Archive for green lantern corps

Lasso of Truth – Weekly Comics Round-up: 14th October 2009

Posted in Adventure Comics, Batman, Blackest Night, Comics, Green Lantern Corps, Secret Six, Wednesday Comics with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 14th October, 2009 by Adam Redsell

lasso_of_truth_5

Lasso of Truth is your weekly guide to what’s hot and what’s not in the DC Universe.  Each week, the Red Baron goes through his comics haul to tell you what’s worth buying and what’s best left alone.

Here’s the key:

Must havethere’s no question, you should buy this great book.
Buy ita high-quality read that won’t disappoint.
Check it outpick it up if you have some extra cash.  May be an acquired taste.
Avoida disappointing read.  Save your money and steer clear.


adventure_3

Adventure Comics #3/506
Written by Geoff Johns ǀ Art by Francis Manapul
Gimmicky re-numbering aside, yet another fantastic issue of Adventure Comics.  I never thought I’d care about Superboy, but I do now thanks to Geoff Johns.  I never thought I’d care about Red Robin either, but Johns made me do that as well.  An emotionally poignant character study of Conner Kent and Tim Drake.
Verdict: Must have.


bn_batman_3

Blackest Night: Batman #3
Written by Peter J. Tomasi ǀ Art by Adrian Syaf
An entertaining survival horror story with plenty of fan service for Robin fans.  Dick Grayson and Tim Drake face their parents once again for the last time.
Verdict: Check it out.


glc_41

Green Lantern Corps #41
Written by Peter J. Tomasi ǀ Art by Patrick Gleason
Tomasi keeps up the horror in his epic space battle.  Gleason’s artwork is once again let down by the rotation of inkers throughout this issue.
Verdict: Check it out.


secret_six_14

Secret Six #14
Written by Gail Simone ǀ Art by Nicola Scott w/ Carlos Rodriguez
Month in, month out, Secret Six is my favourite DC book.  The “Depths” arc concludes with an issue that truly lives up to its name.  Bane and Scandal Savage’s oddball relationship is pushed to the very edge, and it seems there’s even more upheaval on the horizon for the Six.
Verdict: Must have.


wed_comic_12

Wednesday Comics #11 & 12
Written by Various ǀ Art by Various
I know I’m a bit late with this, but for some reason my local comics store forget to hold a copy of issue 11 for me last month.  Wednesday Comics was without a doubt a great experiment with the weekly comics format – an experiment I hope DC repeats sooner rather than later.  Highlights for me included Azzarello’s Batman, Dave Gibbons’ Kamandi, Palmiotti’s Supergirl, Gaiman’s Metamorpho, Pope’s Strange Adventures, and Kerschl’s The Flash.  Simonson’s The Demon and Catwoman finished excellently as well.
Verdict: Must have.

Lasso of Truth – Weekly Comics Round-up: 9th September 2009

Posted in Adventure Comics, Blackest Night, Comics, Green Lantern Corps, Secret Six, Superman, Wednesday Comics with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 21st September, 2009 by Adam Redsell

lasso_of_truth_3

Lasso of Truth is your weekly guide to what’s hot and what’s not in the DC Universe.  Each week, the Red Baron goes through his comics haul to tell you what’s worth buying and what’s best left alone.

Here’s the key:

Must havethere’s no question, you should buy this great book.
Buy ita high-quality read that won’t disappoint.
Check it outpick it up if you have some extra cash.  May be an acquired taste.
Avoida disappointing read.  Save your money and steer clear.


adventure_2

Adventure Comics #2
Written by Geoff Johns ǀ Art by Francis Manapul
A heart-warming tale of love re-kindled, with some surprising developments on the Luthor/Brainiac front.  The best Superman book since Johns left Action.
Verdict: Must have.


bn_batman_2

Blackest Night: Batman #2
Written by Peter J. Tomasi ǀ Art by Adrian Syaf
Without a doubt the best Blackest Night tie-in on the stands.  It’s simple enough to stand on its own, and Tomasi does even more to flesh out the new Dynamic Duo.
Verdict: Buy it.


glc_40

Green Lantern Corps #40
Written by Peter J. Tomasi ǀ Art by Patrick Gleason
Tomasi continues to mine the rich landscape that he himself created.  The return of the dead means the return of past plot threads, and Tomasi weaves them together beautifully.
Verdict: Buy it.


secret_six_13

Secret Six #13
Written by Gail Simone ǀ Art by Nicola Scott
I’m really digging this “Depths” story arc.  Secret Six continues its proud tradition of anti-heroics and black humour.  If you haven’t been reading this book, you really ought to be.
Verdict: Must have.


new_krypton_7

Superman: World of New Krypton #7
Written by James Robinson & Greg Rucka ǀ Art by Pete Woods
The entire Superman line has been a real disappointment to me since Geoff Johns and Gary Frank left Action Comics.  Everything just feels so…orchestrated, contrived, storyboard-ed – so many adjectives spring to mind, few of them positive.  I expect more from James Robinson and Greg Rucka individually, but together!  This should have been the Golden Age of Super-storytelling.  Instead, the whole thing’s mired in uninteresting political posturing.  “Phantom Menace” continually springs to mind.
Verdict: Avoid.


wed_comic_5

Wednesday Comics #9 & 10
Written by Various ǀ Art by Various
Wednesday Comics just keeps getting better as it sprints towards the finish line.  There’s really only one weak story in the bunch.
Verdict: Buy it.

Lasso of Truth – Weekly Comics Round-Up: 12th August 2009

Posted in Action Comics, Batman, Blackest Night, Comics, DC, Green Lantern Corps, Legion of Superheroes, Wednesday Comics with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 24th August, 2009 by Adam Redsell

lasso_of_truth

Lasso of Truth is your weekly guide to what’s hot and what’s not in the DC Universe.  Each week, the Red Baron goes through his comics haul to tell you what’s worth buying and what’s best left alone.

Here’s the key:

Must havethere’s no question, you should buy this great book.
Buy ita high-quality read that won’t disappoint.
Check it outpick it up if you have some extra cash.  May be an acquired taste.
Avoida disappointing read.  Save your money and steer clear.


Continue reading

Blackest Night: Tales of the Corps #2

Posted in Blackest Night, Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 28th July, 2009 by Adam Redsell
"Unnecessary" has never been so entertaining.

"Unnecessary" has never been so entertaining.

Authors: Geoff Johns, Peter Tomasi & Ethan Van Sciver
Artists: Eddy Barrows, Gene Ha & Tom Mandrake
Inkers: Ruy José
Colorists: Nei Ruffino & Pete Pantazis
Cover Artists: Ed Benes, Rob Hunter & Nei Ruffino
Variant Cover Artist: Rodolfo Migliari
Letterers: Steve Wands & Sal Cipriano
Editor: Adam Schlagman

Once again, I have to disagree with this book’s detractors.  Tales of the Corps #2, like the first issue, is an entertaining read, and while its connection to Blackest Night proper may not be readily apparent, it fleshes out the players in this War of Light.  The emotional spectrum is an interesting concept in itself, and though the seeds were planted from the very beginning of Geoff Johns’ stellar Green Lantern run, it’s clear that not all avenues have been explored in the rush to get to Blackest Night.  Perhaps it was editorial pressure; perhaps it was fan demand; I don’t know – but if this book affords Johns and his cohort the opportunity to explore this War of Light in greater detail, then I’m all for it.  And if you’re a Green Lantern fan, you’ll be all for it too.

Like the first issue, the opening story is by far the strongest.  “Fly Away” tells the tale of angelic beauty, Princess Bleez, and how she comes to embrace the rage of the Red Lantern Corps.  I wasn’t being flowery when I used the word ‘angelic’ either, Bleez has wings – with feathers – and Johns uses these as a simple narrative device to tell a story of freedom yearned for and ultimately, lost.  Eddy Barrows’ pencils are breathtaking, especially in depicting Bleez and her home planet, Havania.  It just goes to show that when given a full story to work with, Barrows absolutely shines (not that that was ever in doubt in the first place).  It’s not just the beautiful vistas he excels in either; his penchant for gritty, horror-inspired visuals is also on display here.  Credit must also go to Nei Ruffino, whose colours went a long way toward evoking the beauty of Bleez and her planet homeland.  All of this beauty – Bleez’s soft, metallic skin and Havania’s crystalline waterfalls – lends the story a great deal of its power when the Sinestro Corps come to strip it all away.  It’s interesting that Bleez’s turn as a Red Lantern owes more to the Sinestro Corps than it does the Red Lanterns themselves.

The second story, also penned by Johns, centres on Carol Ferris, and how she came to be a Star Sapphire.  “Lost Love” is beautifully drawn by Top 10 artist and co-creator, Gene Ha.  As much as I love any opportunity to enjoy Ha’s artwork, I’m going to have to side with the naysayers here and say that, yes, this story is entirely unnecessary.  We have seen most of this before.  The entire story essentially takes place within the confines of Carol’s cockpit, as she converses with the violet ring.  On comes a series of violet-filtered flashbacks concerning Carol and Hal Jordan’s on-and-off love relationship.  Now that the Star Sapphires have refined their crystals into rings for recruitment purposes, acceptance of the ring is voluntary.  This doesn’t ring true to me – the situation and the conversation itself seem to be a contrivance on Johns’ part to separate this particular instance from the earlier ones – it attempts to rationalise something that isn’t at all rational, and that is Love.  The conversation between Carol and the violet ring is a thinly veiled internal monologue, and it comes off as being rather stilted in the end.

The third and final tale in this collection chronicles the journey of the all-conquering, alien floating head, known as Blume.  Peter Tomasi excels at these kinds of dark, quirky tales, and “Godhead” is no exception.  The malevolent head prowls the universe, hungry for anything of value.  Amidst these flagrant displays of greed and cruelty, Tomasi achieves rare moments of poignancy, as Blume learns the true subjectivity of value and sheer breadth of what is valuable to people.  Blume’s fate as an Orange Lantern construct is a foregone conclusion, but that doesn’t rob this story of its value.

The issue finishes with a two-page featurette from Green Lantern: Rebirth artist Ethan Van Sciver, titled “The Symbols of the Spectrum: How They Came to Be, and What They Represent”, which documents the genesis of the seven symbols we’ve seen in the War of Light.  This is great for Green Lantern fans who want an insight into the creative process that goes into the making of their favourite comic book.

You can’t have your cake and eat it too.  Blackest Night: Tales of the Corps is a great supplementary book to the core Green Lantern series and Blackest Night itself.  You don’t need to read it to understand the events of those two books, but it’s a great read nonetheless.  If it was ‘necessary’ or ‘important’, fans and critics alike would be complaining about how they have to follow yet another book to gain an appreciation of the overall story.  As it stands, though, Tales of the Corps represents the very best kind of tie-in to a comic book event – wholly unnecessary to the progression of the main story, and yet an interesting and entertaining read in its own right.

Blackest Night: Tales of the Corps #1

Posted in Blackest Night, Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 18th July, 2009 by Adam Redsell
Tales of the <i> <ul>Corpse</ul> <p>: get it?</i>

Tales of the Corpse: get it?

“Tales of the Blue Lantern: Saint Walker”
Author: Geoff Johns
Artist: Jerry Ordway
Colorist: Hi-Fi
Cover Artists: Ed Benes, Rob Hunter & Nei Ruffino
Variant Cover Artists: Dave Gibbons & Alex Sinclair
Letterer: Steve Wands
Editor: Adam Schlagman
“Tales of the Sinestro Corps: Mongul: For Your Love”
Author: Peter J. Tomasi
Artist: Chris Samnee
Colorist: John Kalisz
Letterer: Sal Cipriano
Editor: Adam Schlagman
“Tales of the Indigo Tribe”
Author: Geoff Johns
Artist: Rags Morales
Colorist: Nei Ruffino
Letterer: Steve Wands
Editor: Adam Schlagman

When I read a somewhat negative review of Tales of the Corps this week, I couldn’t wait to disagree with it.  Turns out I got my wish.  I heartily recommend this book to Green Lantern fans, Alan Moore fans, and anyone who wants to read three entertaining stories within 25 pages.  It’s not ‘important’ per se, but it *is* entertaining, and it does flesh out the major players in this War of Light; something that I felt had been glossed over in a rush to get to Blackest Night.

The first story is also the strongest story, which opens where Green Lantern #42 left off.  Saint Walker and the Blue Lanterns are fending off an attack from Larfleeze, also known as Agent Orange, on their spiritual homeworld of Odym.  The opening page is a striking collision of blue and orange, and Jerry Ordway’s clean linework and figure depictions are the best I’ve seen from him in a long time.  In fact, I’d like to see future Green Lantern stories drawn by Ordway based on what I’ve seen here.  In these dire moments, Saint Walker’s life flashes before his eyes, and we get to see his journey to Blue Lanterndom.  I’ve always wondered about Walker’s sainthood, and this story really brings those religious aspects to the forefront.  As you’d expect, this is a story of hope against all adversity.  What you might not expect is the moving tale of a man who clings to Hope despite losing everything.  Saint Walker is a proverbial Job, on a dangerous pilgrimage to save his planet and his people.  Saint Walker emerges as so much more than a one-dimensional Polyanna do-gooder; he becomes an undeniable Beacon of Light – an Andy Dufresne, if you will – a hero for the weak and oppressed.  I’m laying on the superlatives, but the quintessential Blue Lantern has easily become my favourite character in this event; there’s something so refreshing about his Definite Goodness in this time where the Green Lanterns are mired in so much grey.  He reminds me of Optimus Prime; an incorruptible force for Good, who’ll fight to the end for all of us.  Look, just buy the book on the strength of this story alone, okay?

On the flipside, Peter Tomasi dabbles in some black humour, as he’s in the habit of doing.  If you’ve read his Black Adam miniseries, you’ll understand why; if not, allow me to spell it out for you: he’s damn good at it.  His track record with Mongul is also sterling, so the result here is to be expected.  This tale of Mongul’s warped childhood is simultaneously harrowing and amusing.  Chris Samnee’s art is rather simplistic, but well-suited to this “kid’s story” nonetheless.  A young Mongul is bored while his father (also Mongul) is out conquering and subjugating.  He watches some of his father’s exploits on “TV”, fantasising about what it would be like to be his father.  So he dresses up in his father’s gear and plays outside with the skeletons.  Pretty soon he gets exactly what he wished for, but just you wait until dad gets home…

The third and final story is a telling exposition of the heretofore mysterious nature of the Indigo Tribe.  Their untranslated speech gives off the feeling of a foreign film, as Geoff Johns allows the beautiful artwork of Rags Morales to tell the story.  Contrary to what its detractors may tell you, this issue reveals quite a bit about the Tribe’s motivations, and the nature of their powers.  You may not know the names of their people or their planet, but by the end you’ll be asking yourself, “what’s in a name, really?

There’s a lot of variety in the breadth of these stories, and all in all, it’s a very entertaining romp through Geoff Johns’ “emotional spectrum”.  If you miss Alan Moore’s Tales of the Green Lantern Corps, you’re in luck; because you’ve just found its spiritual successor.

Green Lantern #42

Posted in Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 3rd July, 2009 by Adam Redsell
Make it yours.

Make it yours.

“Agent Orange: Part Four”
Author: Geoff Johns
Artists: Philip Tan & Eddy Barrows
Inkers: Jonathan Glapion & Ruy Jose
Colorists: Nei Ruffino & Rod Reis
Cover Artists: Philip Tan, Jonathan Glapion & Nei Ruffino
Variant Cover Artists: Eddy Barrows & Nei Ruffino

Another month, another great issue of Green Lantern.  Can we all agree that Geoff Johns is the greatest Green Lantern writer that ever lived?  I don’t feel too audacious for making such a claim.  Four years and he’s never skipped a beat, in my opinion.

Unfortunately, the same cannot be said for the artwork in this issue (or the one before, for that matter).  It’s not awful by any means, but the phrase “too many cooks spoil the broth” springs to mind.  I’d happily read a full issue of Green Lantern drawn by either Philip Tan or Eddy Barrows – in fact, I quite enjoyed Philip Tan’s solo work in issue 40 – but the constant switching really pulled me out of the book.  The fact that there’s also two inkers and two colorists doesn’t help, either.  As far as I can determine, Eddy Barrow’s horror-inspired pencils are employed for the Agent Orange scenes, while Philip Tan handles the outer space duties and the Star Sapphire scenes (but don’t quote me on that).  Even then, it can be difficult to determine, which is probably where the multiple inkers and colorists come into play.  Some of the panels appear to be hand-painted; and again, while I wouldn’t mind seeing a full issue of this, the patchwork-style approach really didn’t work for me.  Again, I stress: individually these artists are great, and the colours are as vibrant as I’d expect from a Green Lantern book, but this series needs to regain a consistency of artistic vision and approach.  I can only hope that artistic duties are being shared out now, while Ethan Van Sciver, Ivan Reis and Doug Mahnke work ahead on future issues – certainly Johns has indicated in interviews that he is several issues ahead on the writing side of things.

The cover art, while cool, is also more than a bit misleading.  Firstly, I love the way Agent Orange (and in this case, Hal) is always depicted clutching the orange power battery like a child that doesn’t want to share his toys.  But Hal’s flirtations with the colours of the emotional spectrum have been all too brief thus far (save for the blue ring), and this occasion is no exception.  Like his scrape with the Red Lanterns beforehand, Hal’s encounter with the orange light is almost dismissed out of hand just when things started to get interesting.  I for one would have loved to have seen the emotional colour spectrum explored in greater detail prior to Blackest Night – which is better than it dragging – but I can’t help but feel we’re being rushed to Blackest Night.  I would quite happily see more of this War of Light played out as a comic book event in its own right.  I want to see the full repercussions of Hal Jordan holding the orange power battery; I want to see Hal put through the ringer as a Red Lantern and the fallout that proceeds from that.  Perhaps I’m just a cosmic sadist.

Having said all that, I can certainly see why Johns didn’t take that route – after all, it took him over a year to undo the effects of the “Parallax Debacle”, unravel the proceeding cover-up attempts, and restore Hal Jordan’s honour – why undo all that hard work?  There’s another reason for it, and I think it is this: Hal Jordan is the only being in the universe equipped to deal with this conflict in the emotional spectrum.  I’ll go one further: I think Hal represents the Yin-Yang of the entire emotional spectrum.  I think he will become the White Lantern, if only for a brief period.  He will prove to be the only being capable and experienced enough to control all colours in the emotional spectrum, and these ‘tastes’ of the other colours will prepare him for that role.  He will become this series’ Neo, so to speak.

I’ll go out on another limb: the role of the Guardians in the Green Lantern Corps will change forever, if not vanish altogether.  We will see the Guardians step back and embrace their individuality; embrace and acknowledge the full emotional spectrum.

None of these things are stated by the book; but it’s a book that makes you wonder where it all leads; it’s a book that intrigues through the use of foreshadowing; it’s a book so brimming with excitement that you honestly believe nothing is sacred, and anything can happen.  And trust me, anything does happen in this issue.

I can’t wait to see what’s next.

Detective Comics #854

Posted in Comics with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 1st July, 2009 by Adam Redsell
Damn good value.  Damn good detectives.

Damn good value. Damn good detectives.

“Elegy Agitato: Part One”
Author: Greg Rucka
Artist: J.H. Williams III
Colorist: Dave Stewart
Letterer: Todd Klein
Assistant Editor: Harvey Richards
Editor: Michael Siglain
Variant Cover Artist: J.G. Jones

“Pipeline: Chapter One/Part One”
Artist: Cully Hamner
Colorist: Laura Martin
Letterer: Jared K. Fletcher

Congratulations must go to James H. “Jim” Williams the Third for producing the first genuinely beautiful DC comic book I’ve read in two weeks.  It’s been nothing short of depressing to see so many potentially great stories dragged down by lacklustre artwork in some of DC’s most important books, particularly the Action line and Green Lantern Corps.  What did DC do, round up all the good artists and blast them into the Phantom Zone?

Consider then, what a breathe of fresh air it must have been for me to see Detective Comics – second-stringer of the Batman line – in such fine artistic form.  Consider also that this artistic treatment was not reserved for the Dark Knight himself, as one would expect, rather for a character who until now has assumed a place of relative obscurity in the DC realms.  Batwoman may have been popular with the mainstream press as the ‘first lesbian superheroine’ – a highly dubious claim, I might add – two or so years ago, but little has been seen of the character since her throwaway introduction in the hit series 52, which proved to be just that.  The third surprise was DC’s willingness to let a character other than Batman headline Detective Comics, but that had long since worn off thanks to the solicits.*

What wasn’t surprising was that writing duties for Batwoman fell to Greg Rucka, the only writer who has written the character since her debut (and even then, he was heavily involved!), and I dare say the only writer who could successfully write her without resorting to lesbian caricature.  A blank slate can be as daunting as it is liberating, but Rucka seems to have taken Katy Kane in his stride.  Rucka’s writing style is as natural as it comes, right down to ‘dealing with’ Katy’s lesbianism, which is precisely what this book needed to dispel claims of PC-shoehorning.  For the record, Batwoman’s debut in 52 was just that – a lipstick lesbian superheroine thrust upon the public consciousness for the sake of political correctness and a few headline-grabs – and in that respect, Rucka has achieved the seemingly impossible: he’s given Batwoman a real origin, a real personality, a real motivation, and as a result, he’s made her into a real character worth reading about.  He didn’t achieve this feat in a single issue – he does draw heavily upon his work in 52 Aftermath: Crime Bible: Five Lessons in Blood and Final Crisis: Revelations – but newcomers will find that the hard work’s already been done for them.  This is a character already established in Rucka’s mind: he knows who she is, and what she would do in a given situation and why, and reading this will give you an appreciation of that.  Batwoman’s first nemesis, Alice, is another non-conventional and interesting villain, drawing on Lewis Carroll’s famous character of the same name.  What’s awesome about this is how deeply rooted in Batman mythology Wonderland and its denizens are (see also: Mad Hatter, Tweedledee and Tweedledum).

It would be a disservice to J.H. Williams III’s work for me to simply compare it to its lacklustre contemporaries and declare it a “welcome relief”.  It is much more than that.  It’s strikingly beautiful.  He always seems to gravitate towards these black, white, and red affairs (like his “Club of Heroes” Batman story with Grant Morrison in recent years) – full credit to Dave Stewart for the beautiful colours, by the way – and he’s right at home here.  His artistic efforts give these events some much-needed gravity: after all, Batwoman has yet to prove her worth as a character, and her worthiness as a usurper of Detective Comics until now.  He continues to experiment with panel layouts, as he is in the habit of doing, and the result is a comic book that looks fresh and exciting.

But wait– there’s more!  The Question backup feature is no slouch either.  Rucka handles writing duties again – as, again, the only writer to have dealt with the character since 52 – with Cully Hamner (Black Lightning: Year One) on art.  Rucka wears Rene Montoya (aka The Question) like a comfortable pair of shoes, while Cully delivers his unique blend of industrial grit and cartooniness.  It’s a strange contrast, being that his art style could easily attract the attention of small children, and yet he never shies from depicting home truths at street-level.  I for one would like to see him employ some thinner linework just to see the difference.  The Question is on the tail of a mystery once again, as she should be (this is Detective Comics, after all).  DNA-wise, The Question and Batwoman are a match made in comic book heaven, even if romantically they are not.  Then again, who knows?  Regardless of whether they get back together, I can see these two mysteries intersecting in the future.  Maybe then it will merge into one great big comic book.

It’s surprising to see the shoe on the other foot this time – normally it’s Batwoman playing second fiddle to Rene Montoya.  One thing’s for sure, though, Rucka’s the only one to be writing these two.  Detective Comics is damn good value.  Pick it up.