Archive for newspaper

Wednesday Comics #4

Posted in Comics, DC, Wednesday Comics with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 7th August, 2009 by Adam Redsell
Risky and rewarding.

Risky and rewarding.

Four weeks of Wednesday Comics and it’s panning out as expected: the strong stories are still performing strongly and the others, well – not so strongly.

John Arcudi’s Superman – while beautifully painted by Lee Bermejo – is still, quite frankly, a whiny bitch; Neil Gaiman’s Metamorpho an absolute head-scratcher; Eddie Berganza’s Teen Titans just screams ordinary; while Ben Caldwell’s Wonder Woman remains a cramped, unfocused mess (I didn’t even know something could be those three things at once until I read it).

It’s interesting to see who really thrives in this weekly one-page format and who doesn’t – I’m honestly surprised at how unimpressed I’ve been with Neil Gaiman’s Metamorpho, and yet at the same time I wonder just how much brilliance I’d expect from one page of Sandman.  But this isn’t a 22-page comic, nor is it a graphic novel, and I think the writers and artists that understand that are the ones that deliver.  The Kuberts’ Sgt. Rock is dragging its heels like nothing else (so far he’s managed to get himself tortured), and Kurt Busiek’s Green Lantern isn’t much better (so far, Hal Jordan flew into a bar, flew out of a bar, and had a flashback – ZOMG!).  Just get to the good bits already! You can’t pace this like a 22-page comic, exploding it out page by page in a weekly format – you’ve only got twelve weeks to tell your story, and one page to impress me.  Given his experience with the weekly format, you’d think Busiek of all people would have it down.

The ones that do have it down are Gibbons (Kamandi), Pope (Strange Adventures), and Kerschl (The Flash/Iris West).  Come to think of it, all three of them feature villainous, super-intelligent, talking apes.  Kamandi is an open, sprawling adventure in a dystopian future.  Gibbons, an adept artist himself, lets Ryan Sook tell the story visually while he narrates.  Both Kamandi and Strange Adventures are throwbacks to the EC “Weird Science-Fantasy” comics of the fifties, and both are positively dripping with atmosphere.  I suspect the hand-written captions may have also helped in this regard.  Kerschl took the most interesting route of all the writers, telling parallel stories of The Flash and his lover Iris West, and you know what?  I think he’s stumbled across the magic formula for one-page-per-week storytelling.  I love the contrast of romance and superheroics from week to week, and the way these stories interweave and feed off of each other.  Barry Allen must race against time and himself(!) to save Central City and his love-life!  I love it!

Honestly, it’s worth reading Wednesday Comics just to follow those three, but there are plenty of other strong efforts to justify your purchase.  Dave Bullock has managed to pick up the pace and find his voice in a much more focused Deadman, while the Most Improved award must go to Walter Simonson with The Demon and Catwoman, which makes a whole lot more sense now in its own weird little way.  Catwoman has become a cat-woman, and the Demon is waxing poetic as he should be, as they duke it out in the highlands.  Brian Azzarello’s Batman is shaping up to be an intriguing murder mystery, while Dan DiDio’s Metal Men is again surprisingly funny.  Jimmy Palmiotti’s Supergirl is okay, if only a little trivial on the back of Pope’s Strange Adventures (Supergirl’s basically trying to round up two super-powered pets who have run away from home).  While it’s disappointing that Hawkman‘s story is no longer narrated by birds as it was in the first issue, it has taken a science fiction twist for the better, I believe.

And that about wraps it for the fourth week of Wednesday Comics.  I have issue 5 in front of me now, but I suspect I’ll have nothing new to say about it.  This is the most interesting experiment in the comic book format that you’re ever likely to be part of, so get into it.

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Wednesday Comics #1

Posted in Comics, DC, Wednesday Comics with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 8th July, 2009 by Adam Redsell
The Ultimate Newspaper

The Ultimate Newspaper.

Wednesday Comics is the product of DC’s continued experiments with the weekly comic format, and in many ways I think it’s the culmination.  For many people, this will be the Ultimate Newspaper.  It’s certainly mine.  There’s something about opening it out that makes the experience that much more exciting.  And while the whole format is a throwback to the Sunday comic strips, and the stories themselves a throwback to the Silver Age; it’s just so brimming with comic magic that it can’t help but feel fresh and new.  Each page is devoted to a DC property, written and illustrated by a star-studded roster including the likes of Brian Azzarello, Dave Gibbons, Kyle Baker, John Arcudi, Lee Bermejo, Kurt Busiek, Neil Gaiman, Paul Pope, Adam Kubert, Joe Kubert, and Walter Simonson.  The hook is this: these creators get to tell stories of whichever character they damn-well please.   The plan is virtually fool-proof.  Here’s how it went:

Batman
Author: Brian Azzarello
Artist: Eduardo Risso (with Robins & Mulvihill)

Not a whole lot of action as yet, but we have a good setup here.  Batman finds out he has until midnight to save an investment banker from being murdered.  Problem is, it already is midnight.  Azzarello makes an interesting observation on Commissioner Gordon’s relationship with Batman.

Kamandi
Author: Dave Gibbons
Artist: Ryan Sook

The opening shot is classic Kamandi, but I’m also getting hints of “Tales of the Black Freighter”, which is interesting because this time Gibbons is writing, not drawing!  Gibbons highlights the awesomely clever origin of Kamandi’s name too.

Superman
Author: John Arcudi
Artist: Lee Bermejo

Bermejo’s Superman is absolutely gorgeous.  This has got to be the most intriguing story of the bunch as well…

Deadman
Authors: Dave Bullock & Vinton Heuck
Artist: Dave Bullock
Letterer: Jared Fletcher
Colorist: Dave Stewart

Deadman is too talky and too simple for my liking.  As far as noir goes, though, it does talk the talk, especially in the art department.

Green Lantern
Author: Kurt Busiek
Artist: Joe Quiñones

Busiek and Quiñones revisit the Hal Jordan of the 50s, and if Darwyn Cooke’s New Frontier was anything to go by, this should fit like an old pair of shoes.  (Comfortably, that is.)

Metamorpho
Author: Neil Gaiman
Artist: Michael Allred
Colorist: Laura Allred
Letterer: Nate Piekos

This was probably the funniest of the fifteen comic strips.  Gaiman has put himself right into the Silver Age for this one, forcing foibles and attitudes of the time period to great comedic effect.  Michael Allred also channels Jack Kirby with his bold, no-nonsense approach to the panels.

Teen Titans
Author: Eddie Berganza
Artist: Sean Galloway

Loved the art style.  The writing – not so much…

Adam Strange
Author & Artist: Paul Pope

The biggest surprise for me was Paul Pope’s choice of character in Adam Strange.  I had him pinned as a Batman-only writer, but boy, was I ever wrong.  This pulp-style sci-fi is probably the coolest of the bunch.

Supergirl
Author: Jimmy Palmiotti
Artist: Amanda Conner

This is pretty much just an intro, but a cute and funny one nonetheless.  After all, isn’t that what these Sunday comic strips were all about?

Metal Men
Author: Dan DiDio
Artists: José Luis García-López & Kevin Nowlan

Anyone who’s ever read a ‘DC Nation’ column was probably as surprised as I was when they realised that Dan DiDio’s Metal Men is actually quite funny.  And clever!

Wonder Woman
Author & Artist: Ben Caldwell

While I found Wonder Woman’s conversation with the pigeons to be quite amusing, I thought the rest of the page was cluttered and confusing.  I think Ben Caldwell is trying to cram too much in here.

Sgt. Rock and Easy Co.
Author: Adam Kubert
Artist: Joe Kubert

Kubert and Son join forces for a striking first effort.  Joe’s depiction of Sergeant Rock’s brutal interrogation is all kinds of visceral.  I’ve never read Adam Kubert’s writing before, so it’ll be interesting to see where he goes from here.

The Flash
Authors: Karl Kerschl & Brenden Fletcher
Artist: Karl Kerschl
Letterer: Rob Leigh
Colorist: Dave McCaig

It’s good to see Karl and Brenden really experiment with the form.  The Flash page is split into two parallel stories: a Flash action sequence in a race to stop Gorilla Grodd; and Iris West, about to leave that unreliable, good-for-nothing Barry Allen!  Can’t wait to read the next one.

The Demon and Catwoman
Author: Walter Simonson
Artist: Brian Stelfreeze (with Steve Wands)

What *appears* to be a rather wacky combination of characters proves to be rather dry, as Selina Kyle takes a tour of Jason Blood’s mansion.  Hopefully things will heat up when the Cat and the Demon come out to play…

Hawkman
Author & Artist: Kyle Baker

A great note to finish on.  The entire story is told from the perspective of a hawk as Hawkman leads his avian allies into battle.

I never thought it would happen, but I think DC may have finally nailed that magic weekly formula.  If each of these stories advance at a steady pace, then we should be in for a real treat.

A word to the wise, though: *probably* don’t carry this one on the bus, or out in the rain…