Archive for JLA

Blackest Night #1

Posted in Blackest Night, Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 20th July, 2009 by Adam Redsell
Black is the new Green.

Black is the new Green.

Author: Geoff Johns
Artist: Ivan Reis
Inker: Oclair Albert
Colorist: Alex Sinclair
Letterer: Nick J. Napolitano
Associate Editor: Adam Schlagman
Editor: Eddie Berganza
Cover Artists: Ivan Reis, Oclair Albert & Alex Sinclair
Alternate Cover Artists: Ethan Van Sciver & Hi-Fi

If you had of told Dan DiDio four years ago that Green Lantern, under Geoff Johns’ guidance, would not only stand shoulder to shoulder with the likes of Batman and Superman in stature and following, but would also spawn the biggest comic book event of 2009, he probably would have slapped you twice and thrown you to the Crises.  Well, that was then, and this is now, and let me tell you, I was more than excited to be opening the first issue of Blackest Night proper.  In fact, I can’t remember ever being this excited for a comic book event in all my years of reading comics (which I’ll admit, is not very long at all compared to some).  Well, it turns out that all that anticipation is paying off in spades, and that Blackest Night is every bit the bee’s knees it promised to be.

Naturally, Blackest Night #1 picks up where Blackest Night #0 left off, in Gotham Cemetery.  It’s a dark and stormy night, and Black Hand ushers in the Age of Dark and Stormy Nights with a decidedly sick and twisted invocation.  The first thing I noticed about this issue was, damn, it’s great to have Ivan Reis back on a Green Lantern book.  Then of course I noticed the striking visuals, the epic presentation, et cetera, but honestly, there’s so much going on here that I really don’t know where to start.

This book is a great jumping-on point for newcomers, but they’ll also find a lot to digest here; while long-term Green Lantern and DC Comics readers have plenty of Easter eggs to scour through.  Sure, there’s a fair bit of background that the DC faithful will already know, but Johns is clearly highlighting which parts to pay attention to (and believe me, there’s a lot to pay attention to) and fleshing them out to augment the emotional impact of future events.  It’s actually surprising to see which untended plot threads he does highlight – without giving too much away – fans of Keith Giffen’s Justice League will no doubt be intrigued by the developments they see here.  It’s pretty clear by the end of this issue that Blackest Night represents his life’s work, drawing on every major DC storyline he’s had a hand in, from JSA to Hawkman to Infinite Crisis to 52 and everything in between right up to Flash: Rebirth.  Perhaps contrary to his original plans (though not by much), Blackest Night encompasses the entire DC Universe (or is it ‘Multiverse’?).  That is to say that its scope is far greater than just the Green Lantern universe – which is already massive thanks to Johns – and centres upon his two no-doubt-favourite heroes, Hal Jordan (Green Lantern) and Barry Allen (The Flash), as our anchors to this epic tale.

The core of this super-sized issue takes place appropriately on the anniversary of Superman’s death; once a national day of mourning, now a day used to honour fallen superheroes.  Geoff Johns has stated in interviews that this issue mentions all the major players in this storyline, and I believe it – many names are checked by the mourners, which may as well be a roll call for the Black Lantern Corps – some are expected, though many may surprise you.  In point of fact, the first Black Lanterns to reveal themselves surprised the hell out of me, and their first dark deeds shocked me all the more, due in no small part to Ivan Reis’ grisly depiction.

It’s getting very dark in the DC Universe, and I, for one, am loving it.

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The Dark Knight Cram School: The Greatest Batbooks of All Time.

Posted in Batman, Comics, DC, Detective Comics, film, JLA, The Dark Knight with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 14th May, 2009 by Adam Redsell

To celebrate the birth of Bat-Shark Repellent, I thought I’d lend my expertise to you all by recommending the Greatest Batbooks of All Time. I’ve made no secret of the fact that my comic book collection threatens to swallow my entire bedroom, so rest assured – I’ve read a lot of Batman. So if you’re looking for a good jumping-on point for the Caped Crusader, you’ve come to the right place. Here goes…


16. Batman: Venom

This story marks the second time Batman is broken, this time by addiction to a performance enhancing drug known as Venom. Venom has an almost surreal quality, but the story takes a very Bond-like turn when the Batman hunts down his tormentors. And yes, Bat-shark-repellent is involved!

15. Superman: Red Son

While not a Batbook per sé, Red Son features the coolest iteration of the Batman that you’ll ever see. It’s also one of the greatest Superman stories you’ll ever read. It’s an Elseworlds tale [i.e. outside of continuity] that poses the question: what if Kal-El landed in Russia instead of America? It further poses the question, how would a Russian Batman react to a superhuman Communist dictator?

14. Batman: The Man Who Laughs

A menacing Joker tale by veteran Ed Brubaker. I wouldn’t be at all surprised if his interpretation of the villain informed Heath Ledger’s performance.

13. Batman & the Monster Men

A young and naive Batman faces off against the abominations of Dr Hugo Strange. Written and drawn by the legendary Grendel creator Matt Wagner.

12. Batman & the Mad Monk

Matt Wagner returns for a supernatural romp through Batman’s past. It’s pulp and spectacle with a modern touch.

11. Son of the Demon

Batman marries the daughter of his greatest foe, Ra’s Al Ghul. The Bat and the Demon must work together to stop a terrorist threat, for Talia’s sake and the world’s. A controversial tale that has recently come into play in a big way.

10. Batman: Black & White Volumes 1 & 2

A series of Batman vignettes by comic book greats and mainstays, all in black and white. It’s amazing how much story they can cram within a few pages. A great laugh and a great deconstruction of the character. Pick up Volume 3 if you’re keen, it’s just not quite as good as the first two volumes.

9. Batman: Blind Justice

A surprising amount of material has been mined from Blind Justice to bring you Batman Begins, and this is chiefly because it is the authority on Bruce Wayne. It’s funny considering the author is none other than Batman screenwriter Sam Hamm. Never has Batman’s alter-ego [or past] been shaped so definitively. Believe it or not, Henri Ducard and Ra’s Al Ghul are two separate people. It’s a pity about the kooky mind-control, though.

8. Batman: Gothic

It’s surprising just how well Batman goes with the supernatural. Trust Grant Morrison to pull it off [and he continues to do so now!]. Everything about this tale is gothic, especially the art of Klaus Janson.

7. Batman: Year 100

Year 100 takes place in a dystopian future Gotham, which is eerily similar to the old Gotham: a dark place full of crooked cops. Batman is once again a wanted outlaw, though the authorities prefer to deny his existence altogether. Paul Pope’s gritty and brutal future is believable, and reminiscent of Alfonso Cuarón’s Children of Men. A great read with no strings attached.

6. Batman: The Cult

One of the greatest bat-villains was a one-and-done character, Deacon Blackfire. Criminals are being brutally murdered, while the homeless disappear from the streets of Gotham. He defeats the Batman in the worst possible way: by breaking his spirit. Another supernatural Bat-story written to great effect by comics stalwart Jim Starlin. Jason Todd (the second Robin) has never been so likable than in this book, which is surprising.

5. Arkham Asylum

Once again Grant Morrison gives supernatural depth to the Batman mythos, this time to his rogues’ accidental lair: Arkham Asylum. Batman’s greatest foes have taken the house hostage, challenging him to a game of wits. The Batman accepts, but he soon finds that the building has a life of its own. Drenched in symbology, each page is hand-painted by the legendary Dave McKean.

4. The Killing Joke

The Greatest Joker Story Ever Told. If there was ever a book to read before seeing Dark Knight, this is it. Comics legend Alan Moore proposes a possible origin for Batman’s arch-nemesis. Short and sweet.

3. The Long Halloween/Dark Victory

Jeph Loeb and Tim Sale team up for one of the greatest Bat-mysteries ever told. Batman must sift through his rogues gallery to solve the mystery of the Holiday killer. The fall of the Falcone crime family; the definitive Two-Face origin story; the origin of Robin – it’s all here and it’s all told beautifully in a true marriage of word and picture.

2. Batman: Year One

Frank Miller redefines the Batman for a new era. Make no mistake, the Batman of Year One is the Batman we know and love today. The definitive Batman origin story, Bruce Wayne returns to Gotham to wage his personal war on crime. Gritty, dark, and grounded, Batfilm enthusiasts have this book to thank for its rich source material.

1. The Dark Knight Returns

Before Miller wrote his beginning, he wrote [and drew] the Batman’s end. A retired Bruce Wayne must don the cape and cowl once more to reclaim the streets of Gotham from Violence and Unreason. Without a doubt the Greatest Batman Story Ever Told, and one of the greatest graphic novels ever written.

Honourable Mentions
This is a list of other Batbooks that are still worth a read for Batfans, but have not been included in ‘The List’ for reasons I will state below:

Batman: Knightfall Part One – Broken Bat
Knightfall is like the Rocky movies: a great overall story arc, but the execution leaves a little to be desired. The chapters written by Chuck Dixon are pretty good (especially the moving finale), but most of the fill-in stories are abhorrent. Nonetheless, an important chapter of Batman’s life, though it suffers from the trappings of 90s event books and B-list villains. Bane puts the Batman through his paces, letting his entire rogues gallery loose upon Gotham. He breaks his spirit and then his back.

Batman: Nine Lives
A cinema-style noir murder mystery and a damn fine Elseworlds tale. It just feels a little dry, and the Batman takes a while to surface.

Batman: Thrillkiller
Again, this is a great Elseworlds tale, starring Batgirl and Robin, this time in the early 60s. Each panel is painted beautifully, but Batman’s glaring absence is once again noted for most of this tale.

JLA: Tower of Babel
A pretty good Justice League story with one tiny problem: Mark Waid’s Batman is a prick. This was the era of the know-it-all Batman – the House M.D. of comics, if you will – never explaining the methods behind his madness until the very end. Ra’s Al Ghul [you’ll hear his name a lot] procures Batman’s secret files to use them against his allies.

Tales of the Demon
If you can get past the West-ian campiness you’ll enjoy some of the greatest Ra’s Al Ghul stories ever written.

Strange Apparitions
Such an apt title for such a strange book. Following the death of Dr Hugo Strange, this story proves once again that the Bat mixes well with the supernatural. But if you can’t handle a little West-ness, you might want to steer clear.

A Death in the Family
An extremely imporant chapter in Batman’s life, but pretty poorly executed. The fact that the ending was voted for only cheapens the emotional impact.

Gotham by Gaslight
Another Elseworlds tale that suffers from not enough Batman. Batman must hunt down Jack the Ripper before it’s too late, but when Bruce Wayne is suspected, things go arye. The identity of the infamous serial killer is a little disappointing, especially when you compare the mystery as a whole to Alan Moore’s From Hell.

Hush
Hush amounts to nothing more than a gorgeous fangasm, really. Still a good read, up until the ‘big reveal’ at least. It’s still a pretty fun ride through Batman’s gallery of rogues and allies.

Batman & Dracula: Red Rain
The Batman must become a bat-man to protect Gotham from its bloodthirsty tormentor. It’s a pretty decent Elseworlds tale with a great idea behind it, Moench just doesn’t get as much mileage out of it as I had hoped.

Batman: Child Of Dreams
A Japanese take on the Batman, author Kia Asamiya actually deconstructs Japanese culture better than the character himself. This is essentially Batman for a new audience (the Japanese), so it’s understandable that many of the ideas presented are well-worn. It’s still well-executed and an intriguing read, nonetheless.

Death and the Maidens
Greg Rucka cooks up a storm within the Al Ghul family, building up a new heir and Bat-villain in Nyssa Al Ghul. But to kill a man who has resurrected himself time and again with such apparent finality – it’s a little hard to swallow – and with Ra’s’ recent resurrection last year, it all feels a little ineffectual. It is Greg Rucka and Klaus Janson, though, and you can’t blame them for trying.

So that does it for me – if want to dive headfirst into the Batman mythos, check out the books I’ve recommended above. If you want to go further, give the others a try – I’ve been a little harsh on them – they’re not the greatest, but they’re still enjoyable reads. I also highly recommend Grant Morrison’s current run on Batman, but be warned – it’s extremely zany, and requires a lot of background knowledge to follow.

What about you? Do you fancy yourself a fellow Bat-fan? Have I left out your favourite Batbook? If so, gimme some hell!