelley Jones
I picked this up to read a Bruce Wayne Batman story from the creative minds that brought us Red Rain.  What I got instead was a terrible Seventies throwback.  If you ever wondered what The Invisible Man would be like if Batman was in it, wonder no longer.  Seriously, it’s not worth it.
Verdict: Avoid.


new_krypton_8

Superman: World of New Krypton #8
Written by James Robinson & Greg Rucka ǀ Art by Pete Woods & Ron Randall
Superman proves his mettle as an inspiration for all peoples.  Kal-El diffuses a Thanagarian attack through rather unorthodox means.
Verdict: Check it out.

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Lasso of Truth – Weekly Comics Round-up: 16th September 2009

Posted in Batman and Robin, Blackest Night, Brave and the Bold, Comics with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on 22nd September, 2009 by Adam Redsell

lasso_of_truth_4

Lasso of Truth is your weekly guide to what’s hot and what’s not in the DC Universe.  Each week, the Red Baron goes through his comics haul to tell you what’s worth buying and what’s best left alone.

Here’s the key:

Must havethere’s no question, you should buy this great book.
Buy ita high-quality read that won’t disappoint.
Check it outpick it up if you have some extra cash.  May be an acquired taste.
Avoida disappointing read.  Save your money and steer clear.


b&r_4

Batman & Robin #4
Written by Grant Morrison ǀ Art by Philip Tan
Grant Morrison shifts gears for his next story arc, while Philip Tan turns in his best work since, well, ever.  “Revenge of the Red Hood” trades day-glo for bold black and red.
Verdict: Must have.


blackest_night_3

Blackest Night #3
Written by Geoff Johns ǀ Art by Ivan Reis
I’m sorry, but if you’re not reading Blackest Night, you’re a damn fool.  First go back and read every single Green Lantern-related thing Geoff Johns has touched, then come back here when you’re done.  The Indigo Tribe make their true debut here, and they bring a lot of answers with them.  Of course, if they didn’t bring even more questions, then this wouldn’t still be the most intriguing event book in comics history, now, would it?
Verdict: Must have.


brave_bold_27

The Brave and the Bold #27
Written by J. Michael Straczynski ǀ Art by Jesus Saiz
Okay everyone, it’s safe to come out now – DC’s put a decent creative team back on the Brave and the Bold!  JMS turns in a rather poignant one-and-done story starring Batman and “Dial ‘H’ For Hero”.  Sounds like an odd team-up, but he really makes it work.  I’m not so sure I appreciate his take on the Joker, though…
Verdict: Buy it.

Green Lantern #44

Posted in Blackest Night, Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 29th July, 2009 by Adam Redsell
Martian Manhunter is back, and he's mighty pissed off about it.

Martian Manhunter is back, and he's mighty pissed about it.

“Only the Good Die Young”
Author: Geoff Johns
Artist: Doug Mahnke
Inkers: Christian Alamy & Doug Mahnke
Colorist: Randy Mayor
Letterer: Rob Leigh
Cover Artists: Doug Mahnke, Christian Alamy & Sinc
Variant Cover Artists: Philip Tan, Jonathan Glapion & Nei Ruffino
Associate Editor: Adam Schlagman
Editor: Eddie Berganza

Having read more than a few interviews with Geoff Johns and the folks over at DC editorial, I was surprised to learn that unlike the highly successful Sinestro Corps War, Blackest Night would become a DC-wide event in its own book, and that Green Lantern – the book that started it all – would be relegated to second fiddle.

(Now, I have no illusions that this was ever Geoff Johns’ intention in the first place – though I do believe that the Sinestro Corps War was Johns’ successful bid for more creative licence from DC, as well as a reader recruitment drive for Green Lantern – but I do believe this was always intended to be his magnum opus.  The only difference is that this unexpected popularity among the comic book readership and almost unprecedented support from DC editorial has allowed him to evolve this into something with even bigger scope than he had previously imagined.)

Well, I’m happy to report that not only is Blackest Night more tightly conceived and consistent quality-wise than Sinestro Corps War was (if that’s even possible) thus far, Green Lantern #44, like Green Lantern #43 feels like a bonafide continuation of the Blackest Night story, albeit told in a more Green Lantern-centric manner.  I don’t know about you, but I kind of expected the events of Blackest Night to be confined to Blackest Night, and that Green Lantern would focus on the War of Light in outer space.  That this issue defied those expectations is not at all a bad thing, though I fail to see how anyone could read Blackest Night exclusively and glean even half of what the regular Green Lantern reader will.  Take my advice, newcomers: you need to be reading both.  You probably don’t even need to be told; chances are, if you’ve had a taste of Blackest Night, you’ll be hungry for more; so let me assure you right now, that you’ll get plenty more in Green Lantern #44.  It seems fairly obvious to me that Johns rolled with this editorial structure simply so he could tell more story in a shorter span of time.  Twenty-five issues of Blackest Night might be “wearing out its welcome”, but an issue of Blackest Night and Green Lantern each month for twelve months doesn’t seem as much of a stretch.

From the opening page, it’s clear that Johns and Mahnke are having heaps of fun with this story.  Johns knows these characters better than anyone, with plenty tips-of-the-hat for longtime DC fans.  Even the humble Choco cookie – Martian Manhunter’s favourite imitation Oreo snack – is imbued with rich symbolism.  It takes some serious skill to take one of the kookier elements of DC’s repertoire and turn it into something genuinely chilling.  As the cover art suggests, Martian Manhunter rises from his tomb as the first Black Lantern (well, sorta), and boy, is it cool!  Doug Mahnke was born to draw this kind of stuff.

This issue picks up where Blackest Night #1 left off, in Gotham Cemetery with Hal Jordan and the Flash.  Unfortunately, Johns dusts off the annoying little recap caption, informing us *yet again* that Hal Jordan is the Green Lantern of Sector 2814!  I thought it was assumed that Green Lantern fans would be reading this, Geoff, and everyone else would be reading Blackest Night!  You didn’t need to tell us the last few times, why do you need to tell us now?

Nerd-rage aside, it’s great to see the Martian Manhunter back, albeit in an undead capacity.  Johns is a bigger DC fan than all of us, and you can tell he’s playing with his favourite toys.  Don’t get me wrong, though, Johns remains reverent to the source material; and it soon becomes clear that the Black Lanterns are not mindless zombies; rather, they retain their original personalities.  This provides the emotional backdrop for Johns’ storytelling; dead heroes are returning, and those closest to them are forced to confront their deaths, and their worst failures, all over again.  There’s a harsh truth to everything J’onn J’onzz says, and yet it is apparent he is possessed by dark forces beyond his control.

What follows is a piece of the most interesting superhero fisticuffs I’ve seen – and one of the best Martian Manhunter stories I’ve read – in quite a while.  I’ve always thought that Martian Manhunter would make a formidable foe, and Black Lantern Manhunter doesn’t disappoint here.  It makes me wonder how he ever could have died in the first place.  It seems to me that Johns’ chief goal here is to remind us just how much we loved these characters, and just how well they can be written; enough to make us pray for a real resurrection.

Meanwhile in the Oa Citadel, Scar reveals the dark purpose of the Black Lantern Corps, with strong hints towards future events affecting the coloured Corps.  I don’t want to give too much away, but next issue should finally see John Stewart’s turn in the lead Lantern role…

Can’t wait for the next one!

Green Lantern #42

Posted in Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 3rd July, 2009 by Adam Redsell
Make it yours.

Make it yours.

“Agent Orange: Part Four”
Author: Geoff Johns
Artists: Philip Tan & Eddy Barrows
Inkers: Jonathan Glapion & Ruy Jose
Colorists: Nei Ruffino & Rod Reis
Cover Artists: Philip Tan, Jonathan Glapion & Nei Ruffino
Variant Cover Artists: Eddy Barrows & Nei Ruffino

Another month, another great issue of Green Lantern.  Can we all agree that Geoff Johns is the greatest Green Lantern writer that ever lived?  I don’t feel too audacious for making such a claim.  Four years and he’s never skipped a beat, in my opinion.

Unfortunately, the same cannot be said for the artwork in this issue (or the one before, for that matter).  It’s not awful by any means, but the phrase “too many cooks spoil the broth” springs to mind.  I’d happily read a full issue of Green Lantern drawn by either Philip Tan or Eddy Barrows – in fact, I quite enjoyed Philip Tan’s solo work in issue 40 – but the constant switching really pulled me out of the book.  The fact that there’s also two inkers and two colorists doesn’t help, either.  As far as I can determine, Eddy Barrow’s horror-inspired pencils are employed for the Agent Orange scenes, while Philip Tan handles the outer space duties and the Star Sapphire scenes (but don’t quote me on that).  Even then, it can be difficult to determine, which is probably where the multiple inkers and colorists come into play.  Some of the panels appear to be hand-painted; and again, while I wouldn’t mind seeing a full issue of this, the patchwork-style approach really didn’t work for me.  Again, I stress: individually these artists are great, and the colours are as vibrant as I’d expect from a Green Lantern book, but this series needs to regain a consistency of artistic vision and approach.  I can only hope that artistic duties are being shared out now, while Ethan Van Sciver, Ivan Reis and Doug Mahnke work ahead on future issues – certainly Johns has indicated in interviews that he is several issues ahead on the writing side of things.

The cover art, while cool, is also more than a bit misleading.  Firstly, I love the way Agent Orange (and in this case, Hal) is always depicted clutching the orange power battery like a child that doesn’t want to share his toys.  But Hal’s flirtations with the colours of the emotional spectrum have been all too brief thus far (save for the blue ring), and this occasion is no exception.  Like his scrape with the Red Lanterns beforehand, Hal’s encounter with the orange light is almost dismissed out of hand just when things started to get interesting.  I for one would have loved to have seen the emotional colour spectrum explored in greater detail prior to Blackest Night – which is better than it dragging – but I can’t help but feel we’re being rushed to Blackest Night.  I would quite happily see more of this War of Light played out as a comic book event in its own right.  I want to see the full repercussions of Hal Jordan holding the orange power battery; I want to see Hal put through the ringer as a Red Lantern and the fallout that proceeds from that.  Perhaps I’m just a cosmic sadist.

Having said all that, I can certainly see why Johns didn’t take that route – after all, it took him over a year to undo the effects of the “Parallax Debacle”, unravel the proceeding cover-up attempts, and restore Hal Jordan’s honour – why undo all that hard work?  There’s another reason for it, and I think it is this: Hal Jordan is the only being in the universe equipped to deal with this conflict in the emotional spectrum.  I’ll go one further: I think Hal represents the Yin-Yang of the entire emotional spectrum.  I think he will become the White Lantern, if only for a brief period.  He will prove to be the only being capable and experienced enough to control all colours in the emotional spectrum, and these ‘tastes’ of the other colours will prepare him for that role.  He will become this series’ Neo, so to speak.

I’ll go out on another limb: the role of the Guardians in the Green Lantern Corps will change forever, if not vanish altogether.  We will see the Guardians step back and embrace their individuality; embrace and acknowledge the full emotional spectrum.

None of these things are stated by the book; but it’s a book that makes you wonder where it all leads; it’s a book that intrigues through the use of foreshadowing; it’s a book so brimming with excitement that you honestly believe nothing is sacred, and anything can happen.  And trust me, anything does happen in this issue.

I can’t wait to see what’s next.

Green Lantern #40

Posted in Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 12th May, 2009 by Adam Redsell
Looks can be deceiving.

Looks can be deceiving.

Author: Geoff Johns
Artist: Philip Tan
Inker: Jonathan Glapion
Colorist: Nei Ruffino
Letterer: Rob Leigh
Cover Artists: Tan, Glapion and Ruffino
Alternate Cover Artist: Rodolfo Migliari
Associate Editor: Adam Schlagman
Editor: Eddie Berganza
“Tales of the Orange Lanterns: Weed Killer” Artist: Rafael Albuquerque

Let’s start with the cover.  ‘Prelude to Blackest Night.’  Okay.  ‘Green Lantern vs. Agent Orange.’  Now, that’s a little bit misleading.  Sorry folks, but Hal Jordan won’t be fighting Agent Orange in this issue.  That’s not to say that Green Lantern #40 isn’t already packed with exciting stuff, but the cover art is probably more indicative of what will happen next issue.

Thankfully, everything else about the cover art is very indicative of what you can expect to see inside this issue.  And that is brilliant comic action depicted by the art team of Tan, Glapion and Ruffino.  It’s good to see the full complement of inker, colorist and letterer credited on the splash page of this issue, because I don’t think their roles could possibly be overstated in making Green Lantern the quality title it has been from month to month since 2004.  It’s amazing to see the book that used to be characterised by green and green only grow into what is essentially the most colourful series on comic store shelves, month-in month-out.  The book opens with purple, moving on to green and blue, and then of course, orange.  The brilliant colours and pencil work on the cover are consistent throughout the entire story.  Philip Tan’s pencils are dynamic and perfectly suited to the breakneck action that fills these pages.  Take the cover art alone, for instance: Agent Orange grips Hal Jordan’s neck possessively; a hungry reptilian maw burning from his other hand; Hal threshes in frustration, his green constructs shattering on his opponent’s chest.  It really says all you need to know about the character and his insatiable thirst for more.  The unsung hero of Green Lantern comics is of course the letterer (in this case Rob Leigh), whose ring transmissions and ring commands are always interesting to look at.  All of these elements work together to generate the atmosphere that is unmistakably Green Lantern.

Geoff Johns must have heeded our general weariness for Hal Jordan’s narrative recaps in the opening of every single Green Lantern issue, instead shifting them to the sixth and seventh pages!  Newsflash, Geoff: an annoying narrative recap is still an annoying narrative recap, even if it comes five or six pages later!  Imagine how this is going to read in a trade!  I can count ten out of sixteen caption boxes that this glorious two-page splash could have done without.  While I understand the desire to get new readers up to speed, especially those who may have jumped on board for Blackest Night, there’s got to be a more economic way of doing it.  In fact, most of the dialogue contains enough incidental information to get by.  Luckily there’s enough action unfolding on-page that it doesn’t really slow things down.

The opening story snippet hints at big things to come for John Stewart, which is interesting, considering this book’s one-eyed focus on Hal Jordan since Rebirth.  It stands to reason that Lantern Stewart would have his time to shine – Green Lantern Corps centres around Kyle Rayner and Guy Gardner – so he has been without a comic book home for quite some time.  In fact, I seem to remember an interview with Geoff Johns last year indicating that Green Lantern would focus on the adventures of Hal and John, while the support book deals with Kyle and Guy.  I guess that time is now.

It’s all happening in the Vega system at the moment, which should excite fans of Alan Moore.  Johns himself must be a huge Alan Moore fan – just about every single issue up to now seems to contain at least one tip of the hat to his Tales of the Green Lantern Corps.  The beleagured Guardians introduce a fourth new law to the Book of Oa, and it’s refreshing to finally see some resistance to all this revisionism from within the ranks.  The Guardians themselves embark on a mission, and so we’re starting to see a more interventionist creed taking root here.  Hal Jordan is a nerd’s dream come true as he struggles to reconcile his blue ring’s powers with his green ring.  The blue ring gives us a glimpse of Hal Jordan’s deepest hopes, which hints at a possible future.  I’m starting to see the setup here, but I don’t want to spoil it for anyone with further details.

Once again we see Larfleeze (Agent Orange) gripping the orange power battery in his cave.  I love this depiction of the character; his posture says “MINE!”  Thanks again to Philip Tan.

Unfortunately, the core story caps off at 18-pages, and we have a backup feature to conclude.  The good news is that it’s still entertaining and very Moore-ian.  The bad news is the change of artist – not because Rafael Albuquerque’s art is unwelcome; in fact it’s quite good – it just makes the overall product feel a little inconsistent.  The four-page story is titled “Tales of the Orange Lanterns: Weed Killer”, and narrates the origin of Glomulus, one of the orange constructs that debuted four pages earlier.  You may remember Albuquerque’s work on Blue Beetle (though judging by the sales figures, probably not!), and it’s actually well-suited to this type of story.  It’s just that I would have preferred to see this and other stories like it in a separate tie-in, to make room for the main feature.  It does flesh out the character, but it feels a little strange, given that Glomulus is essentially dead, and lives only as a construct within Agent Orange’s power battery (as do all the Orange Lanterns).

All in all, we have a pretty juicy issue of Green Lantern to dig into this month, even without the cover’s promised match-up.