“Who Burns Who: Part One”
Author: Peter J. Tomasi
Artist: Adrian Syaf
Inkers: John Dell & Vicente Cifuentes
Colorist: Nei Ruffino
Letterer: John J. Hill
Cover Artists: Andy Kubert & Alex Sinclair
Alternate Cover Artist: Bill Sienkiewicz
Editors: Adam Schlagman & Eddie Berganza
Bruce’s skull is missing, and his parents unearthed, leading to a very emotional exchange between Dick (Batman) and Damian (Robin). “It’s different when it’s one of your own,” Dick remarks. Bruce was a father figure to both of them, so it’s a difficult moment for both as well. Damian comments on the added weirdness of his situation: “I’m sure a lotta kids get to greet their grandparents this way.” Peter Tomasi’s script is pitch perfect, hitting all the right emotional notes.
Deadman also features quite prominently, and rightly so. As the name suggests, he’s already dead, placing him in the unique situation of having to wrestle with his own corpse. But it’s his previous life as a circus performer (Boston Brand) which makes him the perfect partner to Dick Grayson. His own murder mirrors that of Dick’s parents, and I can only imagine that they will need to pit their acrobatic skills against the Black Lantern Flying Graysons next issue.
But it’s not Deadman’s acrobatics that impress in this issue, rather his internal monologues. Tomasi’s captions are short and suspenseful. We catch many glimpses into the horrors that shaped our heroes’ lives, and the violent deaths that now stir the living dead of Gotham Cemetery. This book is full of small moments made big by their emotional resonance and fan appeal. Long-time Batman fans will find much to get excited about; there’s little doubt that the entire Bat-family will be put through the ringer by this story’s end.
Gotham’s seen a lot of death in its time, and I for one can’t think of a better venue for the dead to rise. It’s as if all the planets in the DC Universe have aligned: Deadman’s seen a resurgence in popularity with appearances in both Wednesday Comics and the Blackest Night series proper; and Tomasi’s scripts have once again been lifted to their rightful place with some appropriately eerie visuals. If you’ve ever wondered where the Tomasi who wrote Black Adam went, look no further than Blackest Night: Batman.