Archive for dc comics

What do Mickey Mouse and Wolverine have in common? Ownership, apparently…

Posted in Comics, Marvel with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 31st August, 2009 by Adam Redsell

Yes, your heard that right.  Disney is now the proud owner of Marvel Comics.

The Walt Disney Company announced yesterday that Marvel shareholders would receive $30 per share in cash plus 0.745 Disney shares for each Marvel share owned in a transaction totaling approximately $4 billion.

What does this mean for you, dear Comics Reader?  Well, not a whole lot up front actually.  Disney seems intent on honouring all existing agreements, and allowing Marvel to retain its corporate identity; similar in fashion to the Time-Warner/DC Comics dynamic.  So we should see Marvel retain a large degree of editorial control.

But that doesn’t mean they don’t have plans.  After all, why else would Disney buy Marvel if not for the characters?  Disney President Robert A. Iger, had this to say:

“This transaction combines Marvel’s strong global brand and world-renowned library of characters including Iron Man, Spider-Man, X-Men, Captain America, Fantastic Four and Thor with Disney’s creative skills, unparalleled global portfolio of entertainment properties, and a business structure that maximizes the value of creative properties across multiple platforms and territories”

Marvel Chief Executive Ike Perlmutter read between the lines as well:

“Disney is the perfect home for Marvel’s fantastic library of characters given its proven ability to expand content creation and licensing businesses.”

Can anyone say “crossover”?  We may not see Donald Duck meet Deadpool anytime soon, but it sounds like both companies are eager for the chance to play with each other’s toys.

Entertainment media outlets have been spitballing the possibilities, from Lost and Pirates of the Carribean comics to animated superhero features.  More ridiculous propositions include a Kingdom Hearts comic and a Spider-Man/Mickey team-up.  Either way, we should see distribution channels open up for the comics giant, and hopefully for the industry at large.

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The Flash: Rebirth #4

Posted in Comics, DC, Flash with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 29th August, 2009 by Adam Redsell
Art Team Assemble!

Art Team Assemble!

“Flash Facts”
Author: Geoff Johns
Artist: Ethan Van Sciver
Letterer: Rob Leigh
Colorist: Brian Miller (Hi-Fi)
Cover Artists: Ethan Van Sciver and Brian Miller
Associate Editor: Chris Conroy
Editor: Joey Cavalieri

Flash: Rebirth #4 is an all-encompassing, high-stakes drama, filled with big revelations, but be forewarned: it’ll do yer head in.  Geoff Johns, DC continuity surgeon, takes his scalpel to the entire Flash mythos, and while I can’t say the operation went altogether smoothly, the end result is more than satisfactory.  Indeed, some of the revelations went right over my head, even with the help of Max Mercury’s pseudo-science, and some dense exposition from series villain, Professor Eobard Thawne (a.k.a. the Reverse-Flash).  Johns’ retcons and repairs are a little more obvious than what we’ve come to expect  from him in recent times, recalling his earlier, clumsier [but still enjoyable] works.  Perhaps a better analogy, then, would be that of the band-aid.  “This will only hurt a little bit”, Johns assures as he quickly rips it off.  There’s an implicit trust between Geoff Johns and his readership – that everything will come good in the end – and considering the health of the Green Lantern property, I think it’s entirely justified.

Thankfully, the aforementioned revelations are imparted during an action-packed battle between Barry Allen and the Reverse-Flash.  I have to hand it to the creative team here, Reverse-Flash is absolutely menacing.  Ethan Van Sciver draws him like a hate-filled god, colorist Brian Miller makes his eyes burn like cigarettes, and Rob Leigh makes his speech bubbles crackle with static electricity.  This lends a weight and an urgency to the epic story, and one gets the feeling that the Speed Force will never be the same again.  Van Sciver’s pencils are once again beautifully detailed, while Miller’s bold reds and yellows are absolutely breathtaking.  In fact, I’m going to go out on a limb and say that this is the best looking book I’ve read this week.

Johns’ characterisations are spot-on.  He deftly juggles the entire Flash family and an ensemble cast of super-speedsters, giving each of them a unique voice.  I knew next to nothing about Max Mercury prior to reading this issue, but I came away with an appreciation of who he is and where he fits in the DC pantheon.  It’s also good to see Bart Allen get his wit back – he seemed to have lost it after his own rebirth – and embrace his original role as Kid Flash.  Ethan Van Sciver also did an excellent job of differentiating Wally West from Barry Allen – their identical Flash costumes had posed a problem until now – through a clever story device.

Rebirth #4 may have stumbled off the starting block, but it certainly came through with the goods.

Lasso of Truth – Weekly Comics Round-up: 19th August 2009

Posted in Batman, Blackest Night, Comics, DC, Fables, Final Crisis, Superman, Wednesday Comics with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 25th August, 2009 by Adam Redsell

lasso_of_truth

Lasso of Truth is your weekly guide to what’s hot and what’s not in the DC Universe.  Each week, the Red Baron goes through his comics haul to tell you what’s worth buying and what’s best left alone.

Here’s the key:

Must havethere’s no question, you should buy this great book.
Buy ita high-quality read that won’t disappoint.
Check it outpick it up if you have some extra cash.  May be an acquired taste.
Avoida disappointing read.  Save your money and steer clear.

Continue reading

Lasso of Truth – Weekly Comics Round-Up: 12th August 2009

Posted in Action Comics, Batman, Blackest Night, Comics, DC, Green Lantern Corps, Legion of Superheroes, Wednesday Comics with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 24th August, 2009 by Adam Redsell

lasso_of_truth

Lasso of Truth is your weekly guide to what’s hot and what’s not in the DC Universe.  Each week, the Red Baron goes through his comics haul to tell you what’s worth buying and what’s best left alone.

Here’s the key:

Must havethere’s no question, you should buy this great book.
Buy ita high-quality read that won’t disappoint.
Check it outpick it up if you have some extra cash.  May be an acquired taste.
Avoida disappointing read.  Save your money and steer clear.


Continue reading

Lasso of Truth – Weekly Comics Round-Up: Introduction

Posted in Comics with tags , , , , , , , , , , , , on 23rd August, 2009 by Adam Redsell

lasso_of_truth

Let’s face facts: I’m only one man, with three blogs, a full-time job, and many, many interests to pursue.  As much as I would love to sit here and review every single, mother-loving comic book that passes my gaze, the reality is there’s just not enough time in one day.  Fear not, though, Bat-Shark fans; I have a plan!  To make sure you don’t miss out on any recommended reading, I have devised a new weekly feature, a weekly round-up, if you will.  I like to call it the Lasso of Truth.  Named after Wonder Woman’s own trusty trinket, I’ll be rounding up my weekly pull list to help you determine which comics are worth your hard-earned cash.  In case you missed this website’s byline, we major in DC here at Bat-Shark Repellent, so don’t expect to see too many Marvel comics on these lists.  You *might* occasionally, though.  If you have any recommendations of your own to make, feel free to add these in the comments section below.

Here’s a little guide to help you out:

Must havethere’s no question, you should buy this great book.
Buy ita high-quality read that won’t disappoint.
Check it outpick it up if you have some extra cash.  May be an acquired taste.
Avoida disappointing read.  Save your money and steer clear.

Pretty simple, really.  Given my tendency to stick to my favourite authors, you’re not likely to find many in the ‘Avoid’ category, but you never know!

Blackest Night #2

Posted in Blackest Night, Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 15th August, 2009 by Adam Redsell
Aquaman: Undead in the Water.

Aquaman: Undead in the Water.

Author: Geoff Johns
Artist: Ivan Reis
Inkers: Oclair Albert with Julio Ferreira
Colorist: Alex Sinclair
Letterer: Nick J. Napolitano
Associate Editor: Adam Schlagman
Editor: Eddie Berganza
Cover Artists: Ivan Reis, Oclair Albert, and Alex Sinclair
Alternative Cover Artist: Mauro Cascioli

Blackest Night #2 opens cinematically with wide-shot panels – beautifully detailed by Ivan Reis, but not cluttered – and maintains that cinematic feel with the able assistance of his art team.  They achieve this, I believe, by treating each panel as a camera lens.  Inkers Oclair Albert and Julio Ferreira carve out each scene with subtle shade and deep shadow, while colorist Alex Sinclair provides a light source and sticks to it, by God!  Reis’ panel composition holds up to much scrutiny, as if each scene is mapped verbatim in his mind, and every item is there precisely because it needs to be.  Effective use of these three elements – depth of field, light sourcing and composition – drew my eyes to the focal point of each panel.  This level of care and attention is the kind of thing we’ve come to expect from a big-budget Hollywood film, not a comic book.  Blackest Night raises the bar for the comic book event in every conceivable way.  This is high-production, high-stakes superhero drama at its best.

The first person we see is Ray Palmer – The Atom – looking very small.  Standing next to a paperclip, in fact.  He misses his late wife Jean, and he needs someone to talk to.  Hawkman finally picks up the phone, but he’s not quite himself.  He still sounds like himself, though, and that’s what makes these Black Lanterns so chilling.  They’re more like ghosts than zombies, and they have unfinished business to attend to.

Geoff Johns has wisely chosen to convey the epic scope of his tale  through more minor characters; the bards and minstrels of the DC Universe, if you will.  The darkness over Gotham City is viewed through the eyes of Barbara Gordon and her father, Commissioner Gordon.  The oft-discussed return of Aquaman is experienced through those closest to him, Mera and Aqualad.  They are our emotional anchors to the events unfolding, and despite our foreknowledge of some of the more shocking returns, Blackest Night proves it’s nothing at all to do with what you know, but who you know.  I have an emotional investment in these characters, and knowing that they’re about to confront their loved ones with their failure and rip their hearts out only augments the tragedy.  Their grisly guise as Black Lanterns allows us to see our late heroes at their most formidable, commit unspeakable acts, and that is the greatest tragedy of Blackest Night.

This second issue reveals much about the nature of the Black Lanterns, but many questions still linger as even the supernatural element of the DCU struggles to come to grips with the phenomenon.  Geoff Johns uses his ensemble cast empathically to put his readers in each scene.  Hal Jordan (Green Lantern) and Barry Allen (The Flash) form the emotional core of this story, and it’s great to see this team in action again.  There’s undeniably chemistry between the two (quite literally at one point), and despite the dark circumstances of their reunion, they light up every panel.  Whoever deigned to separate (and kill off) this dynamic duo all those years ago must have been stark raving mad.  Or perhaps they never saw the potential for comic magic that Johns did.

Whatever the case, I see the potential for plenty more comic magic from Johns et al in future.  You’d be stark raving mad to miss Blackest Night.

Batman #689

Posted in Batman, Comics, DC with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 14th August, 2009 by Adam Redsell
Winick's new Batman is a joy to read.

Winick's new Batman is a joy to read.

“Long Shadows Part Two: New Day, New Knight”
Author: Judd Winick
Artist: Mark Bagley
Inker: Rob Hunter
Colorist: Ian Rannin
Letterer: Jared K. Fletcher
Assistant Editor: Janelle Siegel
Editor: Mike Marts

I’ll be the first to admit that I absolutely hated Judd Winick’s run on Batman prior to Grant Morrison’s “Batman and Son” arc, but I have to hand it to him this time – I love what he’s done with the place since Bruce has gone.

As the title suggests, “New Day, New Knight” takes on a much lighter tone than we’re used to in a post-Miller Batman story, thanks in no small part to Dick Grayson’s circus sensibilities and Mark Bagley’s joyous artwork.  There are plenty of moments that brought a smile to my face, and they should do yours as well.  Batman #689 opens with a smile, as the new Batman busts up a gambling racket.  Granted, this particular incarnation of Batman is a little too talkative for my liking, but it’s good to see Dick finally revel in his mentor’s shoes.

Behind the curtain, Two-Face and Penguin posture themselves for control of Gotham’s underworld.  Two-Face’s camp has been filtering out Penguin’s plans to Batman through the appropriate channels, while Penguin forges dark alliances with some very dangerous people.  His days as a “legitimate businessman” could well be numbered as their cold war is brought to the boil.  I’ll be following this development with keen interest.

Despite this issue’s lighter tone, there’s plenty of room for an emotionally poignant exchange between Dick and Alfred.  I think we all miss Bruce, so I never get sick of these scenes.  Judd – through Dick – really cuts to the core of Batman’s butler, bringing out the human element in him and the rest of the cast, from Dick to Damian, even to Bruce  posthumously.  Winick emotionally grounds the story with a very simple and clever device.

The closing scene is reminiscent of Watchmen, as Batman races to extinguish a burning high-rise in his hovering Batmobile, no less.  He puts on such a splendid show, I half expected him to make coffee for the rescued residents a la Owlman.  It’s not all fun and games, though, as a classic rogue returns to ruin all of that.

Winick’s new Batman is a welcome departure from his old Batman.  It may be light-hearted, but it’s certainly not light on heart.