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Lasso of Truth – Weekly Comics Round-up: 28th October 2009

Posted in Blackest Night, Comics, DC, Detective Comics, Green Lantern, Superman, Wonder Woman with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 28th October, 2009 by Adam Redsell

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Blackest Night #4
Written by Geoff Johns ǀ Art by Ivan Reis

Geoff Johns imbues this story with all the gravity an epic drama needs.  Ivan Reis drops The Big One with a jaw-dropping splash you have to see.

Verdict: Must have.


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Detective Comics #858
Written by Greg Rucka ǀ Art by J.H. Williams III, Cully Hamner

Rucka and Williams deepen their entire cast with an extended flashback sequence.  Four years later, Kate Kane is finally coming into focus.  The Question backup feature’s not bad per se; in fact, it’s quite good, but it’s so straight by comparison I just find myself clamouring for more Batwoman.

Verdict: Buy it.


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Green Lantern #47
Written by Geoff Johns ǀ Art by Doug Mahnke

Johns has been building to these moments for a looong time, and it’s satisfying to see old plot threads finally start to come together.  Green Lantern fans will be giddy at the prospect of a Sinestro/Hal reunion.

Verdict: Must have.


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Superman: Secret Origin #2
Written by Geoff Johns ǀ Art by Gary Frank

A young Clark Kent meets the Legion of Superheroes, and things don’t seem so lonely anymore.  Johns and Frank remind us what made Superman so inspiring in the first place.  An absolutely joyful reading experience.

Verdict: Must have.


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Wonder Woman #37
Written by Gail Simone ǀ Art by Bernard Chang

Aaron Lopresti was credited as artist on the cover, so it was more than a little bit jarring to find Bernard Chang’s pencils inside!  His Wonder Woman looks very Greek (as do his other Amazons), which makes sense, but again, a jarring interruption to Lopresti’s elegant work.  Some deliberately provocative T & A as well, which brought down the tone of this otherwise-virtuous book.

Verdict: Check it out.

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Lasso of Truth – Weekly Comics Round-up: 26th August 2009

Posted in Batman, Batman and Robin, Blackest Night, Comics, DC, Detective Comics, Green Lantern, Superman, Wednesday Comics, Wonder Woman with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 2nd September, 2009 by Adam Redsell

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Lasso of Truth is your weekly guide to what’s hot and what’s not in the DC Universe.  Each week, the Red Baron goes through his comics haul to tell you what’s worth buying and what’s best left alone.

Here’s the key:

Must havethere’s no question, you should buy this great book.
Buy ita high-quality read that won’t disappoint.
Check it outpick it up if you have some extra cash.  May be an acquired taste.
Avoida disappointing read.  Save your money and steer clear.


Day-glo never looked so dark.

Day-glo never looked so dark.

Batman and Robin #3
Author: Grant Morrison
Artist: Frank Quitely
60s camp with a chilling, modern twist, as only Morrison can deliver.
Verdict: Must have.


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Batman: The Widening Gyre #1
Author: Kevin Smith
Artist: Walter Flanagan
Here’s the thing with Kevin Smith: when he fails to capture a character’s voice, he replaces it with his own voice.  It’s like a Tarantino film – the actors are really just delivering a conversation Tarantino’s had in his own head.  But for all its character flaws, Widening Gyre remains an entertaining read.  Thankfully he does manage to capture at least one voice: the voice of the rhyming demon Etrigan.
Verdict: Check it out.


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Blackest Night: Titans #1
Author: J.T. Krul
Artist: Ed Benes
Amounts to little more than a history lesson about characters I don’t care about.  Benes’ artwork is sexy enough – perhaps a little too sexy.  The first truly disappointing Blackest Night title.
Verdict: Avoid.


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Detective Comics #856
Author: Greg Rucka
Artist: J.H. Williams III
Rucka’s new Bat-villain Alice chews up the scenery in Batwoman’s psychedelic nightmare.  J.H. Williams once again pushes the boundaries of the medium.
Verdict: Must have.


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Green Lantern #45
Author: Geoff Johns
Artist: Doug Mahnke
Plenty of great moments in this War of Light, but it sacrifices cohesiveness in an effort to cover everything.
Verdict: Buy it.


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Superman #691
Author: James Robinson
Artist: Renato Guedes
What is essentially the culmination of months of storyboarding comes off as contrived and confusing.
Verdict: Avoid.


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Superman’s Pal Jimmy Olsen Special #2
Author: James Robinson
Artist: Bernard Chang
Jimmy Olsen investigates the same uninteresting shadowy government conspiracy he’s been investigating for months.  The exorbitant cover price makes it that much more unforgivable.
Verdict: Avoid.


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Wednesday Comics #8
Authors: Various
Artists: Various
Everybody lifts their game this week to produce what is effectively the best dose of Wednesday Comics yet.
Verdict: Buy it.


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Wonder Woman #35
Author: Gail Simone
Artist: Aaron Lopresti
Wonder Woman returns to form spectacularly, cagefighting in the underground with Black Canary(!).
Verdict: Buy it.

Green Lantern #44

Posted in Blackest Night, Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 29th July, 2009 by Adam Redsell
Martian Manhunter is back, and he's mighty pissed off about it.

Martian Manhunter is back, and he's mighty pissed about it.

“Only the Good Die Young”
Author: Geoff Johns
Artist: Doug Mahnke
Inkers: Christian Alamy & Doug Mahnke
Colorist: Randy Mayor
Letterer: Rob Leigh
Cover Artists: Doug Mahnke, Christian Alamy & Sinc
Variant Cover Artists: Philip Tan, Jonathan Glapion & Nei Ruffino
Associate Editor: Adam Schlagman
Editor: Eddie Berganza

Having read more than a few interviews with Geoff Johns and the folks over at DC editorial, I was surprised to learn that unlike the highly successful Sinestro Corps War, Blackest Night would become a DC-wide event in its own book, and that Green Lantern – the book that started it all – would be relegated to second fiddle.

(Now, I have no illusions that this was ever Geoff Johns’ intention in the first place – though I do believe that the Sinestro Corps War was Johns’ successful bid for more creative licence from DC, as well as a reader recruitment drive for Green Lantern – but I do believe this was always intended to be his magnum opus.  The only difference is that this unexpected popularity among the comic book readership and almost unprecedented support from DC editorial has allowed him to evolve this into something with even bigger scope than he had previously imagined.)

Well, I’m happy to report that not only is Blackest Night more tightly conceived and consistent quality-wise than Sinestro Corps War was (if that’s even possible) thus far, Green Lantern #44, like Green Lantern #43 feels like a bonafide continuation of the Blackest Night story, albeit told in a more Green Lantern-centric manner.  I don’t know about you, but I kind of expected the events of Blackest Night to be confined to Blackest Night, and that Green Lantern would focus on the War of Light in outer space.  That this issue defied those expectations is not at all a bad thing, though I fail to see how anyone could read Blackest Night exclusively and glean even half of what the regular Green Lantern reader will.  Take my advice, newcomers: you need to be reading both.  You probably don’t even need to be told; chances are, if you’ve had a taste of Blackest Night, you’ll be hungry for more; so let me assure you right now, that you’ll get plenty more in Green Lantern #44.  It seems fairly obvious to me that Johns rolled with this editorial structure simply so he could tell more story in a shorter span of time.  Twenty-five issues of Blackest Night might be “wearing out its welcome”, but an issue of Blackest Night and Green Lantern each month for twelve months doesn’t seem as much of a stretch.

From the opening page, it’s clear that Johns and Mahnke are having heaps of fun with this story.  Johns knows these characters better than anyone, with plenty tips-of-the-hat for longtime DC fans.  Even the humble Choco cookie – Martian Manhunter’s favourite imitation Oreo snack – is imbued with rich symbolism.  It takes some serious skill to take one of the kookier elements of DC’s repertoire and turn it into something genuinely chilling.  As the cover art suggests, Martian Manhunter rises from his tomb as the first Black Lantern (well, sorta), and boy, is it cool!  Doug Mahnke was born to draw this kind of stuff.

This issue picks up where Blackest Night #1 left off, in Gotham Cemetery with Hal Jordan and the Flash.  Unfortunately, Johns dusts off the annoying little recap caption, informing us *yet again* that Hal Jordan is the Green Lantern of Sector 2814!  I thought it was assumed that Green Lantern fans would be reading this, Geoff, and everyone else would be reading Blackest Night!  You didn’t need to tell us the last few times, why do you need to tell us now?

Nerd-rage aside, it’s great to see the Martian Manhunter back, albeit in an undead capacity.  Johns is a bigger DC fan than all of us, and you can tell he’s playing with his favourite toys.  Don’t get me wrong, though, Johns remains reverent to the source material; and it soon becomes clear that the Black Lanterns are not mindless zombies; rather, they retain their original personalities.  This provides the emotional backdrop for Johns’ storytelling; dead heroes are returning, and those closest to them are forced to confront their deaths, and their worst failures, all over again.  There’s a harsh truth to everything J’onn J’onzz says, and yet it is apparent he is possessed by dark forces beyond his control.

What follows is a piece of the most interesting superhero fisticuffs I’ve seen – and one of the best Martian Manhunter stories I’ve read – in quite a while.  I’ve always thought that Martian Manhunter would make a formidable foe, and Black Lantern Manhunter doesn’t disappoint here.  It makes me wonder how he ever could have died in the first place.  It seems to me that Johns’ chief goal here is to remind us just how much we loved these characters, and just how well they can be written; enough to make us pray for a real resurrection.

Meanwhile in the Oa Citadel, Scar reveals the dark purpose of the Black Lantern Corps, with strong hints towards future events affecting the coloured Corps.  I don’t want to give too much away, but next issue should finally see John Stewart’s turn in the lead Lantern role…

Can’t wait for the next one!

Green Lantern #42

Posted in Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 3rd July, 2009 by Adam Redsell
Make it yours.

Make it yours.

“Agent Orange: Part Four”
Author: Geoff Johns
Artists: Philip Tan & Eddy Barrows
Inkers: Jonathan Glapion & Ruy Jose
Colorists: Nei Ruffino & Rod Reis
Cover Artists: Philip Tan, Jonathan Glapion & Nei Ruffino
Variant Cover Artists: Eddy Barrows & Nei Ruffino

Another month, another great issue of Green Lantern.  Can we all agree that Geoff Johns is the greatest Green Lantern writer that ever lived?  I don’t feel too audacious for making such a claim.  Four years and he’s never skipped a beat, in my opinion.

Unfortunately, the same cannot be said for the artwork in this issue (or the one before, for that matter).  It’s not awful by any means, but the phrase “too many cooks spoil the broth” springs to mind.  I’d happily read a full issue of Green Lantern drawn by either Philip Tan or Eddy Barrows – in fact, I quite enjoyed Philip Tan’s solo work in issue 40 – but the constant switching really pulled me out of the book.  The fact that there’s also two inkers and two colorists doesn’t help, either.  As far as I can determine, Eddy Barrow’s horror-inspired pencils are employed for the Agent Orange scenes, while Philip Tan handles the outer space duties and the Star Sapphire scenes (but don’t quote me on that).  Even then, it can be difficult to determine, which is probably where the multiple inkers and colorists come into play.  Some of the panels appear to be hand-painted; and again, while I wouldn’t mind seeing a full issue of this, the patchwork-style approach really didn’t work for me.  Again, I stress: individually these artists are great, and the colours are as vibrant as I’d expect from a Green Lantern book, but this series needs to regain a consistency of artistic vision and approach.  I can only hope that artistic duties are being shared out now, while Ethan Van Sciver, Ivan Reis and Doug Mahnke work ahead on future issues – certainly Johns has indicated in interviews that he is several issues ahead on the writing side of things.

The cover art, while cool, is also more than a bit misleading.  Firstly, I love the way Agent Orange (and in this case, Hal) is always depicted clutching the orange power battery like a child that doesn’t want to share his toys.  But Hal’s flirtations with the colours of the emotional spectrum have been all too brief thus far (save for the blue ring), and this occasion is no exception.  Like his scrape with the Red Lanterns beforehand, Hal’s encounter with the orange light is almost dismissed out of hand just when things started to get interesting.  I for one would have loved to have seen the emotional colour spectrum explored in greater detail prior to Blackest Night – which is better than it dragging – but I can’t help but feel we’re being rushed to Blackest Night.  I would quite happily see more of this War of Light played out as a comic book event in its own right.  I want to see the full repercussions of Hal Jordan holding the orange power battery; I want to see Hal put through the ringer as a Red Lantern and the fallout that proceeds from that.  Perhaps I’m just a cosmic sadist.

Having said all that, I can certainly see why Johns didn’t take that route – after all, it took him over a year to undo the effects of the “Parallax Debacle”, unravel the proceeding cover-up attempts, and restore Hal Jordan’s honour – why undo all that hard work?  There’s another reason for it, and I think it is this: Hal Jordan is the only being in the universe equipped to deal with this conflict in the emotional spectrum.  I’ll go one further: I think Hal represents the Yin-Yang of the entire emotional spectrum.  I think he will become the White Lantern, if only for a brief period.  He will prove to be the only being capable and experienced enough to control all colours in the emotional spectrum, and these ‘tastes’ of the other colours will prepare him for that role.  He will become this series’ Neo, so to speak.

I’ll go out on another limb: the role of the Guardians in the Green Lantern Corps will change forever, if not vanish altogether.  We will see the Guardians step back and embrace their individuality; embrace and acknowledge the full emotional spectrum.

None of these things are stated by the book; but it’s a book that makes you wonder where it all leads; it’s a book that intrigues through the use of foreshadowing; it’s a book so brimming with excitement that you honestly believe nothing is sacred, and anything can happen.  And trust me, anything does happen in this issue.

I can’t wait to see what’s next.