Archive for black humour

Lasso of Truth – Weekly Comics Round-up: 9th September 2009

Posted in Adventure Comics, Blackest Night, Comics, Green Lantern Corps, Secret Six, Superman, Wednesday Comics with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 21st September, 2009 by Adam Redsell

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Lasso of Truth is your weekly guide to what’s hot and what’s not in the DC Universe.  Each week, the Red Baron goes through his comics haul to tell you what’s worth buying and what’s best left alone.

Here’s the key:

Must havethere’s no question, you should buy this great book.
Buy ita high-quality read that won’t disappoint.
Check it outpick it up if you have some extra cash.  May be an acquired taste.
Avoida disappointing read.  Save your money and steer clear.


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Adventure Comics #2
Written by Geoff Johns ǀ Art by Francis Manapul
A heart-warming tale of love re-kindled, with some surprising developments on the Luthor/Brainiac front.  The best Superman book since Johns left Action.
Verdict: Must have.


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Blackest Night: Batman #2
Written by Peter J. Tomasi ǀ Art by Adrian Syaf
Without a doubt the best Blackest Night tie-in on the stands.  It’s simple enough to stand on its own, and Tomasi does even more to flesh out the new Dynamic Duo.
Verdict: Buy it.


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Green Lantern Corps #40
Written by Peter J. Tomasi ǀ Art by Patrick Gleason
Tomasi continues to mine the rich landscape that he himself created.  The return of the dead means the return of past plot threads, and Tomasi weaves them together beautifully.
Verdict: Buy it.


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Secret Six #13
Written by Gail Simone ǀ Art by Nicola Scott
I’m really digging this “Depths” story arc.  Secret Six continues its proud tradition of anti-heroics and black humour.  If you haven’t been reading this book, you really ought to be.
Verdict: Must have.


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Superman: World of New Krypton #7
Written by James Robinson & Greg Rucka ǀ Art by Pete Woods
The entire Superman line has been a real disappointment to me since Geoff Johns and Gary Frank left Action Comics.  Everything just feels so…orchestrated, contrived, storyboard-ed – so many adjectives spring to mind, few of them positive.  I expect more from James Robinson and Greg Rucka individually, but together!  This should have been the Golden Age of Super-storytelling.  Instead, the whole thing’s mired in uninteresting political posturing.  “Phantom Menace” continually springs to mind.
Verdict: Avoid.


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Wednesday Comics #9 & 10
Written by Various ǀ Art by Various
Wednesday Comics just keeps getting better as it sprints towards the finish line.  There’s really only one weak story in the bunch.
Verdict: Buy it.

Blackest Night: Tales of the Corps #1

Posted in Blackest Night, Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 18th July, 2009 by Adam Redsell
Tales of the <i> <ul>Corpse</ul> <p>: get it?</i>

Tales of the Corpse: get it?

“Tales of the Blue Lantern: Saint Walker”
Author: Geoff Johns
Artist: Jerry Ordway
Colorist: Hi-Fi
Cover Artists: Ed Benes, Rob Hunter & Nei Ruffino
Variant Cover Artists: Dave Gibbons & Alex Sinclair
Letterer: Steve Wands
Editor: Adam Schlagman
“Tales of the Sinestro Corps: Mongul: For Your Love”
Author: Peter J. Tomasi
Artist: Chris Samnee
Colorist: John Kalisz
Letterer: Sal Cipriano
Editor: Adam Schlagman
“Tales of the Indigo Tribe”
Author: Geoff Johns
Artist: Rags Morales
Colorist: Nei Ruffino
Letterer: Steve Wands
Editor: Adam Schlagman

When I read a somewhat negative review of Tales of the Corps this week, I couldn’t wait to disagree with it.  Turns out I got my wish.  I heartily recommend this book to Green Lantern fans, Alan Moore fans, and anyone who wants to read three entertaining stories within 25 pages.  It’s not ‘important’ per se, but it *is* entertaining, and it does flesh out the major players in this War of Light; something that I felt had been glossed over in a rush to get to Blackest Night.

The first story is also the strongest story, which opens where Green Lantern #42 left off.  Saint Walker and the Blue Lanterns are fending off an attack from Larfleeze, also known as Agent Orange, on their spiritual homeworld of Odym.  The opening page is a striking collision of blue and orange, and Jerry Ordway’s clean linework and figure depictions are the best I’ve seen from him in a long time.  In fact, I’d like to see future Green Lantern stories drawn by Ordway based on what I’ve seen here.  In these dire moments, Saint Walker’s life flashes before his eyes, and we get to see his journey to Blue Lanterndom.  I’ve always wondered about Walker’s sainthood, and this story really brings those religious aspects to the forefront.  As you’d expect, this is a story of hope against all adversity.  What you might not expect is the moving tale of a man who clings to Hope despite losing everything.  Saint Walker is a proverbial Job, on a dangerous pilgrimage to save his planet and his people.  Saint Walker emerges as so much more than a one-dimensional Polyanna do-gooder; he becomes an undeniable Beacon of Light – an Andy Dufresne, if you will – a hero for the weak and oppressed.  I’m laying on the superlatives, but the quintessential Blue Lantern has easily become my favourite character in this event; there’s something so refreshing about his Definite Goodness in this time where the Green Lanterns are mired in so much grey.  He reminds me of Optimus Prime; an incorruptible force for Good, who’ll fight to the end for all of us.  Look, just buy the book on the strength of this story alone, okay?

On the flipside, Peter Tomasi dabbles in some black humour, as he’s in the habit of doing.  If you’ve read his Black Adam miniseries, you’ll understand why; if not, allow me to spell it out for you: he’s damn good at it.  His track record with Mongul is also sterling, so the result here is to be expected.  This tale of Mongul’s warped childhood is simultaneously harrowing and amusing.  Chris Samnee’s art is rather simplistic, but well-suited to this “kid’s story” nonetheless.  A young Mongul is bored while his father (also Mongul) is out conquering and subjugating.  He watches some of his father’s exploits on “TV”, fantasising about what it would be like to be his father.  So he dresses up in his father’s gear and plays outside with the skeletons.  Pretty soon he gets exactly what he wished for, but just you wait until dad gets home…

The third and final story is a telling exposition of the heretofore mysterious nature of the Indigo Tribe.  Their untranslated speech gives off the feeling of a foreign film, as Geoff Johns allows the beautiful artwork of Rags Morales to tell the story.  Contrary to what its detractors may tell you, this issue reveals quite a bit about the Tribe’s motivations, and the nature of their powers.  You may not know the names of their people or their planet, but by the end you’ll be asking yourself, “what’s in a name, really?

There’s a lot of variety in the breadth of these stories, and all in all, it’s a very entertaining romp through Geoff Johns’ “emotional spectrum”.  If you miss Alan Moore’s Tales of the Green Lantern Corps, you’re in luck; because you’ve just found its spiritual successor.