Archive for Bruce Wayne

Lasso of Truth – Weekly Comics Round-up: 7th October 2009

Posted in Batman, Batman and Robin, Comics, DC, Superman with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 7th October, 2009 by Red Baron

lasso_of_truth_8

Lasso of Truth is your weekly guide to what’s hot and what’s not in the DC Universe.  Each week, the Red Baron goes through his comics haul to tell you what’s worth buying and what’s best left alone.

Here’s the key:

Must havethere’s no question, you should buy this great book.
Buy ita high-quality read that won’t disappoint.
Check it outpick it up if you have some extra cash.  May be an acquired taste.
Avoida disappointing read.  Save your money and steer clear.


b&r_5

Batman & Robin #5
Written by Grant Morrison ǀ Art by Philip Tan
Jason Todd is back – or is he?  The Red Hood administers a lethal dose of retribution to Gotham’s underbelly, but they aren’t about to take it lying down; not when the Flamingo flies into town.  The new Dynamic Duo have their work cut out for them.  Philip Tan’s no Frank Quitely, but he’s bringing his A-game to this story arc.
Verdict: Buy it.


batman_unseen_1

Batman Unseen #1
Written by Doug Moench ǀ Art by Kelley Jones
I picked this up to read a Bruce Wayne Batman story from the creative minds that brought us Red Rain.  What I got instead was a terrible Seventies throwback.  If you ever wondered what The Invisible Man would be like if Batman was in it, wonder no longer.  Seriously, it’s not worth it.
Verdict: Avoid.


new_krypton_8

Superman: World of New Krypton #8
Written by James Robinson & Greg Rucka ǀ Art by Pete Woods & Ron Randall
Superman proves his mettle as an inspiration for all peoples.  Kal-El diffuses a Thanagarian attack through rather unorthodox means.
Verdict: Check it out.

Lasso of Truth – Weekly Comics Round-up: 30th September 2009

Posted in Batman, Comics, DC, Green Lantern, Wonder Woman with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on 30th September, 2009 by Red Baron

lasso_of_truth_6

Lasso of Truth is your weekly guide to what’s hot and what’s not in the DC Universe.  Each week, the Red Baron goes through his comics haul to tell you what’s worth buying and what’s best left alone.

Here’s the key:

Must havethere’s no question, you should buy this great book.
Buy ita high-quality read that won’t disappoint.
Check it outpick it up if you have some extra cash.  May be an acquired taste.
Avoida disappointing read.  Save your money and steer clear.


batman_wg_2

Batman: The Widening Gyre #2
Written by Kevin Smith ǀ Art by Walter Flanagan
The Widening Gyre, despite its wanky title, is shaping up to be an interesting deconstruction of Batman and Bruce Wayne.  Silver St. Cloud’s return to Gotham is a pleasant surprise, and doesn’t feel at all forced.
Verdict: Buy it.


Green Lantern #46

Green Lantern #46
Written by Geoff Johns ǀ Art by Doug Mahnke
The Green Lantern series refocuses on the uneasy alliance between Hal Jordan, Sinestro, and Carol Ferris.  Sinestro returns to Korugar to reclaim his Corps.
Verdict: Must have.


ww_36

Wonder Woman #36
Written by Gail Simone ǀ Art by Aaron Lopresti
Equal parts charm, wit and action, this is Wonder Woman as she always should have been.
Verdict: Must have.

Blackest Night: Batman #1

Posted in Batman, Blackest Night, Comics, DC with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 20th August, 2009 by Red Baron
Gotham comes to life.

Gotham comes to life.

“Who Burns Who: Part One”
Author: Peter J. Tomasi
Artist: Adrian Syaf
Inkers: John Dell & Vicente Cifuentes
Colorist: Nei Ruffino
Letterer: John J. Hill
Cover Artists: Andy Kubert & Alex Sinclair
Alternate Cover Artist: Bill Sienkiewicz
Editors: Adam Schlagman & Eddie Berganza

I’ve never heard of Adrian Syaf before, but damn he draws a fine Batman and a fine horror story.  Blackest Night: Batman is positively dripping with atmosphere.  This first issue opens with Batman and Robin at Gotham Cemetery, bearing witness to the upheaval caused firstly by Black Hand’s exhumation of Bruce Wayne, and secondly by Hal and Barry’s recent tussle with the resurrected Martian Manhunter.

Bruce’s skull is missing, and his parents unearthed, leading to a very emotional exchange between Dick (Batman) and Damian (Robin).  “It’s different when it’s one of your own,” Dick remarks.  Bruce was a father figure to both of them, so it’s a difficult moment for both as well.  Damian comments on the added weirdness of his situation: “I’m sure a lotta kids get to greet their grandparents this way.”  Peter Tomasi’s script is pitch perfect, hitting all the right emotional notes.

Deadman also features quite prominently, and rightly so.  As the name suggests, he’s already dead, placing him in the unique situation of having to wrestle with his own corpse.  But it’s his previous life as a circus performer (Boston Brand) which makes him the perfect partner to Dick Grayson.  His own murder mirrors that of Dick’s parents, and I can only imagine that they will need to pit their acrobatic skills against the Black Lantern Flying Graysons next issue.

But it’s not Deadman’s acrobatics that impress in this issue, rather his internal monologues.  Tomasi’s captions are short and suspenseful.  We catch many glimpses into the horrors that shaped our heroes’ lives, and the violent deaths that now stir the living dead of Gotham Cemetery.  This book is full of small moments made big by their emotional resonance and fan appeal.  Long-time Batman fans will find much to get excited about; there’s little doubt that the entire Bat-family will be put through the ringer by this story’s end.

Gotham’s seen a lot of death in its time, and I for one can’t think of a better venue for the dead to rise.  It’s as if all the planets in the DC Universe have aligned: Deadman’s seen a resurgence in popularity with appearances in both Wednesday Comics and the Blackest Night series proper; and Tomasi’s scripts have once again been lifted to their rightful place with some appropriately eerie visuals.  If you’ve ever wondered where the Tomasi who wrote Black Adam went, look no further than Blackest Night: Batman.

Batman #689

Posted in Batman, Comics, DC with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 14th August, 2009 by Red Baron
Winick's new Batman is a joy to read.

Winick's new Batman is a joy to read.

“Long Shadows Part Two: New Day, New Knight”
Author: Judd Winick
Artist: Mark Bagley
Inker: Rob Hunter
Colorist: Ian Rannin
Letterer: Jared K. Fletcher
Assistant Editor: Janelle Siegel
Editor: Mike Marts

I’ll be the first to admit that I absolutely hated Judd Winick’s run on Batman prior to Grant Morrison’s “Batman and Son” arc, but I have to hand it to him this time – I love what he’s done with the place since Bruce has gone.

As the title suggests, “New Day, New Knight” takes on a much lighter tone than we’re used to in a post-Miller Batman story, thanks in no small part to Dick Grayson’s circus sensibilities and Mark Bagley’s joyous artwork.  There are plenty of moments that brought a smile to my face, and they should do yours as well.  Batman #689 opens with a smile, as the new Batman busts up a gambling racket.  Granted, this particular incarnation of Batman is a little too talkative for my liking, but it’s good to see Dick finally revel in his mentor’s shoes.

Behind the curtain, Two-Face and Penguin posture themselves for control of Gotham’s underworld.  Two-Face’s camp has been filtering out Penguin’s plans to Batman through the appropriate channels, while Penguin forges dark alliances with some very dangerous people.  His days as a “legitimate businessman” could well be numbered as their cold war is brought to the boil.  I’ll be following this development with keen interest.

Despite this issue’s lighter tone, there’s plenty of room for an emotionally poignant exchange between Dick and Alfred.  I think we all miss Bruce, so I never get sick of these scenes.  Judd – through Dick – really cuts to the core of Batman’s butler, bringing out the human element in him and the rest of the cast, from Dick to Damian, even to Bruce  posthumously.  Winick emotionally grounds the story with a very simple and clever device.

The closing scene is reminiscent of Watchmen, as Batman races to extinguish a burning high-rise in his hovering Batmobile, no less.  He puts on such a splendid show, I half expected him to make coffee for the rescued residents a la Owlman.  It’s not all fun and games, though, as a classic rogue returns to ruin all of that.

Winick’s new Batman is a welcome departure from his old Batman.  It may be light-hearted, but it’s certainly not light on heart.

Wednesday Comics #5

Posted in Comics, DC, Wednesday Comics with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 8th August, 2009 by Red Baron
Thank God it's Wednesday.

Thank God it's Wednesday.

Onto week five of Wednesday Comics, and there’s much to report.  I’ll go through it page by page as I did with the first issue:

Batman
Author: Brian Azzarello
Artist: Eduardo Risso (with Robins & Mulvihill)

There’s a moody, green atmosphere back in the Batcave as Bruce Wayne pieces together the evidence surrounding Carlton Glass’ murder.  Alfred, as always, makes a pointed observation on the Batman/Bruce Wayne dynamic.  I love the layout on this page; the smaller panels on the outside give the feeling of “putting the pieces together”, while the central spread of the Batcave suggests an “openness” and scope.  I love Eduardo Risso’s facial expressions and close-up shots; they help establish an intimacy with the characters.

Kamandi: The Last Boy on Earth!
Author: Dave Gibbons
Artist: Ryan Sook

Kamandi: The Last Boy on Earth! is explosive action as always.  The unlikely pair of Kamandi and Prince Tuftan the anthropomorphic tiger take on an entire army of apes in an attempt to save the first human girl they’ve ever seen.  Dave Gibbons has handed Ryan Sook the reins, quite happy to observe from afar. Without a doubt, though, it is Gibbons’ visual storytelling sensibilities coupled with Sook’s beautifully detailed action drawings that have made this story such a treat to behold.

Superman
Author: John Arcudi
Artist: Lee Bermejo
Colorist: Barbara Ciardo
Letterer: Ken Lopez

It didn’t take long for Arcudi’s Superman to go from intriguing sci-fi action to emo navel-gazing – one issue in fact – and it hasn’t been the same since.  I’d like to see it return to form, but clearly that was just the setup for this revisitation of Kal-El’s origins.  I suspect this was nothing more than an excuse to have Bermejo depict the destruction of Krypton in excruciatingly beautiful detail.  Maybe this would have been better as a straight re-telling rather than a flashback.  Superman’s banging on about “not belonging” even though he’s got the two greatest parents on Earth: Ma and Pa Kent.  What an ingrate.

Deadman
“The Dearly Departed Detective: Part V”
Authors: Dave Bullock & Vinton Heuck
Artist: Dave Bullock
Letterer: Jared Fletcher
Colorist: Dave Stewart

Deadman got a whole lot better when he stopped talking and started fighting.  Since the sharp drop in speech bubbles in issue 4, the panels have opened up to Boston Brand’s acrobatics and hard-boiled introspection.  Question, though, can Deadman really die?

Green Lantern
Author: Kurt Busiek
Artist: Joe Quiñones (with Pat Brosseau)

I know I bashed on Busiek last week (or yesterday) for flashing back, but this time it actually works.  Hal reminisces on his space college days as he races to save his mutating astronaut friend.  I suspect this is to emotionally ground the inevitable battle between the two.

Metamorpho
Author: Neil Gaiman
Artist: Michael Allred
Colorist: Laura Allred
Letterer: Nate Piekos

Gaiman really picks up his game this time, returning with the humour and aplomb he brought to the first issue.  Metamorpho’s billionaire boss Mr. Stagg decides to stop for lunch in a booby-trapped Antarctic temple and hilarity ensues!  Metamorpho finally gets to put his elemental powers to good use!

Teen Titans
Author: Eddie Berganza
Artist: Sean Galloway
Letterer: Nick J. Napolitano

Teen Titans is just so pale and boring.  The soft lines and washy colours don’t help matters much, but the paper-thin plot and ever-switching perspectives are the main culprit here.  I just don’t care about what’s happening here, and I feel as though I’m expected to.  In fact, I’m still not entirely sure just what is happening here…

Strange Adventures
Author & Artist: Paul Pope (and Jose Villarrubia)

Even the Rannian Wastes are beautifully exotic in the hands of master artist-writer Paul Pope.  This time Strange Adventures has a decidedly Arabian Nights-style feel to it.  With Adam Strange nowhere in sight, it strikes me that his wife Alanna may be this title’s protagonist.

Supergirl
Author: Jimmy Palmiotti
Artist: Amanda Conner
Colorist: Paul Mounts
Letterer: John J. Hill

Palmiotti’s Supergirl is cute and charming and all, but I can’t help but wish there was more to this story than rounding up some rowdy super-pets…

Metal Men
Author: Dan DiDio
Artists: José Luis García-López & Kevin Nowlan
Letterer: Kenny Lopez
Colorist: Trish Mulvihill

A standard bank robbery has evolved into a hostage situation.  A very personal hostage situation for Doc Magnus.  DiDio creates a tense atmosphere throughout, but isn’t afraid to break it up with some classic Metal Men humour.

Wonder Woman
Author & Artist: Ben Caldwell

Reading Caldwell’s Wonder Woman is an exercise in frustration.  The claustrophobic panels make it near-impossible to follow or even read.  I’ve at least managed to figure out the basic story: Diana is accumulating all of the necessary accoutrements to become Wonder Woman in her fitful sleep, under the guise of collecting the “seven stars”.    It seems that most of these legendary items are in Ancient China, though, which I don’t quite understand.

Sgt. Rock and Easy Co.
Author: Adam Kubert
Artist: Joe Kubert

I said before that it’d be interesting to see where the Kuberts go from here, and the answer is nowhere.  Nowhere in five weeks is a lot of nowhere.  More visceral images of Rock being tortured.

Flash Comics/Iris West
Authors: Karl Kerschl & Brenden Fletcher
Artist: Karl Kerschl
Letterer: Rob Leigh
Colorist: Dave McCaig

This is a great story!  Barry Allen keeps revisiting the same moments with Gorilla Grodd and Iris West, but each time his nemesis and his lover throw him yet another curveball.  It just goes to show that turning back time won’t solve everything — in fact, it’ll do quite the opposite!

The Demon and Catwoman
Author: Walter Simonson
Artist: Brian Stelfreeze (with Steve Wands)

Walter Simonson’s Demon may not rhyme, but he’s still a damn fine poet.  Catwoman’s not really worthy of her double-billing at this stage, though, so hopefully she’ll shine next week.

Hawkman
Author & Artist: Kyle Baker

It’s disappointing that the sci-fi element of this story was dispensed with so handily this week – I was under the impression that the alien threat was still there – but hopefully we’ll see it return.  Hawkman’s only stopping a plane crash this week, but the final caption promises that next week “it gets worse!”

I’d have to say that this has been by far the strongest installment of Wednesday Comics.  The greats are still great, and some under-performers really hit it out of the park this week.  Certainly worth a read.