Archive for Eddy Barrows

Lasso of Truth – Weekly Comics Round-up: 21st October 2009

Posted in Blackest Night, Brave and the Bold, Comics, DC, Final Crisis, JLA with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 21st October, 2009 by Red Baron

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Blackest Night: Superman #3
Written by James Robinson ǀ Art by Eddy Barrows

Robinson abandons the horror-movie sensibilities of the first issue for more of the superhero fisticuffs we saw in the second.  It’s enjoyable enough, I suppose, but I’ve always maintained that Eddy Barrows’ artistic strength lies in his ability to depict horrific scenes.  The same could be said for Blackest Night as a series.  I suppose.

Verdict: Check it out.


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The Brave and the Bold #28
Written by J. Michael Straczynski ǀ Art by Jesus Saiz

The Flash travels back in time to World War II Belgium.  Meeting the Blackhawks poses a complex moral question – when is it right for a man to kill another man?  Is it ever right?  JMS packs more depth into this one-shot than most writers achieve in a story arc.

Verdict: Must have.



Final Crisis Aftermath: Dance #6
Written by Joe Casey ǀ Art by Chriscross

Dance was an enjoyable mini-series all in all.  Unfortunately, I think the series peaked the issue before, as its conclusion wasn’t as satisfying as I had hoped it would be.  This may stem from my expectation that the Super Young Team would eschew all the product placement thrusted on them for good ol’ fashioned Japanese honour.  Chriscross’ return was also not as brilliant as I had hoped – he didn’t ink his own pencils this issue, so that may have something to do with it – the overall product looks rushed beyond the opening pages.

Verdict: Check it out.


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Justice League of America 80-Page Giant #1
Written by Rex Ogle, J.T. Krul, Rich Fogle, Josh Williamson, Chuck Kim, Derek Fridolfs, Amanda McMurry ǀ Art by Mahmud Asrar, Adrian Syaf, Eric J, Bit, Justin Norman, Jon Buran, Daxiong

More please!  Everything a good Justice League story needs: epic, unbelievable feats of heroism, and unafraid of a little whimsy.  A simple time-travel device sets up five thoroughly entertaining stories of superheroes outside of their comfort zones – Hal Jordan and Red Arrow in the Wild West; Superman and Dr Light in Feudal Japan; Vixen and John Stewart in King Arthur’s court; Zatanna and Black Canary in 1930s NY; Green Arrow and Firestorm in World War II; Steel and Wonder Woman on a pirate ship – for fish out of water, they feel surprisingly at home!  This comic came out a few weeks ago, but sold out before I heard about it.  Order it in if you have to – it’s worth it!

Verdict: Buy it.

Lasso of Truth – Weekly Comics Round-up: 23rd September 2009

Posted in Batwoman, Blackest Night, Comics, DC, Detective Comics, Final Crisis, Superman with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 23rd September, 2009 by Red Baron

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Lasso of Truth is your weekly guide to what’s hot and what’s not in the DC Universe.  Each week, the Red Baron goes through his comics haul to tell you what’s worth buying and what’s best left alone.

Here’s the key:

Must havethere’s no question, you should buy this great book.
Buy ita high-quality read that won’t disappoint.
Check it outpick it up if you have some extra cash.  May be an acquired taste.
Avoida disappointing read.  Save your money and steer clear.


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Blackest Night: Superman #2
Written by James Robinson ǀ Art by Eddy Barrows
Blackest Night: Superman #2 drops the horror movie tone of the first issue and opts for superhero fisticuffs instead.  It’s a pity, because depicting horror is Eddy Barrows’ specialty.  This book reads as a who’s who of Crisis on Infinite Earths, which will no doubt excite long-time DC readers.  It does lack a little in the emotional pay-off department, though (which is surprising considering the re-appearance of the Psycho Pirate).
Verdict: Check it out.


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Detective Comics #857
Written by Greg Rucka ǀ Art by J.H. Williams III
Bold and beautiful artwork, coupled with DC’s most interesting new villain makes this comic hard to fault.
Verdict: Must have.


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Final Crisis Aftermath: Dance #5
Written by Joe Casey ǀ Art by Eduardo Pansica
The Super Young Team finally awaken to their destiny, as their leader Most Excellent Superbat proves he is worthy of both names.  The art holds up surprisingly well, considering ChrisCross’ absence once again.
Verdict: Buy it.


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Superman: Secret Origin #1
Written by Geoff Johns ǀ Art by Gary Frank
It’s great to see these two back on a Superman title again, and boy, do they knock this one out of the park.  It’s simply beautiful, human drama.
Verdict: Must have.

Lasso of Truth – Weekly Comics Round-up: 19th August 2009

Posted in Batman, Blackest Night, Comics, DC, Fables, Final Crisis, Superman, Wednesday Comics with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 25th August, 2009 by Red Baron

lasso_of_truth

Lasso of Truth is your weekly guide to what’s hot and what’s not in the DC Universe.  Each week, the Red Baron goes through his comics haul to tell you what’s worth buying and what’s best left alone.

Here’s the key:

Must havethere’s no question, you should buy this great book.
Buy ita high-quality read that won’t disappoint.
Check it outpick it up if you have some extra cash.  May be an acquired taste.
Avoida disappointing read.  Save your money and steer clear.

Continue reading

Blackest Night: Tales of the Corps #2

Posted in Blackest Night, Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 28th July, 2009 by Red Baron
"Unnecessary" has never been so entertaining.

"Unnecessary" has never been so entertaining.

Authors: Geoff Johns, Peter Tomasi & Ethan Van Sciver
Artists: Eddy Barrows, Gene Ha & Tom Mandrake
Inkers: Ruy José
Colorists: Nei Ruffino & Pete Pantazis
Cover Artists: Ed Benes, Rob Hunter & Nei Ruffino
Variant Cover Artist: Rodolfo Migliari
Letterers: Steve Wands & Sal Cipriano
Editor: Adam Schlagman

Once again, I have to disagree with this book’s detractors.  Tales of the Corps #2, like the first issue, is an entertaining read, and while its connection to Blackest Night proper may not be readily apparent, it fleshes out the players in this War of Light.  The emotional spectrum is an interesting concept in itself, and though the seeds were planted from the very beginning of Geoff Johns’ stellar Green Lantern run, it’s clear that not all avenues have been explored in the rush to get to Blackest Night.  Perhaps it was editorial pressure; perhaps it was fan demand; I don’t know – but if this book affords Johns and his cohort the opportunity to explore this War of Light in greater detail, then I’m all for it.  And if you’re a Green Lantern fan, you’ll be all for it too.

Like the first issue, the opening story is by far the strongest.  “Fly Away” tells the tale of angelic beauty, Princess Bleez, and how she comes to embrace the rage of the Red Lantern Corps.  I wasn’t being flowery when I used the word ‘angelic’ either, Bleez has wings – with feathers – and Johns uses these as a simple narrative device to tell a story of freedom yearned for and ultimately, lost.  Eddy Barrows’ pencils are breathtaking, especially in depicting Bleez and her home planet, Havania.  It just goes to show that when given a full story to work with, Barrows absolutely shines (not that that was ever in doubt in the first place).  It’s not just the beautiful vistas he excels in either; his penchant for gritty, horror-inspired visuals is also on display here.  Credit must also go to Nei Ruffino, whose colours went a long way toward evoking the beauty of Bleez and her planet homeland.  All of this beauty – Bleez’s soft, metallic skin and Havania’s crystalline waterfalls – lends the story a great deal of its power when the Sinestro Corps come to strip it all away.  It’s interesting that Bleez’s turn as a Red Lantern owes more to the Sinestro Corps than it does the Red Lanterns themselves.

The second story, also penned by Johns, centres on Carol Ferris, and how she came to be a Star Sapphire.  “Lost Love” is beautifully drawn by Top 10 artist and co-creator, Gene Ha.  As much as I love any opportunity to enjoy Ha’s artwork, I’m going to have to side with the naysayers here and say that, yes, this story is entirely unnecessary.  We have seen most of this before.  The entire story essentially takes place within the confines of Carol’s cockpit, as she converses with the violet ring.  On comes a series of violet-filtered flashbacks concerning Carol and Hal Jordan’s on-and-off love relationship.  Now that the Star Sapphires have refined their crystals into rings for recruitment purposes, acceptance of the ring is voluntary.  This doesn’t ring true to me – the situation and the conversation itself seem to be a contrivance on Johns’ part to separate this particular instance from the earlier ones – it attempts to rationalise something that isn’t at all rational, and that is Love.  The conversation between Carol and the violet ring is a thinly veiled internal monologue, and it comes off as being rather stilted in the end.

The third and final tale in this collection chronicles the journey of the all-conquering, alien floating head, known as Blume.  Peter Tomasi excels at these kinds of dark, quirky tales, and “Godhead” is no exception.  The malevolent head prowls the universe, hungry for anything of value.  Amidst these flagrant displays of greed and cruelty, Tomasi achieves rare moments of poignancy, as Blume learns the true subjectivity of value and sheer breadth of what is valuable to people.  Blume’s fate as an Orange Lantern construct is a foregone conclusion, but that doesn’t rob this story of its value.

The issue finishes with a two-page featurette from Green Lantern: Rebirth artist Ethan Van Sciver, titled “The Symbols of the Spectrum: How They Came to Be, and What They Represent”, which documents the genesis of the seven symbols we’ve seen in the War of Light.  This is great for Green Lantern fans who want an insight into the creative process that goes into the making of their favourite comic book.

You can’t have your cake and eat it too.  Blackest Night: Tales of the Corps is a great supplementary book to the core Green Lantern series and Blackest Night itself.  You don’t need to read it to understand the events of those two books, but it’s a great read nonetheless.  If it was ‘necessary’ or ‘important’, fans and critics alike would be complaining about how they have to follow yet another book to gain an appreciation of the overall story.  As it stands, though, Tales of the Corps represents the very best kind of tie-in to a comic book event – wholly unnecessary to the progression of the main story, and yet an interesting and entertaining read in its own right.

Green Lantern #43

Posted in Blackest Night, Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 19th July, 2009 by Red Baron
Dark and brilliant.

Dark and brilliant.

“Blackest Night Prologue: Tale of the Black Lantern”
Author: Geoff Johns
Artist: Doug Mahnke
Inker: Christian Alamy
Colorist: Randy Mayor
Cover Artists: Doug Mahnke, Christian Alamy & Alex Sinclair
Variant Cover Artists: Eddy Barrows & Nei Ruffino
Letterer: Rob Leigh
Associate Editor: Adam Schlagman
Editor: Eddie Berganza

Green Lantern #43 is a great many things.  It’s an end to the too-many-cooks-spoil-the-broth approach of the last few issues, it’s a Blackest Night #-1 if we are to subscribe to negative numbering, and it’s a Black Hand: Secret Origins of sorts.  That is to say that Green Lantern #43 is consistent in both art and narrative; the events take place before those we saw in Blackest Night #0; and the story revisits events we saw in the Secret Origins storyline, this time to explore the origin of one who will surely be Green Lantern’s most compelling villain, William Hand.

It would be all too easy to dismiss some of these scenes as simple re-treads of stories faithful Green Lantern readers have read at least twice by now, but Johns has put yet another interesting spin on past events, unpacking for us something that was probably there all along.  I am of course referring to Sinestro and Hal Jordan’s first confrontation with now-Red-Lantern Atrocitus.  I have to admit, as much as I tried to tuck this little tidbit away for future reference, I had all but forgotten William Hand’s presence at this pivotal scene.  That’s kind of the point, though: everyone‘s forgotten about William Hand, and he [Geoff Johns] is making it his business to remind us just who he is, and how foolish we were to ignore him in the first place.  It’s incredibly interesting just how much each of these major players have evolved since then.  Sinestro, no longer a Green Lantern – former Sinestro Corps leader at that – is now the most-wanted war criminal in the universe.  Atrocitus, one of the sole survivors of the massacre of Sector 666, then-prophet of the Blackest Night, is now leader of the Red Lanterns.  Hal Jordan – let’s just say he’s seen a lot of changes over the last two decades.  And William Hand, once a disturbed boy with a disconnected childhood, is now the resurrected Black Hand and avatar of the Black Lanterns.  That all of this is coming full circle is further testament to Geoff Johns as writer and Master Chess Player.

“Tale of the Black Lantern” shows us William Hand’s journey from son of a coroner to undead supervillain is not an excuse, rather an explanation of how he came to be this way.  As you’d expect, the tale is very dark in the telling, both literally and visually.  Mahnke, as he has proven in the pages of Final Crisis (another book he rescued from artistic inconsistency), is consistently good at horror-inspired visuals.  His pencils are simultaneously gritty and clean, which is to say there are *a lot of* lines, but each one seems purposeful and deliberate in its placement.  While I can’t help but wonder whether Eddy Barrows could have accomplished similar feats, I know deep down in my heart of hearts that it couldn’t have been this confident.

The only real criticism I can level at this book is that it isn’t really about Green Lantern – in fact, he only ever appears in the aforementioned scene – it probably should have flown under the Blackest Night banner proper.  That’s all null and void in the face of one inescapable fact: this story is critical, both to future events in Green Lantern and Blackest Night.  Besides, I’ve long since given up questioning Geoff Johns’ storytelling choices – he’s proven time and time again that he’s at least three steps ahead of us all.

Only one thing remains to be gleaned from all of this: if you’re a comic book fan, you need to be reading Green Lantern and you need to be reading Blackest Night.