Archive for Gary Frank

Lasso of Truth – Weekly Comics Round-up: 28th October 2009

Posted in Blackest Night, Comics, DC, Detective Comics, Green Lantern, Superman, Wonder Woman with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 28th October, 2009 by Adam Redsell

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Blackest Night #4
Written by Geoff Johns ǀ Art by Ivan Reis

Geoff Johns imbues this story with all the gravity an epic drama needs.  Ivan Reis drops The Big One with a jaw-dropping splash you have to see.

Verdict: Must have.


detective_858

Detective Comics #858
Written by Greg Rucka ǀ Art by J.H. Williams III, Cully Hamner

Rucka and Williams deepen their entire cast with an extended flashback sequence.  Four years later, Kate Kane is finally coming into focus.  The Question backup feature’s not bad per se; in fact, it’s quite good, but it’s so straight by comparison I just find myself clamouring for more Batwoman.

Verdict: Buy it.


gl_47

Green Lantern #47
Written by Geoff Johns ǀ Art by Doug Mahnke

Johns has been building to these moments for a looong time, and it’s satisfying to see old plot threads finally start to come together.  Green Lantern fans will be giddy at the prospect of a Sinestro/Hal reunion.

Verdict: Must have.


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Superman: Secret Origin #2
Written by Geoff Johns ǀ Art by Gary Frank

A young Clark Kent meets the Legion of Superheroes, and things don’t seem so lonely anymore.  Johns and Frank remind us what made Superman so inspiring in the first place.  An absolutely joyful reading experience.

Verdict: Must have.


ww_37

Wonder Woman #37
Written by Gail Simone ǀ Art by Bernard Chang

Aaron Lopresti was credited as artist on the cover, so it was more than a little bit jarring to find Bernard Chang’s pencils inside!  His Wonder Woman looks very Greek (as do his other Amazons), which makes sense, but again, a jarring interruption to Lopresti’s elegant work.  Some deliberately provocative T & A as well, which brought down the tone of this otherwise-virtuous book.

Verdict: Check it out.

Lasso of Truth – Weekly Comics Round-up: 23rd September 2009

Posted in Batwoman, Blackest Night, Comics, DC, Detective Comics, Final Crisis, Superman with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 23rd September, 2009 by Adam Redsell

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Lasso of Truth is your weekly guide to what’s hot and what’s not in the DC Universe.  Each week, the Red Baron goes through his comics haul to tell you what’s worth buying and what’s best left alone.

Here’s the key:

Must havethere’s no question, you should buy this great book.
Buy ita high-quality read that won’t disappoint.
Check it outpick it up if you have some extra cash.  May be an acquired taste.
Avoida disappointing read.  Save your money and steer clear.


bn_superman_2

Blackest Night: Superman #2
Written by James Robinson ǀ Art by Eddy Barrows
Blackest Night: Superman #2 drops the horror movie tone of the first issue and opts for superhero fisticuffs instead.  It’s a pity, because depicting horror is Eddy Barrows’ specialty.  This book reads as a who’s who of Crisis on Infinite Earths, which will no doubt excite long-time DC readers.  It does lack a little in the emotional pay-off department, though (which is surprising considering the re-appearance of the Psycho Pirate).
Verdict: Check it out.


detective_857

Detective Comics #857
Written by Greg Rucka ǀ Art by J.H. Williams III
Bold and beautiful artwork, coupled with DC’s most interesting new villain makes this comic hard to fault.
Verdict: Must have.


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Final Crisis Aftermath: Dance #5
Written by Joe Casey ǀ Art by Eduardo Pansica
The Super Young Team finally awaken to their destiny, as their leader Most Excellent Superbat proves he is worthy of both names.  The art holds up surprisingly well, considering ChrisCross’ absence once again.
Verdict: Buy it.


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Superman: Secret Origin #1
Written by Geoff Johns ǀ Art by Gary Frank
It’s great to see these two back on a Superman title again, and boy, do they knock this one out of the park.  It’s simply beautiful, human drama.
Verdict: Must have.

Lasso of Truth – Weekly Comics Round-up: 9th September 2009

Posted in Adventure Comics, Blackest Night, Comics, Green Lantern Corps, Secret Six, Superman, Wednesday Comics with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 21st September, 2009 by Adam Redsell

lasso_of_truth_3

Lasso of Truth is your weekly guide to what’s hot and what’s not in the DC Universe.  Each week, the Red Baron goes through his comics haul to tell you what’s worth buying and what’s best left alone.

Here’s the key:

Must havethere’s no question, you should buy this great book.
Buy ita high-quality read that won’t disappoint.
Check it outpick it up if you have some extra cash.  May be an acquired taste.
Avoida disappointing read.  Save your money and steer clear.


adventure_2

Adventure Comics #2
Written by Geoff Johns ǀ Art by Francis Manapul
A heart-warming tale of love re-kindled, with some surprising developments on the Luthor/Brainiac front.  The best Superman book since Johns left Action.
Verdict: Must have.


bn_batman_2

Blackest Night: Batman #2
Written by Peter J. Tomasi ǀ Art by Adrian Syaf
Without a doubt the best Blackest Night tie-in on the stands.  It’s simple enough to stand on its own, and Tomasi does even more to flesh out the new Dynamic Duo.
Verdict: Buy it.


glc_40

Green Lantern Corps #40
Written by Peter J. Tomasi ǀ Art by Patrick Gleason
Tomasi continues to mine the rich landscape that he himself created.  The return of the dead means the return of past plot threads, and Tomasi weaves them together beautifully.
Verdict: Buy it.


secret_six_13

Secret Six #13
Written by Gail Simone ǀ Art by Nicola Scott
I’m really digging this “Depths” story arc.  Secret Six continues its proud tradition of anti-heroics and black humour.  If you haven’t been reading this book, you really ought to be.
Verdict: Must have.


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Superman: World of New Krypton #7
Written by James Robinson & Greg Rucka ǀ Art by Pete Woods
The entire Superman line has been a real disappointment to me since Geoff Johns and Gary Frank left Action Comics.  Everything just feels so…orchestrated, contrived, storyboard-ed – so many adjectives spring to mind, few of them positive.  I expect more from James Robinson and Greg Rucka individually, but together!  This should have been the Golden Age of Super-storytelling.  Instead, the whole thing’s mired in uninteresting political posturing.  “Phantom Menace” continually springs to mind.
Verdict: Avoid.


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Wednesday Comics #9 & 10
Written by Various ǀ Art by Various
Wednesday Comics just keeps getting better as it sprints towards the finish line.  There’s really only one weak story in the bunch.
Verdict: Buy it.

Superman: World of New Krypton #3

Posted in Comics, DC, Superman with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 12th June, 2009 by Adam Redsell
You will believe a man can fly.

You will believe a man can fly.

Authors: Greg Rucka & James Robinson
Artist: Pete Woods
Colorist: Brad Anderson
Letterer: Steve Wands
Cover Artist: Gary Frank
Variant Cover Artists: Howard Chaytkin with Edgar Delgado
Assistant Editor: Wil Moss
Editor: Matt Idelson

New Krypton is an interesting little ‘what if?’ scenario for Superman.  What if Superman lived in a world where everyone had the same powers he has?  What if he wasn’t special at all?  What if he was just Clark Kent?  Would he still make a difference?  Except he’s not Clark Kent, the human reporter – he’s Commander Kal-El of the Kryptonian Military Guild.  And yet, this series has done more to highlight Superman’s very human upbringing than any other.  Superman is special, and what’s special about him is his humanity.

This all sounds very poignant for what is essentially a story about a hostage situation.  That we get to see Superman negotiate a hostage situation at all just goes to show how interesting New Krypton’s basic premise is.  While some readers are waiting for ‘something’ to happen, I’m enjoying all the very ‘normal’ situations Superman finds himself in, and how his intrinsic responses differ from that of his Kryptonian colleagues, particularly Zod.  Now, I expect that ‘something’ readers and critics are impatiently waiting for is something along the lines of ‘Zod’s up to something, and it ain’t good’, and this story certainly alludes to that in some small measure, but I want to see this ‘what if?’ scenario explored first and played out to the full.

It’s true, General Zod does risk losing the menacing heights he achieved during Geoff John’s and Richard Donner’s “Last Son” story arc, if he doesn’t do something villainous soon.  It seems that Superman and Supergirl aren’t the only ones who view New Krypton as a new beginning.  Zod, too, has turned over a new leaf, it seems.

(For those not in the know, New Krypton consists solely of the citizens of Kandor, a city which was shrunk and trapped in a bottle by Brainiac long ago.  As a result, the people of New Krypton are still adjusting to their newfound freedom, and are completely unaware of the nature of General Zod’s military coup back on Krypton proper.  They were also completely unaware of Jor-El’s peaceful attempts to warn the Council of Krypton’s impending doom.  Years later, Zod and company are the only survivors of Krypton’s destruction, and the only surviving Kryptonians who were ‘right’ about the whole thing.  His attempt to forcefully ‘save’ Krypton from the Council’s ignorance is thus considered an act of heroism in retrospect.)

Superman and Zod’s new relationship is understandably awkward considering their embattled past, and while this is intended and entertaining, it’s also a little implausible.  Zod seems far too reasonable for a man who was an egomaniacal madman not so long ago.  And Superman seems far too composed for a man who – being the only one who knows the truth about Zod – is required to serve under his command!  Zod appears to admire Superman’s non-lethal solutions to societal problems, and Superman appears to regard Zod as someone other than an egotistical madman.  If they get much more familiar, it’s going to be very difficult for these two to lock fists to faces in the inevitable future.  I suppose I’m just concerned that Rucka and Robinson have written themselves into a corner they can’t get out of (though I feel the same way about the whole New Krypton scenario altogether).

World of New Krypton explores another side of Superman that we’ve perhaps not seen before: Superman the Revolutionary.  New Krypton still operates under a guild system as established on Old Krypton, but the Labor Guild (sound familiar?) is the only without political representation.  Superman, the red-blooded American he is, sees this as fundamentally wrong and undemocratic, and in many ways planted the dissenting seeds that led to this situation.  Members of the Labor Guild take Alura (Superman’s biological aunt and Supergirl’s mother) hostage, demanding reasonable working conditions and political representation.  Before Zod orders their outright execution, Kal-El asks for 30 minutes to find a non-violent solution.  Now this is what makes Superman, Superman!

Rucka and Robinson remind us again what makes Superman so important in the superhero landscape.  There are some forces too good to be polluted by the evils of this world, and one such force is Superman.  Even in a world full of superpowered beings, Superman sets himself apart with purity and ingenuity.  You can have your post-80s grit, but I prefer my Superman squeaky-clean, thank you very much.