Archive for Oclair Albert

Blackest Night #2

Posted in Blackest Night, Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 15th August, 2009 by Adam Redsell
Aquaman: Undead in the Water.

Aquaman: Undead in the Water.

Author: Geoff Johns
Artist: Ivan Reis
Inkers: Oclair Albert with Julio Ferreira
Colorist: Alex Sinclair
Letterer: Nick J. Napolitano
Associate Editor: Adam Schlagman
Editor: Eddie Berganza
Cover Artists: Ivan Reis, Oclair Albert, and Alex Sinclair
Alternative Cover Artist: Mauro Cascioli

Blackest Night #2 opens cinematically with wide-shot panels – beautifully detailed by Ivan Reis, but not cluttered – and maintains that cinematic feel with the able assistance of his art team.  They achieve this, I believe, by treating each panel as a camera lens.  Inkers Oclair Albert and Julio Ferreira carve out each scene with subtle shade and deep shadow, while colorist Alex Sinclair provides a light source and sticks to it, by God!  Reis’ panel composition holds up to much scrutiny, as if each scene is mapped verbatim in his mind, and every item is there precisely because it needs to be.  Effective use of these three elements – depth of field, light sourcing and composition – drew my eyes to the focal point of each panel.  This level of care and attention is the kind of thing we’ve come to expect from a big-budget Hollywood film, not a comic book.  Blackest Night raises the bar for the comic book event in every conceivable way.  This is high-production, high-stakes superhero drama at its best.

The first person we see is Ray Palmer – The Atom – looking very small.  Standing next to a paperclip, in fact.  He misses his late wife Jean, and he needs someone to talk to.  Hawkman finally picks up the phone, but he’s not quite himself.  He still sounds like himself, though, and that’s what makes these Black Lanterns so chilling.  They’re more like ghosts than zombies, and they have unfinished business to attend to.

Geoff Johns has wisely chosen to convey the epic scope of his tale  through more minor characters; the bards and minstrels of the DC Universe, if you will.  The darkness over Gotham City is viewed through the eyes of Barbara Gordon and her father, Commissioner Gordon.  The oft-discussed return of Aquaman is experienced through those closest to him, Mera and Aqualad.  They are our emotional anchors to the events unfolding, and despite our foreknowledge of some of the more shocking returns, Blackest Night proves it’s nothing at all to do with what you know, but who you know.  I have an emotional investment in these characters, and knowing that they’re about to confront their loved ones with their failure and rip their hearts out only augments the tragedy.  Their grisly guise as Black Lanterns allows us to see our late heroes at their most formidable, commit unspeakable acts, and that is the greatest tragedy of Blackest Night.

This second issue reveals much about the nature of the Black Lanterns, but many questions still linger as even the supernatural element of the DCU struggles to come to grips with the phenomenon.  Geoff Johns uses his ensemble cast empathically to put his readers in each scene.  Hal Jordan (Green Lantern) and Barry Allen (The Flash) form the emotional core of this story, and it’s great to see this team in action again.  There’s undeniably chemistry between the two (quite literally at one point), and despite the dark circumstances of their reunion, they light up every panel.  Whoever deigned to separate (and kill off) this dynamic duo all those years ago must have been stark raving mad.  Or perhaps they never saw the potential for comic magic that Johns did.

Whatever the case, I see the potential for plenty more comic magic from Johns et al in future.  You’d be stark raving mad to miss Blackest Night.

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Blackest Night #1

Posted in Blackest Night, Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 20th July, 2009 by Adam Redsell
Black is the new Green.

Black is the new Green.

Author: Geoff Johns
Artist: Ivan Reis
Inker: Oclair Albert
Colorist: Alex Sinclair
Letterer: Nick J. Napolitano
Associate Editor: Adam Schlagman
Editor: Eddie Berganza
Cover Artists: Ivan Reis, Oclair Albert & Alex Sinclair
Alternate Cover Artists: Ethan Van Sciver & Hi-Fi

If you had of told Dan DiDio four years ago that Green Lantern, under Geoff Johns’ guidance, would not only stand shoulder to shoulder with the likes of Batman and Superman in stature and following, but would also spawn the biggest comic book event of 2009, he probably would have slapped you twice and thrown you to the Crises.  Well, that was then, and this is now, and let me tell you, I was more than excited to be opening the first issue of Blackest Night proper.  In fact, I can’t remember ever being this excited for a comic book event in all my years of reading comics (which I’ll admit, is not very long at all compared to some).  Well, it turns out that all that anticipation is paying off in spades, and that Blackest Night is every bit the bee’s knees it promised to be.

Naturally, Blackest Night #1 picks up where Blackest Night #0 left off, in Gotham Cemetery.  It’s a dark and stormy night, and Black Hand ushers in the Age of Dark and Stormy Nights with a decidedly sick and twisted invocation.  The first thing I noticed about this issue was, damn, it’s great to have Ivan Reis back on a Green Lantern book.  Then of course I noticed the striking visuals, the epic presentation, et cetera, but honestly, there’s so much going on here that I really don’t know where to start.

This book is a great jumping-on point for newcomers, but they’ll also find a lot to digest here; while long-term Green Lantern and DC Comics readers have plenty of Easter eggs to scour through.  Sure, there’s a fair bit of background that the DC faithful will already know, but Johns is clearly highlighting which parts to pay attention to (and believe me, there’s a lot to pay attention to) and fleshing them out to augment the emotional impact of future events.  It’s actually surprising to see which untended plot threads he does highlight – without giving too much away – fans of Keith Giffen’s Justice League will no doubt be intrigued by the developments they see here.  It’s pretty clear by the end of this issue that Blackest Night represents his life’s work, drawing on every major DC storyline he’s had a hand in, from JSA to Hawkman to Infinite Crisis to 52 and everything in between right up to Flash: Rebirth.  Perhaps contrary to his original plans (though not by much), Blackest Night encompasses the entire DC Universe (or is it ‘Multiverse’?).  That is to say that its scope is far greater than just the Green Lantern universe – which is already massive thanks to Johns – and centres upon his two no-doubt-favourite heroes, Hal Jordan (Green Lantern) and Barry Allen (The Flash), as our anchors to this epic tale.

The core of this super-sized issue takes place appropriately on the anniversary of Superman’s death; once a national day of mourning, now a day used to honour fallen superheroes.  Geoff Johns has stated in interviews that this issue mentions all the major players in this storyline, and I believe it – many names are checked by the mourners, which may as well be a roll call for the Black Lantern Corps – some are expected, though many may surprise you.  In point of fact, the first Black Lanterns to reveal themselves surprised the hell out of me, and their first dark deeds shocked me all the more, due in no small part to Ivan Reis’ grisly depiction.

It’s getting very dark in the DC Universe, and I, for one, am loving it.