Archive for Black Lantern Corps

Green Lantern #44

Posted in Blackest Night, Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 29th July, 2009 by Adam Redsell
Martian Manhunter is back, and he's mighty pissed off about it.

Martian Manhunter is back, and he's mighty pissed about it.

“Only the Good Die Young”
Author: Geoff Johns
Artist: Doug Mahnke
Inkers: Christian Alamy & Doug Mahnke
Colorist: Randy Mayor
Letterer: Rob Leigh
Cover Artists: Doug Mahnke, Christian Alamy & Sinc
Variant Cover Artists: Philip Tan, Jonathan Glapion & Nei Ruffino
Associate Editor: Adam Schlagman
Editor: Eddie Berganza

Having read more than a few interviews with Geoff Johns and the folks over at DC editorial, I was surprised to learn that unlike the highly successful Sinestro Corps War, Blackest Night would become a DC-wide event in its own book, and that Green Lantern – the book that started it all – would be relegated to second fiddle.

(Now, I have no illusions that this was ever Geoff Johns’ intention in the first place – though I do believe that the Sinestro Corps War was Johns’ successful bid for more creative licence from DC, as well as a reader recruitment drive for Green Lantern – but I do believe this was always intended to be his magnum opus.  The only difference is that this unexpected popularity among the comic book readership and almost unprecedented support from DC editorial has allowed him to evolve this into something with even bigger scope than he had previously imagined.)

Well, I’m happy to report that not only is Blackest Night more tightly conceived and consistent quality-wise than Sinestro Corps War was (if that’s even possible) thus far, Green Lantern #44, like Green Lantern #43 feels like a bonafide continuation of the Blackest Night story, albeit told in a more Green Lantern-centric manner.  I don’t know about you, but I kind of expected the events of Blackest Night to be confined to Blackest Night, and that Green Lantern would focus on the War of Light in outer space.  That this issue defied those expectations is not at all a bad thing, though I fail to see how anyone could read Blackest Night exclusively and glean even half of what the regular Green Lantern reader will.  Take my advice, newcomers: you need to be reading both.  You probably don’t even need to be told; chances are, if you’ve had a taste of Blackest Night, you’ll be hungry for more; so let me assure you right now, that you’ll get plenty more in Green Lantern #44.  It seems fairly obvious to me that Johns rolled with this editorial structure simply so he could tell more story in a shorter span of time.  Twenty-five issues of Blackest Night might be “wearing out its welcome”, but an issue of Blackest Night and Green Lantern each month for twelve months doesn’t seem as much of a stretch.

From the opening page, it’s clear that Johns and Mahnke are having heaps of fun with this story.  Johns knows these characters better than anyone, with plenty tips-of-the-hat for longtime DC fans.  Even the humble Choco cookie – Martian Manhunter’s favourite imitation Oreo snack – is imbued with rich symbolism.  It takes some serious skill to take one of the kookier elements of DC’s repertoire and turn it into something genuinely chilling.  As the cover art suggests, Martian Manhunter rises from his tomb as the first Black Lantern (well, sorta), and boy, is it cool!  Doug Mahnke was born to draw this kind of stuff.

This issue picks up where Blackest Night #1 left off, in Gotham Cemetery with Hal Jordan and the Flash.  Unfortunately, Johns dusts off the annoying little recap caption, informing us *yet again* that Hal Jordan is the Green Lantern of Sector 2814!  I thought it was assumed that Green Lantern fans would be reading this, Geoff, and everyone else would be reading Blackest Night!  You didn’t need to tell us the last few times, why do you need to tell us now?

Nerd-rage aside, it’s great to see the Martian Manhunter back, albeit in an undead capacity.  Johns is a bigger DC fan than all of us, and you can tell he’s playing with his favourite toys.  Don’t get me wrong, though, Johns remains reverent to the source material; and it soon becomes clear that the Black Lanterns are not mindless zombies; rather, they retain their original personalities.  This provides the emotional backdrop for Johns’ storytelling; dead heroes are returning, and those closest to them are forced to confront their deaths, and their worst failures, all over again.  There’s a harsh truth to everything J’onn J’onzz says, and yet it is apparent he is possessed by dark forces beyond his control.

What follows is a piece of the most interesting superhero fisticuffs I’ve seen – and one of the best Martian Manhunter stories I’ve read – in quite a while.  I’ve always thought that Martian Manhunter would make a formidable foe, and Black Lantern Manhunter doesn’t disappoint here.  It makes me wonder how he ever could have died in the first place.  It seems to me that Johns’ chief goal here is to remind us just how much we loved these characters, and just how well they can be written; enough to make us pray for a real resurrection.

Meanwhile in the Oa Citadel, Scar reveals the dark purpose of the Black Lantern Corps, with strong hints towards future events affecting the coloured Corps.  I don’t want to give too much away, but next issue should finally see John Stewart’s turn in the lead Lantern role…

Can’t wait for the next one!

Blackest Night #1

Posted in Blackest Night, Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 20th July, 2009 by Adam Redsell
Black is the new Green.

Black is the new Green.

Author: Geoff Johns
Artist: Ivan Reis
Inker: Oclair Albert
Colorist: Alex Sinclair
Letterer: Nick J. Napolitano
Associate Editor: Adam Schlagman
Editor: Eddie Berganza
Cover Artists: Ivan Reis, Oclair Albert & Alex Sinclair
Alternate Cover Artists: Ethan Van Sciver & Hi-Fi

If you had of told Dan DiDio four years ago that Green Lantern, under Geoff Johns’ guidance, would not only stand shoulder to shoulder with the likes of Batman and Superman in stature and following, but would also spawn the biggest comic book event of 2009, he probably would have slapped you twice and thrown you to the Crises.  Well, that was then, and this is now, and let me tell you, I was more than excited to be opening the first issue of Blackest Night proper.  In fact, I can’t remember ever being this excited for a comic book event in all my years of reading comics (which I’ll admit, is not very long at all compared to some).  Well, it turns out that all that anticipation is paying off in spades, and that Blackest Night is every bit the bee’s knees it promised to be.

Naturally, Blackest Night #1 picks up where Blackest Night #0 left off, in Gotham Cemetery.  It’s a dark and stormy night, and Black Hand ushers in the Age of Dark and Stormy Nights with a decidedly sick and twisted invocation.  The first thing I noticed about this issue was, damn, it’s great to have Ivan Reis back on a Green Lantern book.  Then of course I noticed the striking visuals, the epic presentation, et cetera, but honestly, there’s so much going on here that I really don’t know where to start.

This book is a great jumping-on point for newcomers, but they’ll also find a lot to digest here; while long-term Green Lantern and DC Comics readers have plenty of Easter eggs to scour through.  Sure, there’s a fair bit of background that the DC faithful will already know, but Johns is clearly highlighting which parts to pay attention to (and believe me, there’s a lot to pay attention to) and fleshing them out to augment the emotional impact of future events.  It’s actually surprising to see which untended plot threads he does highlight – without giving too much away – fans of Keith Giffen’s Justice League will no doubt be intrigued by the developments they see here.  It’s pretty clear by the end of this issue that Blackest Night represents his life’s work, drawing on every major DC storyline he’s had a hand in, from JSA to Hawkman to Infinite Crisis to 52 and everything in between right up to Flash: Rebirth.  Perhaps contrary to his original plans (though not by much), Blackest Night encompasses the entire DC Universe (or is it ‘Multiverse’?).  That is to say that its scope is far greater than just the Green Lantern universe – which is already massive thanks to Johns – and centres upon his two no-doubt-favourite heroes, Hal Jordan (Green Lantern) and Barry Allen (The Flash), as our anchors to this epic tale.

The core of this super-sized issue takes place appropriately on the anniversary of Superman’s death; once a national day of mourning, now a day used to honour fallen superheroes.  Geoff Johns has stated in interviews that this issue mentions all the major players in this storyline, and I believe it – many names are checked by the mourners, which may as well be a roll call for the Black Lantern Corps – some are expected, though many may surprise you.  In point of fact, the first Black Lanterns to reveal themselves surprised the hell out of me, and their first dark deeds shocked me all the more, due in no small part to Ivan Reis’ grisly depiction.

It’s getting very dark in the DC Universe, and I, for one, am loving it.