Flash: Rebirth #3
Author: Geoff Johns
Artist: Ethan Van Sciver
Letterer: Rob Leigh
Colorist: Brian Miller
Assistant Editor: Chris Conroy
Editor: Joey Cavalieri
Cover Artist: Ethan Van Sciver & Alex Sinclair
Variant Cover Colorist: Brian Miller
Flash: Rebirth #3 is an odd little duck. While the cuts are quick and kinetic, the storytelling adopts a slow and steady approach. It’s been mentioned by others before, but Van Sciver’s vertical panel-slicing does seem to contribute towards this feeling, for good or for ill (I for one would like to see more two-page spreads to open things up a little). That and there just doesn’t seem to be all that much running. The cover of this issue teases yet another race between the Flash and Superman, and while this particular race has an urgency the others can only dream of, it’s over so quickly that you wonder what all the fuss was about. In truth, it was the most interesting plot-point they could reveal on the cover without spoiling a story full of surprises.
It’s really difficult to discuss this issue (or indeed last issue) without robbing it of its impact. But I’ll put it this way: Barry Allen is back, and that’s not a good thing. This issue maintains the cinematic feel of its predecessors, peeking around all corners of the speedsters’ lives. Recent developments cause Barry to question his role as the Flash, and his place in the Speed Force, if he has a place at all. Let’s just say that the Flash is about to face his Parallax in a race against time.
Comparisons to Green Lantern are apt, considering the reunion of Rebirth‘s creative team to bring us this series. I have every confidence that the Flash’s rebirth will live up to that association. Despite some assertions to the contrary, Van Sciver is on his A-game for this outing, and Johns is continually improving his craft beyond all expectations (how does you challenge yourself when you’re already the best?). The Flash books have languished ever since Johns’ departure all those years ago, and yet, these first three issues are far and away superior to his life’s work on the character. As you’d expect, themes of death and rebirth are explored at length (as they have been in the rest of the DC Universe these past few years), and three issues in, I can’t help but see this is leading into Blackest Night. Morrison did this with Batman and Final Crisis last year, so it’s not outside the realms of possibility.
A seasoned Flash writer, Johns seems to have stumbled over a Flash formula (3X2(9YZ)4A!) he’s not used before. Time travel has always been elementary to the Flashes, but Johns’ time-travel-as-flashback or vice versa is quite clever. It’s also quite confusing, but I have faith that all will make sense in this written-for-the-trade effort. And while you *could* feasibly wait for this six-part story to be collected in a single volume, that would deny these cliffhangers of their power, not to mention your own anticipation. You’ve gotta hand it to Johns, he really knows how to end a chapter, and he always leaves me wanting more. I’ve said this before, but Johns is probably DC’s biggest fan, and the fact that he knows this universe and these characters so much better than all of us puts him one step ahead – in control – at all times. Lead on, I say!