Archive for the Green Lantern Category

SDCC: Green Lantern Gets a Green Game.

Posted in Comics, DC, film, Green Lantern, videogames with tags , , , , , , , on 24th July, 2010 by Adam Redsell

These are the Manhunters, former protectors of the universe.

Another comic-to-film-to-videogame adaptation has been announced by Warner Bros. Interactive; this time for Green Lantern.  The game will be titled Green Lantern: Rise of the Manhunters, which hopefully indicates strong ties with Geoff Johns’ work on the character.  Unless it’s also the full title of the film, which hopefully will also draw heavily on Johns’ stellar run.  The game will release Summer 2011, or Winter for those of us in the southern hemisphere.

I’ve never played a Green Lantern videogame before, so it’ll be interesting to see how they handle his virtually limitless powers: using willpower to forge constructs out of green light.  Now a thought-controlled videogame – that I’d like to see.

Lasso of Truth – Weekly Comics Round-up: 28th October 2009

Posted in Blackest Night, Comics, DC, Detective Comics, Green Lantern, Superman, Wonder Woman with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 28th October, 2009 by Adam Redsell

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Blackest Night #4
Written by Geoff Johns ǀ Art by Ivan Reis

Geoff Johns imbues this story with all the gravity an epic drama needs.  Ivan Reis drops The Big One with a jaw-dropping splash you have to see.

Verdict: Must have.


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Detective Comics #858
Written by Greg Rucka ǀ Art by J.H. Williams III, Cully Hamner

Rucka and Williams deepen their entire cast with an extended flashback sequence.  Four years later, Kate Kane is finally coming into focus.  The Question backup feature’s not bad per se; in fact, it’s quite good, but it’s so straight by comparison I just find myself clamouring for more Batwoman.

Verdict: Buy it.


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Green Lantern #47
Written by Geoff Johns ǀ Art by Doug Mahnke

Johns has been building to these moments for a looong time, and it’s satisfying to see old plot threads finally start to come together.  Green Lantern fans will be giddy at the prospect of a Sinestro/Hal reunion.

Verdict: Must have.


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Superman: Secret Origin #2
Written by Geoff Johns ǀ Art by Gary Frank

A young Clark Kent meets the Legion of Superheroes, and things don’t seem so lonely anymore.  Johns and Frank remind us what made Superman so inspiring in the first place.  An absolutely joyful reading experience.

Verdict: Must have.


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Wonder Woman #37
Written by Gail Simone ǀ Art by Bernard Chang

Aaron Lopresti was credited as artist on the cover, so it was more than a little bit jarring to find Bernard Chang’s pencils inside!  His Wonder Woman looks very Greek (as do his other Amazons), which makes sense, but again, a jarring interruption to Lopresti’s elegant work.  Some deliberately provocative T & A as well, which brought down the tone of this otherwise-virtuous book.

Verdict: Check it out.

Lasso of Truth – Weekly Comics Round-up: 30th September 2009

Posted in Batman, Comics, DC, Green Lantern, Wonder Woman with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on 30th September, 2009 by Adam Redsell

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Lasso of Truth is your weekly guide to what’s hot and what’s not in the DC Universe.  Each week, the Red Baron goes through his comics haul to tell you what’s worth buying and what’s best left alone.

Here’s the key:

Must havethere’s no question, you should buy this great book.
Buy ita high-quality read that won’t disappoint.
Check it outpick it up if you have some extra cash.  May be an acquired taste.
Avoida disappointing read.  Save your money and steer clear.


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Batman: The Widening Gyre #2
Written by Kevin Smith ǀ Art by Walter Flanagan
The Widening Gyre, despite its wanky title, is shaping up to be an interesting deconstruction of Batman and Bruce Wayne.  Silver St. Cloud’s return to Gotham is a pleasant surprise, and doesn’t feel at all forced.
Verdict: Buy it.


Green Lantern #46

Green Lantern #46
Written by Geoff Johns ǀ Art by Doug Mahnke
The Green Lantern series refocuses on the uneasy alliance between Hal Jordan, Sinestro, and Carol Ferris.  Sinestro returns to Korugar to reclaim his Corps.
Verdict: Must have.


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Wonder Woman #36
Written by Gail Simone ǀ Art by Aaron Lopresti
Equal parts charm, wit and action, this is Wonder Woman as she always should have been.
Verdict: Must have.

Lasso of Truth – Weekly Comics Round-up: 26th August 2009

Posted in Batman, Batman and Robin, Blackest Night, Comics, DC, Detective Comics, Green Lantern, Superman, Wednesday Comics, Wonder Woman with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 2nd September, 2009 by Adam Redsell

lasso_of_truth_2

Lasso of Truth is your weekly guide to what’s hot and what’s not in the DC Universe.  Each week, the Red Baron goes through his comics haul to tell you what’s worth buying and what’s best left alone.

Here’s the key:

Must havethere’s no question, you should buy this great book.
Buy ita high-quality read that won’t disappoint.
Check it outpick it up if you have some extra cash.  May be an acquired taste.
Avoida disappointing read.  Save your money and steer clear.


Day-glo never looked so dark.

Day-glo never looked so dark.

Batman and Robin #3
Author: Grant Morrison
Artist: Frank Quitely
60s camp with a chilling, modern twist, as only Morrison can deliver.
Verdict: Must have.


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Batman: The Widening Gyre #1
Author: Kevin Smith
Artist: Walter Flanagan
Here’s the thing with Kevin Smith: when he fails to capture a character’s voice, he replaces it with his own voice.  It’s like a Tarantino film – the actors are really just delivering a conversation Tarantino’s had in his own head.  But for all its character flaws, Widening Gyre remains an entertaining read.  Thankfully he does manage to capture at least one voice: the voice of the rhyming demon Etrigan.
Verdict: Check it out.


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Blackest Night: Titans #1
Author: J.T. Krul
Artist: Ed Benes
Amounts to little more than a history lesson about characters I don’t care about.  Benes’ artwork is sexy enough – perhaps a little too sexy.  The first truly disappointing Blackest Night title.
Verdict: Avoid.


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Detective Comics #856
Author: Greg Rucka
Artist: J.H. Williams III
Rucka’s new Bat-villain Alice chews up the scenery in Batwoman’s psychedelic nightmare.  J.H. Williams once again pushes the boundaries of the medium.
Verdict: Must have.


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Green Lantern #45
Author: Geoff Johns
Artist: Doug Mahnke
Plenty of great moments in this War of Light, but it sacrifices cohesiveness in an effort to cover everything.
Verdict: Buy it.


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Superman #691
Author: James Robinson
Artist: Renato Guedes
What is essentially the culmination of months of storyboarding comes off as contrived and confusing.
Verdict: Avoid.


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Superman’s Pal Jimmy Olsen Special #2
Author: James Robinson
Artist: Bernard Chang
Jimmy Olsen investigates the same uninteresting shadowy government conspiracy he’s been investigating for months.  The exorbitant cover price makes it that much more unforgivable.
Verdict: Avoid.


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Wednesday Comics #8
Authors: Various
Artists: Various
Everybody lifts their game this week to produce what is effectively the best dose of Wednesday Comics yet.
Verdict: Buy it.


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Wonder Woman #35
Author: Gail Simone
Artist: Aaron Lopresti
Wonder Woman returns to form spectacularly, cagefighting in the underground with Black Canary(!).
Verdict: Buy it.

Blackest Night #2

Posted in Blackest Night, Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 15th August, 2009 by Adam Redsell
Aquaman: Undead in the Water.

Aquaman: Undead in the Water.

Author: Geoff Johns
Artist: Ivan Reis
Inkers: Oclair Albert with Julio Ferreira
Colorist: Alex Sinclair
Letterer: Nick J. Napolitano
Associate Editor: Adam Schlagman
Editor: Eddie Berganza
Cover Artists: Ivan Reis, Oclair Albert, and Alex Sinclair
Alternative Cover Artist: Mauro Cascioli

Blackest Night #2 opens cinematically with wide-shot panels – beautifully detailed by Ivan Reis, but not cluttered – and maintains that cinematic feel with the able assistance of his art team.  They achieve this, I believe, by treating each panel as a camera lens.  Inkers Oclair Albert and Julio Ferreira carve out each scene with subtle shade and deep shadow, while colorist Alex Sinclair provides a light source and sticks to it, by God!  Reis’ panel composition holds up to much scrutiny, as if each scene is mapped verbatim in his mind, and every item is there precisely because it needs to be.  Effective use of these three elements – depth of field, light sourcing and composition – drew my eyes to the focal point of each panel.  This level of care and attention is the kind of thing we’ve come to expect from a big-budget Hollywood film, not a comic book.  Blackest Night raises the bar for the comic book event in every conceivable way.  This is high-production, high-stakes superhero drama at its best.

The first person we see is Ray Palmer – The Atom – looking very small.  Standing next to a paperclip, in fact.  He misses his late wife Jean, and he needs someone to talk to.  Hawkman finally picks up the phone, but he’s not quite himself.  He still sounds like himself, though, and that’s what makes these Black Lanterns so chilling.  They’re more like ghosts than zombies, and they have unfinished business to attend to.

Geoff Johns has wisely chosen to convey the epic scope of his tale  through more minor characters; the bards and minstrels of the DC Universe, if you will.  The darkness over Gotham City is viewed through the eyes of Barbara Gordon and her father, Commissioner Gordon.  The oft-discussed return of Aquaman is experienced through those closest to him, Mera and Aqualad.  They are our emotional anchors to the events unfolding, and despite our foreknowledge of some of the more shocking returns, Blackest Night proves it’s nothing at all to do with what you know, but who you know.  I have an emotional investment in these characters, and knowing that they’re about to confront their loved ones with their failure and rip their hearts out only augments the tragedy.  Their grisly guise as Black Lanterns allows us to see our late heroes at their most formidable, commit unspeakable acts, and that is the greatest tragedy of Blackest Night.

This second issue reveals much about the nature of the Black Lanterns, but many questions still linger as even the supernatural element of the DCU struggles to come to grips with the phenomenon.  Geoff Johns uses his ensemble cast empathically to put his readers in each scene.  Hal Jordan (Green Lantern) and Barry Allen (The Flash) form the emotional core of this story, and it’s great to see this team in action again.  There’s undeniably chemistry between the two (quite literally at one point), and despite the dark circumstances of their reunion, they light up every panel.  Whoever deigned to separate (and kill off) this dynamic duo all those years ago must have been stark raving mad.  Or perhaps they never saw the potential for comic magic that Johns did.

Whatever the case, I see the potential for plenty more comic magic from Johns et al in future.  You’d be stark raving mad to miss Blackest Night.

Green Lantern #44

Posted in Blackest Night, Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 29th July, 2009 by Adam Redsell
Martian Manhunter is back, and he's mighty pissed off about it.

Martian Manhunter is back, and he's mighty pissed about it.

“Only the Good Die Young”
Author: Geoff Johns
Artist: Doug Mahnke
Inkers: Christian Alamy & Doug Mahnke
Colorist: Randy Mayor
Letterer: Rob Leigh
Cover Artists: Doug Mahnke, Christian Alamy & Sinc
Variant Cover Artists: Philip Tan, Jonathan Glapion & Nei Ruffino
Associate Editor: Adam Schlagman
Editor: Eddie Berganza

Having read more than a few interviews with Geoff Johns and the folks over at DC editorial, I was surprised to learn that unlike the highly successful Sinestro Corps War, Blackest Night would become a DC-wide event in its own book, and that Green Lantern – the book that started it all – would be relegated to second fiddle.

(Now, I have no illusions that this was ever Geoff Johns’ intention in the first place – though I do believe that the Sinestro Corps War was Johns’ successful bid for more creative licence from DC, as well as a reader recruitment drive for Green Lantern – but I do believe this was always intended to be his magnum opus.  The only difference is that this unexpected popularity among the comic book readership and almost unprecedented support from DC editorial has allowed him to evolve this into something with even bigger scope than he had previously imagined.)

Well, I’m happy to report that not only is Blackest Night more tightly conceived and consistent quality-wise than Sinestro Corps War was (if that’s even possible) thus far, Green Lantern #44, like Green Lantern #43 feels like a bonafide continuation of the Blackest Night story, albeit told in a more Green Lantern-centric manner.  I don’t know about you, but I kind of expected the events of Blackest Night to be confined to Blackest Night, and that Green Lantern would focus on the War of Light in outer space.  That this issue defied those expectations is not at all a bad thing, though I fail to see how anyone could read Blackest Night exclusively and glean even half of what the regular Green Lantern reader will.  Take my advice, newcomers: you need to be reading both.  You probably don’t even need to be told; chances are, if you’ve had a taste of Blackest Night, you’ll be hungry for more; so let me assure you right now, that you’ll get plenty more in Green Lantern #44.  It seems fairly obvious to me that Johns rolled with this editorial structure simply so he could tell more story in a shorter span of time.  Twenty-five issues of Blackest Night might be “wearing out its welcome”, but an issue of Blackest Night and Green Lantern each month for twelve months doesn’t seem as much of a stretch.

From the opening page, it’s clear that Johns and Mahnke are having heaps of fun with this story.  Johns knows these characters better than anyone, with plenty tips-of-the-hat for longtime DC fans.  Even the humble Choco cookie – Martian Manhunter’s favourite imitation Oreo snack – is imbued with rich symbolism.  It takes some serious skill to take one of the kookier elements of DC’s repertoire and turn it into something genuinely chilling.  As the cover art suggests, Martian Manhunter rises from his tomb as the first Black Lantern (well, sorta), and boy, is it cool!  Doug Mahnke was born to draw this kind of stuff.

This issue picks up where Blackest Night #1 left off, in Gotham Cemetery with Hal Jordan and the Flash.  Unfortunately, Johns dusts off the annoying little recap caption, informing us *yet again* that Hal Jordan is the Green Lantern of Sector 2814!  I thought it was assumed that Green Lantern fans would be reading this, Geoff, and everyone else would be reading Blackest Night!  You didn’t need to tell us the last few times, why do you need to tell us now?

Nerd-rage aside, it’s great to see the Martian Manhunter back, albeit in an undead capacity.  Johns is a bigger DC fan than all of us, and you can tell he’s playing with his favourite toys.  Don’t get me wrong, though, Johns remains reverent to the source material; and it soon becomes clear that the Black Lanterns are not mindless zombies; rather, they retain their original personalities.  This provides the emotional backdrop for Johns’ storytelling; dead heroes are returning, and those closest to them are forced to confront their deaths, and their worst failures, all over again.  There’s a harsh truth to everything J’onn J’onzz says, and yet it is apparent he is possessed by dark forces beyond his control.

What follows is a piece of the most interesting superhero fisticuffs I’ve seen – and one of the best Martian Manhunter stories I’ve read – in quite a while.  I’ve always thought that Martian Manhunter would make a formidable foe, and Black Lantern Manhunter doesn’t disappoint here.  It makes me wonder how he ever could have died in the first place.  It seems to me that Johns’ chief goal here is to remind us just how much we loved these characters, and just how well they can be written; enough to make us pray for a real resurrection.

Meanwhile in the Oa Citadel, Scar reveals the dark purpose of the Black Lantern Corps, with strong hints towards future events affecting the coloured Corps.  I don’t want to give too much away, but next issue should finally see John Stewart’s turn in the lead Lantern role…

Can’t wait for the next one!

Blackest Night: Tales of the Corps #2

Posted in Blackest Night, Comics, DC, Green Lantern with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 28th July, 2009 by Adam Redsell
"Unnecessary" has never been so entertaining.

"Unnecessary" has never been so entertaining.

Authors: Geoff Johns, Peter Tomasi & Ethan Van Sciver
Artists: Eddy Barrows, Gene Ha & Tom Mandrake
Inkers: Ruy José
Colorists: Nei Ruffino & Pete Pantazis
Cover Artists: Ed Benes, Rob Hunter & Nei Ruffino
Variant Cover Artist: Rodolfo Migliari
Letterers: Steve Wands & Sal Cipriano
Editor: Adam Schlagman

Once again, I have to disagree with this book’s detractors.  Tales of the Corps #2, like the first issue, is an entertaining read, and while its connection to Blackest Night proper may not be readily apparent, it fleshes out the players in this War of Light.  The emotional spectrum is an interesting concept in itself, and though the seeds were planted from the very beginning of Geoff Johns’ stellar Green Lantern run, it’s clear that not all avenues have been explored in the rush to get to Blackest Night.  Perhaps it was editorial pressure; perhaps it was fan demand; I don’t know – but if this book affords Johns and his cohort the opportunity to explore this War of Light in greater detail, then I’m all for it.  And if you’re a Green Lantern fan, you’ll be all for it too.

Like the first issue, the opening story is by far the strongest.  “Fly Away” tells the tale of angelic beauty, Princess Bleez, and how she comes to embrace the rage of the Red Lantern Corps.  I wasn’t being flowery when I used the word ‘angelic’ either, Bleez has wings – with feathers – and Johns uses these as a simple narrative device to tell a story of freedom yearned for and ultimately, lost.  Eddy Barrows’ pencils are breathtaking, especially in depicting Bleez and her home planet, Havania.  It just goes to show that when given a full story to work with, Barrows absolutely shines (not that that was ever in doubt in the first place).  It’s not just the beautiful vistas he excels in either; his penchant for gritty, horror-inspired visuals is also on display here.  Credit must also go to Nei Ruffino, whose colours went a long way toward evoking the beauty of Bleez and her planet homeland.  All of this beauty – Bleez’s soft, metallic skin and Havania’s crystalline waterfalls – lends the story a great deal of its power when the Sinestro Corps come to strip it all away.  It’s interesting that Bleez’s turn as a Red Lantern owes more to the Sinestro Corps than it does the Red Lanterns themselves.

The second story, also penned by Johns, centres on Carol Ferris, and how she came to be a Star Sapphire.  “Lost Love” is beautifully drawn by Top 10 artist and co-creator, Gene Ha.  As much as I love any opportunity to enjoy Ha’s artwork, I’m going to have to side with the naysayers here and say that, yes, this story is entirely unnecessary.  We have seen most of this before.  The entire story essentially takes place within the confines of Carol’s cockpit, as she converses with the violet ring.  On comes a series of violet-filtered flashbacks concerning Carol and Hal Jordan’s on-and-off love relationship.  Now that the Star Sapphires have refined their crystals into rings for recruitment purposes, acceptance of the ring is voluntary.  This doesn’t ring true to me – the situation and the conversation itself seem to be a contrivance on Johns’ part to separate this particular instance from the earlier ones – it attempts to rationalise something that isn’t at all rational, and that is Love.  The conversation between Carol and the violet ring is a thinly veiled internal monologue, and it comes off as being rather stilted in the end.

The third and final tale in this collection chronicles the journey of the all-conquering, alien floating head, known as Blume.  Peter Tomasi excels at these kinds of dark, quirky tales, and “Godhead” is no exception.  The malevolent head prowls the universe, hungry for anything of value.  Amidst these flagrant displays of greed and cruelty, Tomasi achieves rare moments of poignancy, as Blume learns the true subjectivity of value and sheer breadth of what is valuable to people.  Blume’s fate as an Orange Lantern construct is a foregone conclusion, but that doesn’t rob this story of its value.

The issue finishes with a two-page featurette from Green Lantern: Rebirth artist Ethan Van Sciver, titled “The Symbols of the Spectrum: How They Came to Be, and What They Represent”, which documents the genesis of the seven symbols we’ve seen in the War of Light.  This is great for Green Lantern fans who want an insight into the creative process that goes into the making of their favourite comic book.

You can’t have your cake and eat it too.  Blackest Night: Tales of the Corps is a great supplementary book to the core Green Lantern series and Blackest Night itself.  You don’t need to read it to understand the events of those two books, but it’s a great read nonetheless.  If it was ‘necessary’ or ‘important’, fans and critics alike would be complaining about how they have to follow yet another book to gain an appreciation of the overall story.  As it stands, though, Tales of the Corps represents the very best kind of tie-in to a comic book event – wholly unnecessary to the progression of the main story, and yet an interesting and entertaining read in its own right.