The Flash: Rebirth #4
Author: Geoff Johns
Artist: Ethan Van Sciver
Letterer: Rob Leigh
Colorist: Brian Miller (Hi-Fi)
Cover Artists: Ethan Van Sciver and Brian Miller
Associate Editor: Chris Conroy
Editor: Joey Cavalieri
Flash: Rebirth #4 is an all-encompassing, high-stakes drama, filled with big revelations, but be forewarned: it’ll do yer head in. Geoff Johns, DC continuity surgeon, takes his scalpel to the entire Flash mythos, and while I can’t say the operation went altogether smoothly, the end result is more than satisfactory. Indeed, some of the revelations went right over my head, even with the help of Max Mercury’s pseudo-science, and some dense exposition from series villain, Professor Eobard Thawne (a.k.a. the Reverse-Flash). Johns’ retcons and repairs are a little more obvious than what we’ve come to expect from him in recent times, recalling his earlier, clumsier [but still enjoyable] works. Perhaps a better analogy, then, would be that of the band-aid. “This will only hurt a little bit”, Johns assures as he quickly rips it off. There’s an implicit trust between Geoff Johns and his readership – that everything will come good in the end – and considering the health of the Green Lantern property, I think it’s entirely justified.
Thankfully, the aforementioned revelations are imparted during an action-packed battle between Barry Allen and the Reverse-Flash. I have to hand it to the creative team here, Reverse-Flash is absolutely menacing. Ethan Van Sciver draws him like a hate-filled god, colorist Brian Miller makes his eyes burn like cigarettes, and Rob Leigh makes his speech bubbles crackle with static electricity. This lends a weight and an urgency to the epic story, and one gets the feeling that the Speed Force will never be the same again. Van Sciver’s pencils are once again beautifully detailed, while Miller’s bold reds and yellows are absolutely breathtaking. In fact, I’m going to go out on a limb and say that this is the best looking book I’ve read this week.
Johns’ characterisations are spot-on. He deftly juggles the entire Flash family and an ensemble cast of super-speedsters, giving each of them a unique voice. I knew next to nothing about Max Mercury prior to reading this issue, but I came away with an appreciation of who he is and where he fits in the DC pantheon. It’s also good to see Bart Allen get his wit back – he seemed to have lost it after his own rebirth – and embrace his original role as Kid Flash. Ethan Van Sciver also did an excellent job of differentiating Wally West from Barry Allen – their identical Flash costumes had posed a problem until now – through a clever story device.
Rebirth #4 may have stumbled off the starting block, but it certainly came through with the goods.
This entry was posted on 29th August, 2009 at 12:00 pm and is filed under Comics, DC, Flash with tags art, artist, author, Barry Allen, Bart Allen, Brian Miller, character, characterisation, characters, Chris Conroy, colorist, comic, comic book, comic books, Comics, continuity, cover art, cover artist, dc, dc comics, dc universe, dcu, editor, Ethan Van Sciver, Flash, Flash fact, geoff johns, green lantern, Joey Cavalieri, Kid Flash, letterer, Max Mercury, penciller, psuedo-science, rebirth, retcons, Reverse-Flash, review, Rob Leigh, Speed Force, The Flash, The Flash Rebirth, Wally West, writer. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.